Taylor LTD 712ce Grand Concert 12-FretCedar and Koa, together with their 12-fret neck design, add up to an inspiring sound on this Taylor LTD 712ce Grand Concert 12-Fret acoustic-electric Guitar. Cedar's natural warmth, touch sensitivity, and midrange overtones nicely complement koa's midrange focus and top-end fidelity, giving the guitars more of a played-in sound. The 12-fret neck's bridge placement punches up that tonal output even more, serving up a surprisingly big response to a light touch, making this a great option for fingerstyle players. Aesthetic details include a shaded edgeburst around the entire body and along the neck, and the classic GA-LTD fretboard inlay in green abalone, complemented by green abalone dot bridge pins.
Grand Concert BodyThe small-body Grand Concert debuted in 1984 to meet the needs of a new wave of adventurous acoustic fingerstyle players. In contrast to the traditionally darker, boomier voices of bigger body styles like dreadnoughts and jumbos, the GC's compact size and tapered waist kept the overtones in check. It was also more comfortable to play while sitting down, and the guitar's slightly wider neck gave players more room for complex fingerings. The GC's smaller sonic footprint also fit cleanly in a mix with other instruments when tracking in the studio and with a band on stage, making it a useful tool for professional session and side players. Our current generation of GC models continues to accommodate fingerstylists with finger-friendly traits like a shorter 24 7/8-inch scale length, which makes fretting easier and adds a slightly slinkier feel on the strings due to the lighter string tension. If you feel more comfortable with a small body or favor controlled overtones, a Grand Concert is a great option.
The smallest of Taylor's full-size body shapes. Its compact dimensions make for a physically comfortable guitar with an intimate feel and sound. The smaller footprint keeps the overtones in check, contributing to a focused, articulate sound that's well-suited for recording and stage work.
Western Red Cedar TopCedar is less dense than spruce, and that softness typically translates into a sense of sonic warmth. If Sitka has a full dynamic range, cedar makes quieter tones louder, but it also imposes more of a ceiling on high volume levels driven by an aggressive attack. If one tries to drive a cedar top hard, at a certain point it will reach a volume limit. Typically, players with a lighter touch sound wonderful on a cedar-top guitar, fingerstyle players especially — that lighter touch will be amplified a little more, and one's attack never reaches the ceiling. Flatpickers are likely to hit the ceiling fast, and might be frustrated by an inability to get the tonal output to match their attack.
Hawaiian Koa Body WoodA tropical hardwood, koa's tone blends the midrange of mahogany with the top end of maple. Due to its density, a new koa guitar tends to start out sounding a little bright and tight, somewhat like maple. But the more a koa guitar is played, the more the sound opens up, expanding the midrange and rewarding the player with a richer, sweeter, more resonant tone. A common mistake is when a bright player buys a koa guitar in part for its visual beauty, finds it to be too bright, and doesn't play it enough to allow the wood to warm up.
Expression System 2The Taylor Expression System® 2 (ES2) is a revolutionary pickup design that delivers the latest in Taylor's ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor's patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before. Together with Taylor's custom-designed "professional audio"-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar.
Venetian CutawayStandard on all "ce" models in the 300 Series through the Presentation Series, the Venetian cutaway is known for its soft, round lines. The sloping peak of the cutaway will vary depending on the shape of the guitar. The Grand Concert, Grand Auditorium, and Grand Symphony have a steeper slope, while the Dreadnought and Jumbo are a bit flatter. Our Grand Concert nylon-string models also feature a subtle, flatter slope, while our 100 and 200 Series cutaway models incorporate our flattest slope.
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- Scale Length: 24-7/8"
- Nut & Saddle: Tusq Nut/Micarta Saddle
- Bracing: 12-Fret Bracing
- Truss Rod Cover: West African Ebony
- Pickguard: Tortoise
- Tuners: Taylor Slot Head
- Case: Taylor Deluxe Hardshell Brown
- Brand of Strings: Elixir Phosphor Bronze Light
- Body Length: 19 1/2"
- Body Width: 15"
- Body Depth: 4 3/8"
- Binding: Black
- Top Finish: Gloss
- Back Config:2-piece No Wedge
- Rosette Size: Three Ring
- Back/Side Finish: Gloss
- Rosette Mat.: Abalone
- Stain/Sunburst: Shaded Edgeburst
- Neck Width: 1-3/4"
- Fretboard Inlay: GA-LTD
- Fretboard Binding: Black
- Heel Cap Binding: Black
- Type of Neck Joint:Scarf
- Neck/Heel: Tropical Mahogany
- Fretboard Wood: West African Ebony
- Neck Finish: Satin
- Heel Length: 3-1/4"
- Peghead Finish: Gloss
- Peghead Type: Slot Head
- Headstock Overlay: West African Ebony
- Peghead Logo: Taylor Mother of Pearl
- Bridge Pins: West African Ebony with Green Abalone Dots
- Buttons: Grained Ivoroid
If you have additional warranty questions, please contact the manufacturer at 800-943-6782