Behringer EPX2000 Power Amplifier (2000 Watts)
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zZounds Gear Experts Say...
This Behringer power amp embraces switch-mode technology in place of a weighty transformer, delivering tight lows and spacious highs from a lightweight unit.
Overview
Power amps have always been heavy, mainly because of the massive transformers and heat sinks. Behringer's new EPX Series amps are based on groundbreaking switch-mode technology which eliminates the heavy transformer. As a result, the amp weighs around 40% less - in fact the EPX2000 is just 22 lbs./10.10 kg, and you can lift it up almost with one finger. Best of all our super-reliable switch-mode power supply provides an even tighter bass performance as it can deliver ultra-high peak currents.
Think of a Class H amp as a car with two engines (in amps, you call them "rails"). One engine runs all the time. The other runs only when musical peaks demand extra power output. An EPX Class H amp only generates a fraction more power than is immediately needed while the output stage operates at its maximum efficiency all the time.
And just like in today's hybrid cars, the efficiency of this dual system is far greater than having one engine or rail that must operate all the time. EPX… read more amps don't waste power. Class H amps don't waste power, require much smaller heat sinks and much lighter power transformers.
Accelerated Transient Response Delivers the Knock-Out Punch
It takes huge pulses of energy (current and voltage) to propel a woofer cone out fast enough to match a bass beat. That's called Transient Response and it's the holy grail of amp designers. By carefully selecting transistors with extremely high slew rates and optimizing other proprietary parts of our circuitry, our amps are able to react instantly to even the most demanding electronic bass impulses. If the woofers in your PA system can keep up, your audience will hear a tighter, crisper, more natural sound.
Instead of operating relatively continuously like Class AB circuits, Class H amps, which were first described in NASA technology (U.S. patent 3,319,175), feature rail tracking for effectively modulating the power supply rails with only the peaks of the input signal. This technology has revolutionized pro audio amp designs with its outstanding performance and efficiency. When combined with switching-mode power supplies that replace heavy toroid transformers, our new designs provide more dynamic punch and, because they are so much more efficient, run cooler and don't require huge, heavy heat sinks.
BEHRINGER didn't invent Class H technology, but our R&D Department has been working for years to perfect our own version, creating lightweight amps that run cool and also achieve our goal of Accelerated Transient Response.
Everything You Need
The simple front panel controls of these amps give you all of your sound's vital signs at a glance. After pressing the Power Button, the POWER LED will light when the amp is ready for action. Both channels have independent gain dials as well as clip LEDs that indicate when the signal is distorted and you need to reduce the gain. There are also SIGNAL LEDs that light up when a signal is present at the input.
Panel Discussion
The EPX series' INPUTs accept balanced XLR, 1/4" TRS, and unbalanced 1/4" TS and RCA connections. Take your pick of professional locking speaker outputs or touch-proof binding posts to securely connect speakers.
A panel of switches found on the back offers an array of cool options applicable to both channels. The Clip Limiter lets you get even more out of the amplifier without overdriving either it or your speaker system. Built-in circuitry automatically senses when the amp is being overdriven into "clipping" and then momentarily reduces the input level to avoid clipping distortion. This all happens in a few thousandths of a second, so it's an inaudible way of avoiding audible clipping distortion. Of course, you can turn the Limiter off if you're feeling lucky.
The same panel contains the switches that allow you to put these amps to work in either mono, stereo (two-channel mode) or bridge mode, which is always in mono. A built-in CROSSOVER switch lets you select the point at which highs and lows are separated (CH1100 Hz or FULLRANGE).
BEHRINGER's EPX line is built for the working musician. It's much easier to transport than a conventional AB power amp, it packs ample power, it's got a built-in crossover and limiter, and it's built to last through all the rigors of the road. Plus its light price tag will leave you with enough cash left over to acquire more stuff to amplify! Check out an EPX and find out why BEHRINGER power amps are among the most popular on Earth.
- ATR (Accelerated Transient Response) technology for ultimate punch and clarity
- Ultra-light, ultra-low noise and ultra-efficient switch-mode power supply for noise-free audio, superior transient response and low power consumption
- Switchable limiters offer maximum output level with reliable overload protection
- Detented gain controls for precise setting and matching of sensitivity
- Precise Power, Signal and Clip LEDs to monitor performance
- XLR, 1/4 in. TRS and RCA input connectors for compatibility with any source
- Professional speaker connectors and "touch-proof" binding posts support most speaker wiring systems
- Built-in Subwoofer/Satellite crossover for more flexibility
- Independent DC and thermal overload protection on each channel automatically protects amplifier and speakers without shutting down the show
- "Back-to-front" ventilation system including air filter for reliable operation
- "Built-like-a-tank", impact-resistant, all-steel 2U rackmount chassis
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany read less
In a Class of Their Own
The secret to the EPX series' incredible power-to-weight ratio is their use of a switching-mode power supply combined with Class-H topology. Switching-mode power supplies work on demand. Instead of constantly working at full power and dissipating excess power as heat, they only ramp up the power output when needed--thousands of times per second. Considerably more efficient than traditional power supplies, switching-mode power supplies are small and light, yet deliver ample power.Think of a Class H amp as a car with two engines (in amps, you call them "rails"). One engine runs all the time. The other runs only when musical peaks demand extra power output. An EPX Class H amp only generates a fraction more power than is immediately needed while the output stage operates at its maximum efficiency all the time.
