Gibson Warren Haynes Les Paul Standard P-90 Electric Guitar (with Case)

zZounds Gear Experts Say...
Tone hound Warren Haynes teams up with Gibson for a signature Les Paul Standard loaded with a pair of P-90s, a boost switch, and a '60s Cherry finish.

What's special about this item?

Feature: What it does:
Indian rosewood fretboard Rich lows, pronounced treble, and clear midrange
Mahogany body Rich, warm, focused sound; added sustain
Mahogany neck Great sustain, strength, and warm tone
P-90 pickups Bright and clear; strong mids, great lows

Warren Haynes is famous and highly regarded for his work in rock, blues, and Americana music through his time with The Allman Brothers Band and as a founding member of Govt Mule. He is also known for his work as a session guitarist and sideman for numerous famous friends and groups, as the leader of The Warren Haynes Band, and as a solo artist.

A master of multiple styles and genres, Warren has also shared his expertise with other players via multiple instructional videos. A self-described "Gibsonman," Warren has used several Gibson models throughout the years, including his cherished '61 ES-335, among others. The Warren Haynes Les Paul Standard is another standout, with features tailored specifically to Warren's preferences.

Watch our exclusive demo of the Gibson Warren Haynes Les Paul Standard P-90:


Features:

- Mahogany body with a plain maple cap
- 60s Cherry finish, just like Haynes' cherished '61 ES-335
- Mahogany neck with a rosewood fretboard
- Chunky 50s Vintage Neck profile
- Two hum-free P-90 DC pickups with all the nuance of traditional P-90s
- 15 dB clean boost that can be activated via a mini toggle switch
- Quick-access battery compartment mounted in control cover on the back
- A hardshell case is also included

Body Shape: Les Paul
Material: Mahogany
Top: Maple
Binding: Single Ply, Top and Fretboard
Neck: Mahogany
Profile: 50s Vintage
Nut Width: 43.053mm
Fingerboard: Indian Rosewood
Scale Length: 628.65mm
Number of Frets: 22
Nut: Graph Tech
Inlay: Acrylic Trapezoid
Bridge: ABR-1
Knobs: Gold Top Hat with Dial Pointer
Tailpiece: Aluminum Stop Bar
Tuners: Vintage Deluxe with Keystone Button
Plating: Nickel
Neck Pickup: P-90 DC Soapbar
Bridge Pickup: P-90 DC Soapbar
Controls: 2 Volume, 2 Tone, Mini Toggle for +15 Clean Boost, Hand-wired with Orange Drop Tone Capacitors
Bag/Case: Includes Hardshell Case
Dimensions and Weight in Packaging
'60s Cherry
Shipping Weight: 23 lbs
Shipping Dimensions: 45 x 18 x 7 in
Manufacturer Part Number (MPN): LPS5P9WH00SCNH1

For support or warranty questions, please contact the manufacturer:
Phone: 800-444-2766

Reviewers gave this product an overall rating of 4 out of 5 stars. (1 ratings)
Submitted March 18, 2025 by a customer from hotmail.com

"The good,the bad,the Gibson…"

Overall: 4 out of 5 stars
(see rating details)
Verified Purchaser zZounds has verified that this reviewer purchased this specific product from us.
This is going to be a straight out of the box review.I’ll start with the “good” part.The first thing I noticed was the finish.The combination of the plain maple top and the cherry finish was very striking and attractive,very reminiscent of my 1966,ES 330.The neck is described as “chunky”…it’s not.I have little girl hands and I would put it comfortably between a ‘59 and a ‘60,that changes little as you move up the neck.The fretwork was okay,neither good nor bad,just in dire need of polishing.The modern style of ABR1 bridge,with conversion posts and top adjustment is handy.Surprisingly,the intonation was pretty good as well as the neck relief,it was very comfortable and playable without any issues.Unplugged,mine is very resonant and rings cleanly.Now,plugged in…it’s damned loud,for P-90’s and I’m talking about before you hit the boost switch,which is very affective.It’s a very usable and musical boost which has an internal trimmer pot to adjust it.Now the part I hate…the bad.The “noiseless”pickups are a bit noisy.I do thick they would be quieter,if it had a bridge ground wire!They drilled the hole but no ground wire. Next surprise…ground wire to the battery compartment was held on by imagination,I opened it once and had to solder it back on.The finish work on the fretboard is a bit too typical,with minor tool marks on the rosewood and binding.Mine is pretty heavy,which doesn’t bother me.It’s not heavy like my ‘78 Custom but it is hefty.My read more last real complaint is one that goes to nearly every Gibson that I own and it honestly aggravates the piss out of me.The finish work where the binding meets the top is excellent but where the binding meets the body…it’s crap.Gibson seems to be incapable of sanding a body to match the binding smoothly.The final judgment…for what it’s worth,it’s very “Gibson”.For me this means that with a little help,I believe it will be a great guitar.I know my irrational love of Gibson guitars is always a gamble…unless it’s an SG.

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'60s Cherry

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