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Audient iD4 USB Audio Interface

With an XLR mic pre, a 1/4" DI input, and a big volume knob that doubles as a scroll wheel, this USB-powered audio interface is great at home or on the road. (2) Read 2 reviews for this product | Rate and review this product
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Audient iD4 USB Audio Interface

The Audient iD4 delivers the audio performance of a large format console in a portable desktop package enabling you to record your vocals and guitar simultaneously. Providing one renowned Audient console mic pre, class-leading converter technology, dual headphone outputs, console style monitor control, JFET D.I and their virtual scroll wheel technology 'ScrollControl', iD4 is a professional but affordable solution for your home studio or for when you're on the road.

The Professional Sound You Deserve

Audient is the only company that use the same Class-A mic pre design throughout their entire product range, whether you're in the studio with an Audient console or on the road with iD4, you're always guaranteed the same world class Audient sound.

Brilliance On the Inside Enables Brilliance On the Outside

iD4 provides you with high performance AD-DA converters. Quality in the analogue stages of design comes from years of experience as analogue console designers, and when coupled with outstanding converter technology it enables you to hear audio as it's supposed to sound. The importance of converters should never be underestimated. Experience audio the Audient way.

Simply Scroll to Control

With a touch of a button iD4's volume encoder becomes a virtual scroll wheel, enabling you to adjust DAW hosts, plug-in parameters and even scroll through your iTunes library - just like you're adjusting a piece of hardware. Wherever your mouse pointer hovers, the iD knob can scroll to control! And when your not using ScrollControl, pressing iD4's volume encoder activates DIM, enabling you to quickly reduce the playback volume.

Plug in and Be Inspired

iD4 has a harmonically rich JFET D.I input. Designed to replicate the input stage of a classic valve amplifier, you can plug your guitar, bass, keyboard or drum machine straight in and start recording instantly. Get professional quality recordings from the start and take your track to the next level.

Headphone Mixes with Clarity

Recording an acoustic guitar and vocal? iD4's Monitor Pan feature enables you to pan both the mic pre input and D.I input from left to right, making it easy for you to create a balanced headphone mix that suits you. Quickly plug in, set up a headphone mix and starting tracking instantly, perfect for singer songwriters & producers on the go!

Record with Confidence

iD4's Monitor Mix feature lets you monitor a blend of both iD4's inputs and your DAW playback, providing near zero latency monitoring while recording. Designed with creativity in mind, Monitor Mix allows you to quickly blend in your DAW playback and start recording along to your multitrack instantly, enabling you to focus on the music and lay down your track effortlessly.

Write, Collaborate and Create

Featuring a dual headphone output, iD4 enables you to collaborate with your friends and other artists. Whether you're recording a guitar and a vocal, or just listening to music together, iD4 lets you plug in two sets of headphones, making it the perfect tool for jamming with your friends and capturing creativity as it happens. The dual headphone output also has both a jack and mini jack output, so no more need to carry around a pesky headphone adaptor!

Quality Deserves Protection

iD4 has been designed to last, from its all-metal construction, hand finished aluminium knobs and high grade component selection, iD4 will stand up to countless late nights in the studio and days on the road.

Features

- 2-in/2-out USB Audio Interface
- 1 x Class-A Audient Console Mic Preamplifier
- 1 x Discrete JFET Instrument Input
- High Performance Converters
- iD ScrollControl Mode
- Zero Latency Monitoring with Monitor Mix & Pan
- Main Speaker Output
- Independent Class-AB Headphone Amplifier with Dual Outputs
- Monitor Control Functionality
- USB2.0 Bus Powered
- 24bit/96khz
- All-Metal Enclosure
- Windows, macOS and iOS compatible

zZounds is an authorized dealer of Audient products.