And just like in today's hybrid cars, the efficiency of this dual system is far greater than having one engine or rail that must operate all the time. EPX… read more amps don't waste power. Class H amps don't waste power, require much smaller heat sinks and much lighter power transformers.
Accelerated Transient Response Delivers the Knock-Out Punch
It takes huge pulses of energy (current and voltage) to propel a woofer cone out fast enough to match a bass beat. That's called Transient Response and it's the holy grail of amp designers. By carefully selecting transistors with extremely high slew rates and optimizing other proprietary parts of our circuitry, our amps are able to react instantly to even the most demanding electronic bass impulses. If the woofers in your PA system can keep up, your audience will hear a tighter, crisper, more natural sound.
Instead of operating relatively continuously like Class AB circuits, Class H amps, which were first described in NASA technology (U.S. patent 3,319,175), feature rail tracking for effectively modulating the power supply rails with only the peaks of the input signal. This technology has revolutionized pro audio amp designs with its outstanding performance and efficiency. When combined with switching-mode power supplies that replace heavy toroid transformers, our new designs provide more dynamic punch and, because they are so much more efficient, run cooler and don't require huge, heavy heat sinks.
BEHRINGER didn't invent Class H technology, but our R&D Department has been working for years to perfect our own version, creating lightweight amps that run cool and also achieve our goal of Accelerated Transient Response.
Everything You Need
The simple front panel controls of these amps give you all of your sound's vital signs at a glance. After pressing the Power Button, the POWER LED will light when the amp is ready for action. Both channels have independent gain dials as well as clip LEDs that indicate when the signal is distorted and you need to reduce the gain. There are also SIGNAL LEDs that light up when a signal is present at the input.
Panel Discussion
The EPX series' INPUTs accept balanced XLR, 1/4" TRS, and unbalanced 1/4" TS and RCA connections. Take your pick of professional locking speaker outputs or touch-proof binding posts to securely connect speakers.
A panel of switches found on the back offers an array of cool options applicable to both channels. The Clip Limiter lets you get even more out of the amplifier without overdriving either it or your speaker system. Built-in circuitry automatically senses when the amp is being overdriven into "clipping" and then momentarily reduces the input level to avoid clipping distortion. This all happens in a few thousandths of a second, so it's an inaudible way of avoiding audible clipping distortion. Of course, you can turn the Limiter off if you're feeling lucky.
The same panel contains the switches that allow you to put these amps to work in either mono, stereo (two-channel mode) or bridge mode, which is always in mono. A built-in CROSSOVER switch lets you select the point at which highs and lows are separated (CH1100 Hz or FULLRANGE).
BEHRINGER's EPX line is built for the working musician. It's much easier to transport than a conventional AB power amp, it packs ample power, it's got a built-in crossover and limiter, and it's built to last through all the rigors of the road. Plus its light price tag will leave you with enough cash left over to acquire more stuff to amplify! Check out an EPX and find out why BEHRINGER power amps are among the most popular on Earth.
Features
- 2 x 1000 Watts into 2 Ohms; 2 x 650 Watts into 4 Ohms; 2000 Watts into 4 Ohms (bridge mode)- ATR (Accelerated Transient Response) technology for ultimate punch and clarity
- Ultra-light, ultra-low noise and ultra-efficient switch-mode power supply for noise-free audio, superior transient response and low power consumption
- Switchable limiters offer maximum output level with reliable overload protection
- Detented gain controls for precise setting and matching of sensitivity
- Precise Power, Signal and Clip LEDs to monitor performance
- XLR, 1/4 in. TRS and RCA input connectors for compatibility with any source
- Professional speaker connectors and "touch-proof" binding posts support most speaker wiring systems
- Built-in Subwoofer/Satellite crossover for more flexibility
- Independent DC and thermal overload protection on each channel automatically protects amplifier and speakers without shutting down the show
- "Back-to-front" ventilation system including air filter for reliable operation
- "Built-like-a-tank", impact-resistant, all-steel 2U rackmount chassis
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany read less
Specs
Output at 8 ohms stereo: 350 watts per channel
Reviews
Reviewers gave this product an overall rating of 2.5 out of 5 stars.
(2 ratings)
Submitted February 5, 2011 by a customer from att.net
"Good value, Easy to move around, Obnoxiously loud fans !"
Verified Purchaser
zZounds has verified that this reviewer purchased this specific product from us.
I freely admit my application is not the absolute intended use by the designer, but my budget at this time is not unfortunately in the Krell ballpark ! My mindset is however in this ballpark, so my expectations are probably unreasonable - I get that.
If i had to be in the room with these fans though, i would not be writing this review as i would already have shipped it back !
