These professional condenser microphones for studio recording and live applications have all the big-time features packed in an extremely compact form factor. They are sold as a matched pair -- perfect for stereophonic recording -- for a price you wouldn't even consider it bought you a single one. Learn More...
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The Shure Model SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. Its wide frequency response, low noise characteristics, and low RF susceptibility have made it a standard for applications involving acoustic instruments, especially guitar, piano, and cymbals. Learn More...
The ECM8000 can be used with nearly any Real-Time Analyzer that provides a phantom power within +15 V to +48 V. Due to the ultra-linear frequency response of the microphone, the analyzer only gets the signal that is in the room. Learn More...

The PG81 Instrument Microphone is a sensitive, flat response mic ideal for acoustic instruments such as an acoustic guitar, cymbals, piano, strings, woodwinds, and ensembles. Learn More...
Packaged in a small, rugged, all metal housing, the GXL1200 Condenser microphone provides a transparent sound reproduction. The transformerless design of this instrument microphone allows it to have low distortion and optimum low end frequency response. The GXL1200's size, accurate sound reproduction, and high SPL capability, make this a great choice for miking overheads, high hats, cymbals, woodwinds and stringed instruments. Learn More...

The Shure KSM109 offers incredible performance for its price. It combines an extended frequency response for natural sound reproduction with a smooth high end and a tight, controlled low end. It's all the mic you need for studio instrument recording. Learn More...

The MXL 604 is the latest in quality instrument microphones. Using transformer-less FET circuitry and a 20mm gold diaphragm capsule design, The 604 delivers the dynamic range required in the most demanding instrument miking applications. It features; -10dB switchable attenuation; selectable low-frequency roll-off; and an interchangeable omni-directional capsule making the the 604 perfect for acoustic guitar, ambient and overhead drum miking. The 604 exhibits low noise characteristics with a wide dynamic range. Learn More...

The M3 is an extremely versatile microphone that is at home in the studio, on location, or wherever a low-noise wide-response cardioid condenser microphone is demanded. Learn More...

The e614 is a supercardioid back-electret condenser microphone, designed for demanding instrument recordings that require extended frequency response, high SPL, fast transient response and compact mic size. While percussion overhead miking was the first design priority, the e614 also works exceptionally well on woodwind and string instruments, and is a good choice for flute and sax where it captures the full body of the instrument. The e614 can handle high SPLs and features a medium sensitivity, which ensures reduced bleed from other instrumentson stage. Because of its excellent acoustic properties this mic is also ideal for home recording. Learn More...

This system offers separate capsules and powering modules that can be combined to produce a wide variety of microphones. A single module plus a few capsules can provide the user with a flexibility that would otherwise require investing in numerous individual microphones. The system converts quickly from one type of microphone to another by simply threading together various system components. Learn More...

The C02 is a pencil style condenser microphone that excels in both live performance and recording applications. Equipped with a liner frequency response for superior reproduction, it is also designed to withstand high sound pressure levels. Extremely sensitive, it employs a tight cardioid pattern to reduce feedback. A special shock-mounted mic holder is included to minimize noise and provide additional protection. Learn More...
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The Rode NT5 is a condenser microphone specifically designed for instruments including guitar, saxophone, drums, violin, and many others. Its design allows for tight positioning where small mics are most useful. They come as a matched pair complete in a case with a stand mounts and windscreens. Learn More...
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The KM 184 is known as "the" acoustic guitar microphone, but don't pigeon-hole it. This microphone also works well for overheads, speech applications, and spot mics. An industry standard that began with the KM 84 is continued by the more modern, quiet, and affodable KM 184. Learn More...

The C4 is small diaphragm condenser microphone set featuring interchangeable capsules, switchable -10dB pad/high pass filter and a linear low-noise, solid state amplifier body. The microphone’s modularity makes it a useful multi-purpose tool intended for all-around use on stage, on location and in studios of all caliber. Learn More...

The C1000S has a max SPL of 137dB for 1% THD and 145 dB @ 3% THD. A cardioid or hypercardioid pattern can be selected with the unique PPC1000 polar pattern converter. Learn More...
The Audix F15 Fusion Series condenser microphone captures the wide sound field of cymbals and transients while adding dimension and realism. Applications include cymbals, overheads, hi-hat, and goodie table. Learn More...

The ADX51 is a pre-polarized condenser microphone designed to handle a wide variety of live studio and broadcast applications. Characterized with a cardioid pickup pattern and a smooth uniform response over a frequency range of 40-18k Hz, the ADX51 is precision machined from solid brass with a low reflective black e-coat finish. Learn More...

Samson CL2 Pencil Condenser Microphones are ideal for recording and live applications. Available as a matched pair, Samson CL2s are true capacitor condenser mics that feature a high pass filter and a 10dB pad. Learn More...

Small-diaphragm cardioid condenser microphone for studio recording and live performance. Learn More...

One of the new stars of the Artist Series remake, the ATM450 cardioid condenser offers an innovative side-address stick design for endless placement options and minimal obstructions. The microphone is equipped with an integral 80 Hz hi-pass filter that provides easy switching from a flat frequency response to a low-end roll-off. The ATM450 also features a switchable 10 dB pad that lowers the microphone's sensitivity, providing higher SPL capability for flexible use with a wide range of performers and system configurations. Learn More...
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