WARNING: Cancer and Reproductive Harm - www.p65Warnings.ca.gov.
Microphone Preamp: (measurement includes ADC signal path)
- Mic Gain: 0 to 66 dB (inc. +10 dB software boost)
- Line Gain: -10 to 56 dB (-10dB hardwired line pad)
- Phantom Power: 48V +/-4V @ 10mA/Channel (12VDC only)*
- Mic Ein: <-126.0 dBu
- CMRR: >75 dB @ 1kHz
- Max Input Level: +12 dBu (0 dBFS digital Maximum)
- Input Impedance (Mic): 2.8 kO Balanced
- Input Impedance (Line): >8kO Balanced
- Frequency Response: +/-0.1 dB 20Hz to 22kHz @ min. gain, +/-1.0 dB 20Hz to 22kHz @ max. gain
- Crosstalk: <-91 dBu
- THD+N @ 0dBu (1kHz): 0.0015% (-96.5dBu)
- SNR: 96 dB un-weighted, 99 dB A-weighted
- XLR Combi Female: Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield)
- 1/4" TRS Jack: Tip (Hot), Ring (Cold) & Sleeve (Shield)

D.I (Channel 1):
- D.I Gain: -5 to 45 dB (inc. +10 dB software boost)
- Max Input Level: +8 dBu (0.6% THD typical)
- Input Impedance: >500kO Unbalanced
- Frequency Response: +/-0.1 dB 20Hz to 22kHz
- THD+N @ 0dBu (1kHz): <0.1% all musical 2nd and 3rd harmonics, Typically 0.05% at 0dBu
- SNR: 87 dB un-weighted, 90dB A-weighted
- 1/4" JACK: TIP (Hot) & SLEEVE (Shield)

Analog to Digital Converter (ADC 1 & 2): (measured sans microphone preamplifier under AES-17)
- Max Input Level: +12 dBu (0 dBFS digital maximum)
- Digital Reference Level: +12 dBu = 0 dBFS
- Frequency Response: +/-0.1 dB 10Hz to Fs/2 (flat to nyquist)
- Crosstalk: -100 dBu @ 1kHz & 10kHz
- THD+N @ -1dBFS (1kHz): <0.001% (-100 dB)
- THD+N @ -6dBFS (1kHz): <0.0011% (-99.1 dB)
- Dynamic Range: 112 dB un-weighted, 114 dB A-weighted

Digital to Analog Converter (DAC 1&2): (measured under AES-17 at line outputs 1&2)
- Max Output Level: +12 dBu (0 dBFS digital maximum)
- Digital Reference Level: +12 dBu = 0 dBFS
- Output Impedance: <100O
- Frequency Response: +/-0.1 dB 10Hz to Fs/2 (flat to nyquist)
- Crosstalk: <-104 dBu @ 1kHz & 10kHz
- THD+N @ -1dBFS (1kHz): <0.0015% (-96.5 dB)
- Dynamic Range: 112 dB un-weighted, 115 dB A-weighted
- 1/4" TRS Jack: Tip (Hot), Ring (Cold) & Sleeve (Shield)

Dual Headphone Output:
- Max Output Level: +12 dBu (0dBFS digital maximum)
- Digital Reference Level: +12 dBu = 0 dBFS
- Voltage Gain: +6 dB (optimised for loudness)
- Output Impedance: <30 O Unbalanced
- Frequency Response: +/-1.0 dB 10Hz to Fs/2 (load dependant)
- Crosstalk: -98 dBu @ 1kHz & 10kHz
- THD+N @ -1dBFS (1kHz): <0.0012% (-98.4 dB)
- Dynamic Range: 106 dB un-weighted, 108 dB A-weighted
- Max Level Into 30ohms: +3 dBu, 0.008% THD+N, Power: 80mW
- Max Level Into 60ohms: +6 dBu, 0.005% THD+N, Power: 80mW
- Max Level Into 600ohms: +12 dBu, 0.0025% THD+N, Power: 31mW
- 1/4" TRS Jack: TIP (Left), RING (Right) & SLEEVE (Shield)
- 1/8" Mini Jack: TIP (Left), RING (Right) & SLEEVE (Shield)

