Sabine SM820 Microphone Feedback Exterminator with Microphone Preamp
No longer available at zZounds
zZounds Gear Experts Say...
Miniature version of the award-winning FBX-1020P Feedback Exterminator.
Overview
You want more gain? Increased clarity? Automatic feedback control? Want to save some money? Sabine has the answer: the new FBX-SOLO, a miniature version of the award-winning FBX-1020P Feedback Exterminator(R). You decide which inputs get precision, automatic feedback control and maximum gain, from one channel to all your channels.
The affordable and ultimate solution to feedback problems is now even better with the new FBX-SOLO 820 Series - the single-channel solution for feedback control. New features of the SOLOs include increased headroom, a programmable noise gate, & switchable input/output levels for more versatility.
The FBX-SOLO targets feedback without taking a big chunk out of your sound. Digital FBX filters are 10 times narrower than graphic EQ filters. You get back over 90% of the power you lose with a graphic EQ!
Like all the FBX Feedback Exterminators(R), the FBX-SOLO does what no other audio product can do: it automatically detects and eliminates feedback while leaving the sound crystal clear. The patented algorithm distinguishes music from feedback so it works even during the program, not just at setup time.
If you use your 31-band EQ just to shape your sound and let your FBX control feedback, you should expect up to 9 dB more gain and a dramatic improvement in the sound quality. Why When you pull down a graphic EQ slider to chase feedback, you also pull out a big chunk of your sound. FBX constant-Q filters are 10 times narrower than graphic EQ filters. Narrow… read more filters mean more gain and more clarity. It's that simple.
Sabine SM820 FBX-Solo Features
* For Balanced Microphones
* Switchable Phantom Power
* Mic Level or Line Level Out
How It Works:
* Precisely detects feedback frequency
* Places super-narrow (1/10 octave) digital filter directly on feedback
* Sets filter just deep enough to remove feedback
What You Get:
* More gain... for the first time you'll have to turn down the monitors!
* Increased clarity and intelligibility - narrow filters get the feedback and leave your sound untouched
* Automatic feedback control - in setup and during the performance
* Targeted feedback control - aim the FBX where you need it most!
The FBX-SOLO is the perfect solution for wireless mics - you'll be able to move freely without worrying about feedback. Patch it in your monitors and they'll be so loud you may have to turn them down. Get the volume you want with your acoustic/electric instrument or harmonica mic and keep that rich tone. And the built-in noise gate provides the control you need in multi-mic locations like conference rooms and courthouses. Wherever you have an open microphone, the FBX is the most effective and least expensive way to make a dramatic improvement in your sound system. read less
The affordable and ultimate solution to feedback problems is now even better with the new FBX-SOLO 820 Series - the single-channel solution for feedback control. New features of the SOLOs include increased headroom, a programmable noise gate, & switchable input/output levels for more versatility.
The FBX-SOLO targets feedback without taking a big chunk out of your sound. Digital FBX filters are 10 times narrower than graphic EQ filters. You get back over 90% of the power you lose with a graphic EQ!
Like all the FBX Feedback Exterminators(R), the FBX-SOLO does what no other audio product can do: it automatically detects and eliminates feedback while leaving the sound crystal clear. The patented algorithm distinguishes music from feedback so it works even during the program, not just at setup time.
If you use your 31-band EQ just to shape your sound and let your FBX control feedback, you should expect up to 9 dB more gain and a dramatic improvement in the sound quality. Why When you pull down a graphic EQ slider to chase feedback, you also pull out a big chunk of your sound. FBX constant-Q filters are 10 times narrower than graphic EQ filters. Narrow… read more filters mean more gain and more clarity. It's that simple.
Sabine SM820 FBX-Solo Features
* For Balanced Microphones
* Switchable Phantom Power
* Mic Level or Line Level Out
How It Works:
* Precisely detects feedback frequency
* Places super-narrow (1/10 octave) digital filter directly on feedback
* Sets filter just deep enough to remove feedback
What You Get:
* More gain... for the first time you'll have to turn down the monitors!
* Increased clarity and intelligibility - narrow filters get the feedback and leave your sound untouched
* Automatic feedback control - in setup and during the performance
* Targeted feedback control - aim the FBX where you need it most!
