PreSonus StudioLive Series III SE 24 Digital Mixer

zZounds Gear Experts Say...
The SE 24 offers 32 preamps and 40 mix channels in a smart split-fader layout, packed with Fat Channel FX, Metro remote mixing, easy multitracking, and more.

The StudioLive SE 24 is a 40-channel small-format digital mixer with a full complement of analog I/O packed into a 25-fader chassis. The split-fader workflow options let you manage your mix in two efficient fader layers while providing access to your mix outputs on eight additional faders. Equipped with 32 studio-grade, fully recallable, XMAX-R preamps and vintage-style EQ and compression options on every channel and bus, the StudioLive SE 24 makes your mixes sound better, faster. Managing large channel counts has never been easier thanks to 16 FlexMixes that can be configured as subgroups, auxes, or matrix mixes on a per mix basis. Matrix mixes include all 40 input channels and every bus making it easy to create the perfect front- and side-fill mixes for large venues or producer mixes for broadcast applications. You also get 24 DCA groups, 4 dedicated subgroup mixes, and 4 FX mixes, each with a stereo return and dedicated processing with lush reverbs and delays.

Features:

- 40-channel small-format digital mixer
- Analog I/O packed into a 25-fader chassis
- 32 studio-grade, fully recallable, XMAX-R preamps
- Vintage-style EQ and compression options on every channel and bus
- 16 FlexMixes that can be configured as subgroups, auxes, or matrix mixes
- 24 DCA groups, 4 dedicated subgroup mixes, and 4 FX mixes
- Onboard 34x34 multitrack SD Card recording
- 64x64 USB audio interface
- Comprehensive software package with integrated Capture multi-tracking software
- Universal… read more Control remote mixing software with Offline Editor
- Perpetual Fender Studio Pro license
- Certified AVB audio networking

When you're ready to integrate backing tracks, record your show, or mix your next album, the StudioLive SE 24 has you covered with an integrated, continuously bidirectional 64x64 USB 2.0 audio interface and onboard 34x34 SD recorder plus a complete suite of integrated software that features both Capture multitracking and virtual soundcheck software as well as a perpetual license of Fender Studio Pro DAW software. Each channel can easily switch between analog, USB, SD, and AVB sources, making integrating your analog and digital gear easier than ever before.

More than a mixer, StudioLive SE 24 is part of a complete ecosystem of hardware and software. Remotely control your mixer or dial in an Offline mix with Universal Control from your computer or tablet. Launch PreSonus Metro and you can control your mixer over the internet from anywhere in the world with real-time audio monitoring. Built-in, Milan- certified AVB audio networking, makes it easy to integrate with stage boxes, personal monitor mixers, switches, and powerful accessories like the AVB-D16 AVB-to-Dante bridge that lets you add 16x16 Dante networking when you need it.

Fat Channel plug-ins bring your mix to life for stage or studio
The dynamic Fat Channel on the StudioLive SE 24 digital mixer puts critical EQ and dynamics processing beneath your fingertips while giving you fast access to every parameter. The 21 included vintage EQ and classic compressor Fat Channel plug-in models can be inserted on every input and bus.
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Microphone Preamplifier
- Type: 32 XLR Female, balanced (Combo connectors)
- Frequency Response to Main Output (at unity gain): 20-20 kHz, +/-0.5 dBu
- Input Impedance: 1 kOhm
- THD to Main Output: <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
- S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd): 94 dB
- Common Mode Rejection Ratio (1 kHz at unity gain): 65 dB
- Gain Control Range (+/-1 dB): 0 dB to +60 dB
- Maximum Input Level (unity gain): +12 dBu
- Phantom Power (+/-2 VDC) : 48 VDC, switchable per channel

Line Inputs
- Type: (16) 1/4" TRS Female, balanced (Combo connectors)
- Frequency Response to Main Output (at unity gain): 20-20 kHz, +/-0.5 dBu
- Input Impedance: 10 kOhm
- THD to Main Output: <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
- S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd): 94 dB
- Maximum Input Level: +18 dBu

Tape Inputs
- Type: RCA Female, unbalanced (stereo pair)
- Maximum Input Level: +12 dBu, +/-0.5 dBu

FlexMix Outputs
- Type: 16 (12 XLRM, 4 1/4" TRS, balanced)
- Maximum Output Level: +24 dBu, +/-0.5 dBu
- Output Impedance: 100Ohm

Subgroup Outputs
- Type: (4) 1/4" TRS, balanced
- Maximum Output Level: +24 dBu, +/-0.5 dBu
- Output Impedance: 100Ohm

Main Outputs
- Type: 3 XLR Male, balanced (Stereo Left/Right, Main Mono/Center)
- Maximum Output Level: +24 dBu, +/-0.5 dBu
- Output Impedance: 100Ohm

Monitor Outputs
- Type: 1/4" TRS Female, balanced (stereo pair)
- Maximum Output Level: +18 dBu, +/-0.5 dBu
- Output Impedance: 100Ohm