USB 2.0 High Speed:
- Bus Power: 500mA @5V System Limit, 420mA @5V Maximum (No 48V)
- Number of Input Channels: 2 (2 Analogue)
- Number of Output Channels: 2 (2 Analogue)
- DSP Mixer Latency: Round Trip (in-to-out)
- 44.1kHz 1.583ms
- 48.0kHz 1.458ms
- 88.2kHz 0.792ms
- 96.0kHz 0.729ms

Compatibility:
- iD4 supports the following operating systems:
- macOS 10.7.5 and later
- Windows 7 and later
- iOS 6 and later
- To use iD4 with an iOS device a camera adapter kit and a powered USB 2.0 hub is required.

Power Supply:
- USB2.0 Powered (2.5 Watts Maximum)
- iD4 features a class leading converters and class-A mic pre. We've optimised all circuitry so that they can supply true 48v phantom power to a single Audient mic pre without compromise. Your microphones will thank you when they get enough voltage.
Weight, Dimensions, and Manufacturer Part Numbers
Shipping Weight: 2 lbs
Shipping Dimensions: 8 x 8 x 4 in
Manufacturer Part Number (MPN): iD4
Customer Reviews
3.5 out of 5 (2 ratings) Rate and Review This Product
Overall: I bought this unit, because it was one of the few bus powered units available with good specs for both Mac and PC, plus it had two headphone outs which is just what I need to track a friends while on the road! I travel quite a bit and my Universal Audio Apollo needs to be plugged into a wall to work. Plus it's a total pain in the butt to work with. My Apogee Duet is only for a Mac. There are times when that is just not convenient. In a few short words I got it, plugged it in just to check it out. I plugged in a bass, and noticed that it sounded better than I was used to hearing it. Not cleaner, but it had character. Hours flew by, and I had a song. Pretty impressive. The DI on this thing is awesome, but then I noticed that the Mic pre was also doing it's thing. I also have a Focusrite which by comparison is sterile sounding. Don't get me wrong...It's clean, and stacks well, but it's just boring. Compared to my other units Focusrite Clarett 8PreX and Octopre, UA Apollo Twin, Lynx Aurora 8 (my favorite), and Apogee Duet this rates as my new emerging favorite. While the Lynx Aurora surpasses it in pure sonics, solid clock etc. this unit inspires based on it's sonic character, and makes recording fun. Everywhere I go folks fall in love with it's preamp, and DI, and even in the bigger studios I'm in many times we track solo instruments, and vox through it into my laptop making things a breeze. While it's vibey it's still fairly transparent like the Focusrite's without the boring factor. Things just sound good the way it should be. Synths, and basses fatten, vox are airy, and sheeny, guitars crunch, and sparkle, horns bite, and growl, and strings stay pretty making me wish I had a few so I could track drums with it although 1 mic on a kit did impress it's just not enough... Build quality is rugged, but with that said the USB port is vulnerable. I dropped my unit quite a few times, but once with the USB plugged in is all it took, and while they repaired the unit under warranty Audient, and their US affiliate took FOREVER. Audient is responsive, but S L O W. The Audient works, and performs well without caveats for the most part. Low latency, great sonics, near flawless operation, and sturdy (it's a nice solid hunk of metal), good feeling, ergonomic controls compliment. Plus it looks classy. It generally stays put on a desktop, but for a clumsy fella like me I could stand to have some sort of USB protective cage or something around it. Lol. Overall it rates very high, and if they can figure out how to shorten the wait time for tech support we've got a winner.
Style of Music: EDM, Pop, Trap
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Overall: Pros: It pretty. Good converters.Cons:Sometimes it has weird output signals from the mic pre. like an offset you can see it in the DAW when you record.1/4 headphone jack just stopped working for no reason. Constantly have to power cycle to get sounds in different programs. Coulda saved myself the headache and got the Focusrite back -_-
Style of Music: Hip-Hop
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