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Behringer UB502 Eurorack 5 Input Mixer

Ultra low-noise design 5-input 2-bus mixer. Does NOT provide phantom power. (27) Read 6 reviews for this product | Rate and review this product
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Behringer UB502 Eurorack

It may be small, but the UB502 features the same state-of-the-art Invisible Mic Preamp (IMP) and the same Ultra low-noise (ULN) design for highest possible headroom as its larger brethren. Its one mono channel plus 2 stereo channels with a 2-band EQ on the mono channel make it ideal for use with fixed audio installations as well as keyboards, samplers, and computer application. Hobby musicians and video makers will also find use for this ultra-compact mixer.

Every crucial development stage of the new UB Series has Uli Behringer's name on it - literally: from the design study to the circuitry layout to the mechanical makeup of the consoles. He has personally selected each and every individual component, all with the goal of squeezing the very most out of every single one of them. These consoles have been pushed as far as the technology permits to-date.

Does not provide phantom power.

Features
Ultra low-noise ULN design, highest possible headroom, ultra-transparent audio

1 new state-of-the-art, studio-grade IMP "Invisible" Mic Preamp with:
130 dB dynamic range for 24-bit, 192 kHz sampling rate inputs
Ultra-wide 60 dB gain range
Lowest possible distortion 0.0007% (20 Hz - 20 kHz)

Effective, extremely musical 2-band EQ and peak LED on mono channel

5 balanced high-headroom line inputs

State-of-the-art 4580 operational amplifiers provide lowest noise and distortion - better than 4560 op amps

Main mix outputs plus separate headphones and stereo tape outputs

Tape inputs assignable to main mix or phones outputs

High-quality sealed rotary controls from ALPS for long-term reliability

External power supply for noise-free audio and superior transient response

Extremely rugged steel construction ensures long life even under the most demanding conditions

Manufactured under ISO9000 certified management system

Invisible Mic Preamp (IMP)
Five years in the making, the Invisible Mic Preamp (IMP) is a superior mic preamp that delivers crystal-clear audio with incredible reproduction of the slightest nuances. It matches or exceeds the performance of outboard mic preamps. You get extreme bandwidth of 5 Hz to 100 kHz coupled to unusually neutral, noise- and distortion-free circuitry. The Behringer IMP provides ultra-linear frequency response up to 100 kHz. The result of perfect design. Almost unmeasurable distortion for your signal integrity.

Ultra Low-Noise (ULN)
ULN stands for the Ultra low-noise design of our circuitry. It is based on extremely low-impedance components that keep thermal inherent noise and crosstalk at an absolute minimum. The result: your console is considerably less noisy and crosstalk between neighboring channels is virtually non-existent. The result of perfect design. Almost unmeasurable distortion for your signal integrity.

zZounds is an authorized dealer of Behringer products.
For support or warranty questions, please contact the manufacturer:
Customer Reviews
4 out of 5 (27 ratings) Rate and Review This Product
Sound: For the price paid...it sounds fine. No doubt there are better-sounding units out there, if one wants to pay the price for them. I bought this just to try it out, to see if it would solve a problem I had. Seems like it might work just fine. Feature: There aren't too many features you can expect (or fit) onto a three channel mixer. But I would have like to see phantom power. The EQ is two-band, instead of three (or more). Again, I'm sure there are better units out there for more money. For the price paid, this was ok. Quality: Looks to be well made. Can't know for sure until some hours have been put on the unit. After all, the true test of quality is how it performs over time. Value: I paid $30.00. Most manufacturers charge almost that much just for the power transformer that is used to power the thing. Manufacturer Support: There should be an option of 'don't know' because I've never had to deal with their support people. What I have found is that, in the music industry in general, support is very poor. Which leads me to believe that many manufacturers bank on someone 'wanting something so badly, they'll put up with poor (or non-existent) customer support. So it would be nice to find out that these people are the exception. The Wow Factor: No piece of musical equipment has 'sex appeal'. I suppose it looks good, though I'm more concerned in how it functions. Overall: Again, for the price paid, it's a non-issue. If it doesn't work out I'll buy a better unit. For the moment, though, it seems fine.
Style of Music: Acoustic blues, ragtime. Some classic rock.
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Sound: An analog mixing console in this class can only be expected to do one thing, and that is to pass signal without turning it into a pile of grunge. This mixer fulfills that expectation, so it gets points, but I docked two points simply to make sure that no one would get the wrong idea from a "10" rating. These mixers, sonically, are usually nothing special (good or bad.) Additionally, one shouldn't expect to hit the mix buss's summing amp too hard, and still have nice results. Feature: The product is nice for use as a cheap controller for the volume of powered monitors, as wells as a single-channel headphone amp. However, it doesn't provide much other than that. To earn a 10, this little guy would have to keep the same price point, while incorporating phantom power, more EQ, and some more routing options. Quality: The knobs seem relatively solid, which is the biggest thing that can be asked for in mixers at this level (I think.) It's a bit lightly built, and not designed to take abuse. I have had Behringer products hold up very well "on the road," but they were always treated gently. Without having a power switch (you have to pull the power connector entirely to shut the unit down), I suggest power cycling the unit as little as possible. Value: This is a very inexpensive mixer which, if you want nothing more than the simplest tool in the box, provides a workable and very cheap solution. If you want more than it has to offer, then its value drops to almost nothing. Manufacturer Support: The one time I've ever called Behringer was quite a pleasant experience, though not connected with this device. I spoke to a human who sounded interested in what was going on. The Wow Factor: Quite frankly, a piece of gear like this is akin to a flat-head screwdriver. When you need one, you just want one that's the right size, cheap, and fits the screw you have on hand. Mine is a volume knob, and that's about all. Objectively speaking, this kind of device (in general) neither inspires love nor hatred. Overall: It does what I need it to do, and is unlikely to die simply by sitting on a desk. If it did croak unexpectedly, a replacement unit would be cheap to procure.
Style of Music: Worship, Rock, Folk, Acoustic, Orchestral, anything really
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