Tape Outputs
- Type: RCA Female, unbalanced (stereo pair)
- Maximum Output Level: +18 dBu, +/-0.5 dBu
- Output Impedance: 100Ohm

Headphone Output
- Type: 1/4" TRS Female, active stereo
- Maximum Output: 100 mW/ch. @ 60Ohm load
- Frequency Response: 20 Hz - 20 kHz (+/- 0.5 dB)
- THD+N: 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd
- S/N Ratio: 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd

System Crosstalk
- Input to Output: -90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)
- Adjacent Channels: -87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)

Digital Audio and Control
- ADC Dynamic Range: 115 dB (A-wtd, 48 kHz)
- DAC Dynamic Range: 115 dB (A-wtd, 48 kHz)
- USB Recording Port: USB 2.0, Type-B
- AES/EBU Output: XLR Male
- Network Control Port: RJ-45
- AVB Audio Network Port: Locking XLR Ethernet
- Internal Processing: 32-bit, floating point
- DSP Engine: Quad-core FLEX DSP
- Sampling Rate: 44.1 and 48 kHz
- A/D/A Bit Depth: 24
- Reference Level for 0 dBFS: +18 dBu
- Total System Latency :1.9 ms (local routing, analog in-analog out, all processing active)
- Jitter: <20 ps RMS (20 Hz - 20 kHz)
- Jitter Attenuation: >60 dB (1 ns in, 1 ps out)
- Jitter Attenuation: >60 dB (1 ns in, 1 ps out)

Power / Environmental
- Connector: IEC
- Input-Voltage Range: 90 to 230 VAC (+/-10%)
- Power Requirements (continuous): 85W
- Recommended Ambient Operating Temperature: 0* to 40* Celsius / 32* to 104* Fahrenheit

Physical
- Height: 6.51" (165.36 mm)
- Width: 25.98" (659.81 mm)
- Depth: 22.97" (583.48 mm)
- Weight: 30 lbs. (13.6 kg)

Dimensions and Weight in Packaging

Base Item

  • Shipping Weight: 41.7 lbs
  • Shipping Dimensions: 32 x 31 x 13 in
  • Manufacturer Part Number (MPN): 2779200309

Reviewers gave this product an overall rating of 5 out of 5 stars. (1 ratings)
Submitted October 8, 2026 by a customer from gmail.com

"Fixed Amendment Review"

Overall: 5 out of 5 stars
(see rating details)
Verified Customer zZounds has verified that this reviewer made a purchase from us.
I'd like to amend my review on the SE24 now that I've had it for over a month. I've learned a lot!The capabilities of this mixer are incredibly wide & deep. It's awesome.So this is what I've done: 1) I figured out how to use this new age mixer with my old Mac Tower running my favorite, lightweight OSX operating system, when multiple advisors told me it couldn't be done or that it hasn't been tested with El Capitan so they couldn't guarantee its success.Wrong! It works awesomely & flawlessly and I'm in Home Studio Heaven!! I found this out after spending a solid week failing, failing & failing again and then after hours for days & days, finally succeeding in creating a whole new OpenCore Legacy Mac OS X Monterey Operating System and then, not liking Reason 14 at all. Massive waste of time. It works with El Capitan just fine. There's just a few tricks I had to figure out...It runs as a massive, versatile audio interface into Logic & Reason with no problems.Ok on to the next...2) I've given each piece of my studio gear, inputs and scribble pad indicators.3) I've gotten AVB audio figured out. It was prone to dropouts but one little adjustment made all the difference. I had bought the best cat6e cable. Updated the firmware's on my SE24 & my 24r, and still, the signal would glitch and drop out. Turn out, they tell you to set one clock as internal and the other as a client or whatever, but it turns out setting both clocks to PSP..Bing!! Everything locked into place and I could send… read more live drum set audio from my drum room over 1 Ethernet Cat6 cable into my studio and it shows up blazing fast...I mean the drummer is on in ears and he's screaming " OMG!!! How is there no latency?! I'm hitting the drums and hearing accurate attack and it's going through over 100 feet of cable and back to me!! It's crazy!!" We both were amazed...Sidenote: electrical audio signal travels over copper wire at 70% of the speed of light! What??! 4) I've got my vocal sound dialed to perfection. 5) My bass sound is, (as a friend said after I sent him a bass track...and I quote).."It was an amazing sound! I've got other players on my project, there's no comparison!" 6) I've got headphone mixes for my sax player & drummer in my studio, dialed with hall verbs, room verbs and light compression...makes tracking a joy. 7) I've got presets setup for bass sessions, drum sessions, horn sessions. All ready to go at the push of a button8) The Digital Audio routing feature is awesome because I can route things to different places depending on which session I am doing.The short of it is this: This mixer does a lot, a lot. And really well. It really is a great purchase for the money. It's pricepoint gives you a lot of capability for the money. Does it sound like an SSL? No, but with some twisting of the knobs, you can get great, great sound out of it, and with all things in balance, and properly eq'd and cleaned up in your mix? for $40,000 less than an SSL I would say that I'm coming out way ahead. I am in Home Studio Heaven!!

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