The Best Microphones Under $200 a Month

Don't let the small size of the Neumann TLM 102 fool you -- it's a monster of a mic! With a slight presence boost above 6 kHz, this cardioid large-diaphragm condenser yields "that Neumann sound" on vocals and just about everything else. Try the larger, lower-noise Neumann TLM 103 for a brighter top-end sound, courtesy of its wide, smooth presence boost starting at around 4 kHz. Upgrade to the TLM 103 Anniversary Edition microphone to score the matching Neumann shock mount and case.

With a gentle boost around 9 kHz, the legendary Neumann KM184 is the acoustic guitar microphone. Thanks to SPL handling of 138 dB, this classic cardioid small-diaphragm condenser also shines on loud sources like brass and percussion.

If you're recording aggressive rock/rap vocals -- or any powerful singer -- the Shure SM7dB is a solid bet. Capable of handling 180 dB SPL, the SM7dB loves loud vocalists, and it's also an industry-standard mic for voiceover. Shure's KSM series of premium studio mics includes the KSM32C and KSM44MP large-diaphragm condensers -- both heavy hitters for tracking vocals.

Next time you're at a concert, look above the drum kit. You're likely to see a pair of Shure SM81 small-diaphragm condensers hanging there. These workhorse cardioid mics are known for their outstanding transparency and realism on drums.

There's nothing like a good ribbon mic to lend a natural-yet-detailed sound to any source -- and Royer Labs makes some of the best! Check out their modern-classic, the R-121, a natural for guitar cabs, vocals, and acoustics. The R-122 active ribbon gives you a ribbon sound with plenty of level for quiet sources. And try the R-10 for a more affordable way to add the ribbon sound to your studio.

Capable of handling sound pressure levels (SPL) up to an astonishing 150 dB, the mighty Sennheiser MD 421 microphone is a go-to cardioid dynamic for loud sources like guitar amps, rack toms and powerful vocals. Its 5-position bass roll-off switch makes it super-versatile. Need a high-SPL dynamic mic that's less bulky than the 421? Clip the Sennheiser e604 on tom or snare rims.

Check the reviews -- zZounds customers love the Sennheiser e609S Silver on guitar amps and more. It's super-easy to place: just hang it over the top of the amp and let the mic's grille rest on your amp's grille. Recording vocals at home? Try the affordable Sennheiser MK4 -- Sennheiser's first side-address large-diaphragm condenser.

If you've spent much time in recording studios, you know the AKG C414 microphone -- a classic large-diaphragm condenser known for its accuracy. Its smaller sibling is the AKG C214 -- an excellent fixed-cardioid condenser for the home studio.

Rode microphones are much-loved studio workhorses, and with zZounds' payment plans, you can score one for under $200 a month. For sources where you might use a pair of small-diaphragm condensers -- like in front of an acoustic guitar, above a choir, inside a piano or over a drum kit -- try the Rode NT4 stereo condenser mic for incredibly easy placement.

For tracking vocals, a tube condenser like the Rode K2 or Rode NTK can help capture detailed tracks while adding a bit of tube character to your digital studio. The NTK is a fixed-cardioid design, while the K2 gives you a continuously variable polar pattern to give you more flexibility in the studio.