Audix FP7 Fusion 7 Drum Microphone Package

Mic and record a variety of drums, percussion and acoustic instruments with the Audix FP7 Fusion 7 drum mic package. The kit includes an aluminum case.
Miking up the rhythm section is an easy task when you have the Audix FP7 Fusion drum microphone package on hand. The FP7 Fusion Kit packs seven instrument-specific mics -- one F5, three F2, one F6, and two F9 microphones -- for all your recording needs. "Fusion" means this kit's not just for a standard drum set: you can use these 7 microphones for recording and reinforcing all sorts of percussion and acoustic instruments.

The FP7 Fusion packs all seven professional microphones in a protective aluminum carrying case, making it easy for you to tote all your mics to the live stage. It's perfect for touring, gigging, and studio applications alike.

One Audix F5 Mic for Guitar Cabs, Snare and More

A single Audix F5 microphone sports a hypercardioid pickup pattern for excellent isolation and feedback control when capturing guitar cabinets, snare, and timbales. For accurate, natural sound reproduction, the F5 has a LM (low mass) Type A diaphragm, plus a wide frequency response of 55 Hz to 15 kHz. With the F5, you get the sound you want without having to kill it with EQ.

Like the other microphones in this drum microphone package, Audix's F5 is ruggedly constructed with a precision-cast zinc alloy body, steel mesh grill, laser-etched model number, gold XLR connector, and a tension-fit nylon mic clip.

Three Audix F2 Mics for Rack Toms, Floor Toms or Congas

Capture rack toms, floor toms, and congas with a trio of F2s, which also feature a hypercardioid pickup pattern and read more LM Type A diaphragm. Tailored for toms, the three F2 mics have a frequency response of 52 Hz to 15 kHz and can handle sound pressure levels of up to 139 dB.

One Audix F6 for Kick Drum, Bass Cabs, and Beyond

Covering your low-end "basses," the F6 microphone is your best bet for kick drums, cajon, djembe, bass cabinets, large toms, and more, as it has a frequency response of 40 Hz to 16 kHz and SPL handling of up to 140 dB. As with the F2 and F5, the F6 delivers natural, accurate sound reproduction thanks to its hypercardioid polar pattern and LM Type A diaphragm.

Pair of F9 Condensers for Drum Overheads or Acoustic Instruments

Ideal for both stage and studio applications, dual F9 condenser microphones are what you want for recording drum overheads, high-hats, cymbals, snare bottom, acoustic instruments, and anything that shines in the upper frequencies. This condenser sports a 16 mm pre-polarized capsule with a gold vapor diaphragm and a frequency response of 40 Hz to 20 kHz.

All mics in the Audix FP7 Fusion package are easy to position and set up, with clips included. Pack 'em in their aluminum carrying case and take them anywhere.

Features:

- Complete drum miking kit with 7 instrument-specific microphones:
- (1) F5 dynamic mic for snare, timbale, and guitar cabs
- (3) F2 microphones for rack toms, floor toms, and congas
- (1) F6 dynamic for kick drum, cajon, djembe, and bass cabinets
- (2) F9 condenser mics for drum overheads, cymbals, high-hat, snare bottom, and acoustic instruments
- Includes (6) D clips and (1) MC1 clip
- Rugged Audix-quality construction
- Ships in an aluminum carrying case for easy storage and transport
WARNING: Cancer and Reproductive Harm - www.p65Warnings.ca.gov.
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Dimensions and Weight in Packaging
Base Item
Shipping Weight: 9.25 lbs
Shipping Dimensions: 17 x 13 x 6 in
Manufacturer Part Number (MPN): AUI FP7
For support or warranty questions, please contact the manufacturer:
Phone: (503) 682-6933 / (800) 966-826
Email: info@audixusa.com

Audix FP7 Fusion 7 Drum Mic Pack

The Audix FP7 7 Drum Microphone Package has revolutionized drum and percussion miking by designing specific mics for specific instruments. Built to withstand the rigors of live stage applications, the FP7 Fusion drum microphones are also excellent for recording a wide variety of drums, percussion, and acoustic instruments. These prepackaged sets of microphones offer convenience, quality, durability, and affordability. Designed, assembled and tested by Audix in the USA.