The FBX-SOLO is the perfect solution for wireless mics - you'll be able to move freely without worrying about feedback. Patch it in your monitors and they'll be so loud you may have to turn them down. Get the volume you want with your acoustic/electric instrument or harmonica mic and keep that rich tone. And the built-in noise gate provides the control you need in multi-mic locations like conference rooms and courthouses. Wherever you have an open microphone, the FBX is the most effective and least expensive way to make a dramatic improvement in your sound system. read less
Specs
Filters
Eight independent digital notch filters controlled automatically from 40Hz to 20 KHz
Filter width: 1/10 octave, typical, or 1/5-oct. selectable, constant "Q"*
Filter depth: DSP controlled, variable to -40dB
Resolution: 1/50 octave
Time required to find and eliminate feedback: 0.4 seconds, typical @ 1KHz
Total number of combined filters active: User selectable, from 1 to 8
Number of Dynamic vs. Fixed filters: User selectable
Last configuration stored in memory
Input/Output
I/O Connectors: XLR-3 PIN 2 high balanced
Input Impedance: 1 K Ohm nominal
Output Impedance: Unbalanced 10 Ohms nominal; Maximum load 2K Ohms
Maximum Input/Output Level at lowest gain: -10 dBV**
Gain Range: -15 to +20dB (at high output)
Input to Output Gain @ unity setting: +/- 0.5 dBV
Bypass: Digital
EIN: -105dBm @ 150 Ohms, 20Hz-17KHz or better
Phantom Power: 48V switch selectable
Performance***
Frequency Response: < +0.25 dB, 20Hz to 20 KHz
SNR: >94 dB typical
THD: <0.01% @ 1KHz @ +15 dBV
Dynamic Range: >100dB
Noise Gate
Attack Time: Fixed (400 mS)
Threshold: Selectable (-24, -36, -48, -60 dB)
Other
Power Supply: 8-20VDC @ 400 mA
Dimensions: 1-U height, 1/6-RU width; 2.78 x 1.65 x 5.5 in. (6.95 x 4.13 x 13.75 cm)
Weight: 9.0 oz. (0.26 kg)
*Below approximately 200 Hz the feedback filters become slightly wider to increase the feedback and rumble capture speed at these low frequencies.
** Note: Inputs may be balanced or unbalanced. For maximum output capability, outputs must be balanced (XLR). If either side of an input is grounded, the peak output and dynamic range will be reduced by 6 dB.
*** Tests performed using an Audio Precision System One model 322 or equal.
(Specifications subject to change without notice)
Eight independent digital notch filters controlled automatically from 40Hz to 20 KHz
Filter width: 1/10 octave, typical, or 1/5-oct. selectable, constant "Q"*
Filter depth: DSP controlled, variable to -40dB
Resolution: 1/50 octave
Time required to find and eliminate feedback: 0.4 seconds, typical @ 1KHz
Total number of combined filters active: User selectable, from 1 to 8
Number of Dynamic vs. Fixed filters: User selectable
Last configuration stored in memory
Input/Output
I/O Connectors: XLR-3 PIN 2 high balanced
Input Impedance: 1 K Ohm nominal
Output Impedance: Unbalanced 10 Ohms nominal; Maximum load 2K Ohms
Maximum Input/Output Level at lowest gain: -10 dBV**
Gain Range: -15 to +20dB (at high output)
Input to Output Gain @ unity setting: +/- 0.5 dBV
Bypass: Digital
EIN: -105dBm @ 150 Ohms, 20Hz-17KHz or better
Phantom Power: 48V switch selectable
Performance***
Frequency Response: < +0.25 dB, 20Hz to 20 KHz
SNR: >94 dB typical
THD: <0.01% @ 1KHz @ +15 dBV
Dynamic Range: >100dB
Noise Gate
Attack Time: Fixed (400 mS)
Threshold: Selectable (-24, -36, -48, -60 dB)
Other
Power Supply: 8-20VDC @ 400 mA
Dimensions: 1-U height, 1/6-RU width; 2.78 x 1.65 x 5.5 in. (6.95 x 4.13 x 13.75 cm)
Weight: 9.0 oz. (0.26 kg)
*Below approximately 200 Hz the feedback filters become slightly wider to increase the feedback and rumble capture speed at these low frequencies.
** Note: Inputs may be balanced or unbalanced. For maximum output capability, outputs must be balanced (XLR). If either side of an input is grounded, the peak output and dynamic range will be reduced by 6 dB.
*** Tests performed using an Audio Precision System One model 322 or equal.
(Specifications subject to change without notice)
No longer available at zZounds
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