Sound
Bear in mind that all my comments relate to my using this amp to power a passive home theater subwoofer, and it does do a fairly good job of this, and although i cannot test the validity of this statement -the power ratings have to be highly exaggerated ! I slotted this Behringer into a hole previously occupied by a 15 year old classic Adcom 555II which is rated at 200Watts x2 into 8ohms and 400Watts x2 into 4 ohms. The Behringer should have it beat by a healthy margin, but it does not! The power game is one played by pretenders in the audiophile world !
Features
Again, in my intended use, this amp is raw. The positive first though - great connection panel on the rear with balanced, RCAs and 1/4" inputs. Standard speaker binding post and pro locking outputs. Minimal, but adequate crossover and a limit switch circuit that is a plus, although I haven't come close to hitting on it yet! Negatives - The twin fans are loud! It has no current sensing or 12Volt turn on circuit, which in my application is a headache i must find a workaround for.… read more You must use the front power button, prepare yourself for, and tolerate, a turn on thump (what is this, the seventies? volume down boys). The rack mount tabs are not removeable, so it looks like crap in my rack. Oh, and did i say the fans are loud! They run at a constant speed instead of being switched by a temperature sensing circuit, and will bother most everyone i would imagine ! Fortunately in my case, all my gear is in a media closet outside the theater, but that is rarely going to be the case. There is no way I could be in the same room with this amp trying to listen to delicate audio detail. I've read about user modifications for this, but they will void any warranty of course. Pro users will mostly override this noise with some of their own though ! I've yet to get this thing even warm, so bet it can really take a pounding before these fans are even necessary for cooling !
Ease of Use
This amp is the lightest by far that i have ever owned, and in my game that usually relates to poor quality and power limitations, but this amp does not employ the typical massive toroidal power transformers found in audiophile gear. Connections and switches are very easy to use. Pro users that move their gear every gig will love this amp.
Quality
Seems to be very strong and solid, albiet its light weight. Cannot speak for quality longevity though. I do have to keep reminding myself this is a $300 amp i'm talking about here. For the price, there is not much to complain about I guess!
Value
Again, for $300, it is a steal for a new product. Though if I was looking to run anything but subs, this would not have made my short list!
Manufacturer Support
I chose 10 because i have to choose something! Have not used support but have heard you get to talk with a human right off the bat. Big Big Plus if this is true.
The Wow Factor
Not pretty, unless you are into flashing lights, which in retrospect, pro users are !
Musical Background:
Audiophile
Musical Style:
Classic rock, vocals read less
Sound
Bear in mind that all my comments relate to my using this amp to power a passive home theater subwoofer, and it does do a fairly good job of this, and although i cannot test the validity of this statement -the power ratings have to be highly exaggerated ! I slotted this Behringer into a hole previously occupied by a 15 year old classic Adcom 555II which is rated at 200Watts x2 into 8ohms and 400Watts x2 into 4 ohms. The Behringer should have it beat by a healthy margin, but it does not! The power game is one played by pretenders in the audiophile world !
Features
Again, in my intended use, this amp is raw. The positive first though - great connection panel on the rear with balanced, RCAs and 1/4" inputs. Standard speaker binding post and pro locking outputs. Minimal, but adequate crossover and a limit switch circuit that is a plus, although I haven't come close to hitting on it yet! Negatives - The twin fans are loud! It has no current sensing or 12Volt turn on circuit, which in my application is a headache i must find a workaround for.… read more You must use the front power button, prepare yourself for, and tolerate, a turn on thump (what is this, the seventies? volume down boys). The rack mount tabs are not removeable, so it looks like crap in my rack. Oh, and did i say the fans are loud! They run at a constant speed instead of being switched by a temperature sensing circuit, and will bother most everyone i would imagine ! Fortunately in my case, all my gear is in a media closet outside the theater, but that is rarely going to be the case. There is no way I could be in the same room with this amp trying to listen to delicate audio detail. I've read about user modifications for this, but they will void any warranty of course. Pro users will mostly override this noise with some of their own though ! I've yet to get this thing even warm, so bet it can really take a pounding before these fans are even necessary for cooling !
Ease of Use
This amp is the lightest by far that i have ever owned, and in my game that usually relates to poor quality and power limitations, but this amp does not employ the typical massive toroidal power transformers found in audiophile gear. Connections and switches are very easy to use. Pro users that move their gear every gig will love this amp.
Quality
Seems to be very strong and solid, albiet its light weight. Cannot speak for quality longevity though. I do have to keep reminding myself this is a $300 amp i'm talking about here. For the price, there is not much to complain about I guess!
Value
Again, for $300, it is a steal for a new product. Though if I was looking to run anything but subs, this would not have made my short list!
Manufacturer Support
I chose 10 because i have to choose something! Have not used support but have heard you get to talk with a human right off the bat. Big Big Plus if this is true.
The Wow Factor
Not pretty, unless you are into flashing lights, which in retrospect, pro users are !
Musical Background:
Audiophile
Musical Style:
Classic rock, vocals read less
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