Features

- All-in-one solution for drum miking
- Instrument-specific mics for optimal results
- Cost-effective
- Rugged Audix quality
- Aluminum carrying case

The Mics


F5 x 1 - Great for Snare, Timbale, Guitar Cabs
The f5 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a LM Type A (Low Mass) diaphragm for natural, accurate sound reproduction.

The f5 is sturdy, compact and easy to position. With a wide frequency response of 55 Hz - 15 kHz, the f5 provides clear, accurate, natural sound reproduction without having to rely on EQ.

Other features include roadworthy construction, precision cast zinc alloy body, steel mesh grill, black coat finish, laser etched model number, gold XLR connector and a heavy duty nylon mic clip.

F2 x 3 - Great for Rack Toms, Floor Toms, Congas
The f2 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a LM Type A (Low Mass) diaphragm for natural, accurate sound reproduction.

The f2 is lightweight, compact and easy to position. With a wide frequency response of 52 Hz - 15 kHz and the ability to handle sound pressure levels of 139 dB.

Other features include roadworthy construction, a precision cast zinc alloy body, black coat finish, laser etched model, steel mesh grill, gold XLR connector and a tension-fit heavy duty nylon mic clip.

F6 x 1 - Great for Kick drum, Cajon, Djembe, Bass Cabs
The f6, which is characterized with a hypercardioid pickup pattern for isolation and feedback control, is equipped with a LM Type A (Low Mass) diaphragm for natural, accurate sound reproduction.

The f6 is lightweight, compact and easy to position. With a wide frequency response of 40 Hz - 16 kHz and the ability to handle sound pressure levels of 140 dB, the f6 is an excellent choice for miking kick drum and instruments requiring extended low frequency reproduction such as large toms and bass cabinets, leslie bottom, cajon.

Roadworthy construction includes a precision cast zinc alloy body, black coat finish, laser etched model and serial number, steel mesh grill, gold XLR connector and a tension-fit heavy duty nylon mic clip.

F9 x 2 - Great for Overheads, Cymbals, High-Hat, Snare Bottom, Goodie Table, Acoustic Instruments
The f9 is a professional pre-polarized condenser microphone used for stage and studio applications.

The f9 is known for its clear, accurate response particularly in the upper frequency range. The f9 features a 16 mm pre-polarized capsule with gold vapor diaphragm and a frequency response of 40 Hz - 20 kHz.

The f9 is easy to position, durable and manufactured with high standards and tight tolerances. Roadworthy construction includes a precision cast zinc alloy body, black coat finish, laser etched model number, steel mesh grill, gold XLR connector and a tension-fit heavy duty nylon mic clip.

Includes:

1 x F5 dynamic
3 x F2 dynamics
1 x F6 dynamic
2 x F9 condensers
6 x D Clips
1 x MC1 clip
1 x Aluminum carrying case with foam inserts

Optional Accessories

Add Audix DVice mic clamps (x4) and 20-foot XLR mic cables (x7) to your FP7 mic package! Select with DVice clamps and XLR cables.
(3 ratings)
Submitted June 3, 2016 by Christian Mitchell in lewisville, TX
"Awesome"
Verified Customer zZounds has verified that this reviewer made a purchase from us.
Mics are easy to setup. Great sound all together. I would recommend getting the lug lock clamps. The stock clamps will break in a short time. They seem to not be very durable. I was truly impressed with the sound especially for first time use. The snare mic can be some what in the way. I would suggest a boom stand or setting up the mic for the bottom of the snare. I seem to get the best sound there anyway.
Musical Background:
Drummer being playing for over 20 years
Musical Style:
all kinds
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