JHS 3 Series Tape Delay Pedal


zZounds Gear Experts Say...
A pedal based on classic tape delay units, JHS' 3 Series tape delay features three easy controls and a "Flutter" switch that engages mild modulation.
Overview
The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
- A simplified and faithful throwback to classic units
- Mix control lets you control how much clean signal is blended in
- Tape Speed acts as a simulation of the tape motor speed
- Repeats control goes from a single repeat to many
- Capable of mild modulation, warble, and flutter sounds
Tape delay was invented in the late 40s when Les Paul strung two Ampex Model 200A reel-to-reel tape recorders together. A little later, in 1953, Ray Butts invented the Echosonic, the first actual tape delay unit. This would be followed up by the Echoplex EP-1 in 1961 from Mike Battle and the Space Echo from Roland in 1974. The JHS Pedals 3 Series Tape Delay is a simplified and faithful throwback to these classic units. The Mix control lets you control how much clean signal is blended in with the wet (delayed) signal (on the original unit, this was called Echo Volume). Tape Speed acts as a simulation of the RE-201's tape… read more motor speeding up and slowing down and determines how short or long the delay effect is. The Repeats control goes from a single repeat to many, reminiscent of a sound being written onto the tape loop with loss of fidelity each time. Finally, when the Flutter toggle is turned on (up position), it replicates the wear & tear to the mechanical parts of a tape machine that happens over time. This causes mild modulation, warble, and flutter sounds in the echo path of the delay that so many players desire.
CONTROLS
- MIX - Controls how much clean signal is blended in with the wet (delayed) signal. Left is more dry signal. Right is more wet signal.
- TAPE SPEED - Controls the length of delay effect. Left is shorter. Right is longer.
- REPEATS - Controls how many repeats occur after you play. Left is less. Right is more.
- FLUTTER - Switch down is standard effect. Switch up introduces a mild modulation reminiscent of vintage units with mechanical wear.
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Features:
- Affordability and simplicity without compromising quality- A simplified and faithful throwback to classic units
- Mix control lets you control how much clean signal is blended in
- Tape Speed acts as a simulation of the tape motor speed
- Repeats control goes from a single repeat to many
- Capable of mild modulation, warble, and flutter sounds
Tape delay was invented in the late 40s when Les Paul strung two Ampex Model 200A reel-to-reel tape recorders together. A little later, in 1953, Ray Butts invented the Echosonic, the first actual tape delay unit. This would be followed up by the Echoplex EP-1 in 1961 from Mike Battle and the Space Echo from Roland in 1974. The JHS Pedals 3 Series Tape Delay is a simplified and faithful throwback to these classic units. The Mix control lets you control how much clean signal is blended in with the wet (delayed) signal (on the original unit, this was called Echo Volume). Tape Speed acts as a simulation of the RE-201's tape… read more motor speeding up and slowing down and determines how short or long the delay effect is. The Repeats control goes from a single repeat to many, reminiscent of a sound being written onto the tape loop with loss of fidelity each time. Finally, when the Flutter toggle is turned on (up position), it replicates the wear & tear to the mechanical parts of a tape machine that happens over time. This causes mild modulation, warble, and flutter sounds in the echo path of the delay that so many players desire.
CONTROLS
- MIX - Controls how much clean signal is blended in with the wet (delayed) signal. Left is more dry signal. Right is more wet signal.
- TAPE SPEED - Controls the length of delay effect. Left is shorter. Right is longer.
- REPEATS - Controls how many repeats occur after you play. Left is less. Right is more.
- FLUTTER - Switch down is standard effect. Switch up introduces a mild modulation reminiscent of vintage units with mechanical wear.
WARNING: Cancer and Reproductive Harm - www.p65Warnings.ca.gov.
Specs
INPUT: 1/4" jack on the right side of the pedal
OUTPUT: 1/4" jack on the left side of the pedal
POWER: Requires 9VDC negative center power and consumes 65mA. Do not use more than 9VDC. You will void your warranty
DIMENSIONS: 4.42" X 2.38" X 1.22"
OUTPUT: 1/4" jack on the left side of the pedal
POWER: Requires 9VDC negative center power and consumes 65mA. Do not use more than 9VDC. You will void your warranty
DIMENSIONS: 4.42" X 2.38" X 1.22"
- Dimensions and Weight in Packaging
- Base Item
- Shipping Weight: 0.67 lbs
- Shipping Dimensions: 6 x 4 x 3 in
- Manufacturer Part Number (MPN): 3STD
Documents and Manuals
For support or warranty questions, please contact the manufacturer:
Email: info@jhspedals.com
Web: https://www.jhspedals.info/general-inquiry
Email: info@jhspedals.com
Web: https://www.jhspedals.info/general-inquiry
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