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Yamaha Stage PAS 300 Portable PA System
300 watts. Includes 8-channel powered mixer, two 1x8 2-way speakers, and speaker cables.
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Power to go!
There's no telling where your music will take you. And no matter where your music leads, Yamaha's new STAGEPAS 300 Portable PA system has the power to go with you.
The new STAGEPAS 300 has all the power and high-quality sound you need to fill a small performance space, yet it's small and light enough to bring wherever you need it. Combining a built-in powered mixer and PA speakers, it's also incredibly easy to use -- letting you set up and be playing in a matter of minutes!
Exceptionally compact and portable, it's the perfect road companion, providing powerful, reliable, convenient sound reinforcement for a wide variety of applications. Great sound has never been so portable -- and so easy to use. High quality, convenience, and power to go!
Features
Portable PA system: two passive speakers with built-in powered mixer speaker cables (5 m x 2)
2-way bass reflex speakers: suitable as mains or monitors
8 channel powered mixer: 4 mic + 2 stereo line inputs class D power amplifier (150w + 150W) 1-bit modulation digital reverb mic stand mountable (with BMS10A)
Accessory compartment: the STAGEPAS 300 features a convenient storage compartment in the speaker box for packing the included power cable, speaker cable, owner's manual and your choice of microphone. Remove the rear panel of the speaker and put in the things you need.
Crisp highs, punchy mids. Big, fat bass. The STAGEPAS 300 delivers a remarkably clear, powerful sound. Its exceptional high-quality and power makes it ideal for almost any PA application. Its rugged, durable construction makes it perfect for the road. And its compact, all-in-one convenience makes it an essential gig companion you'll never want to be without.
Versatile application features -- flexible placement options let you stand the speakers up or lay them on their sides. For speaker stand mounting you must use the optional Yamaha ADP138 adapter or Ultimate BMB200K bracket. With the convenient monitor out jack and the angled sides of the cabinet, you can even use one of the speakers as a floor monitor.
The optional BMS10A mic stand adapter makes it easy to mount the mixer on a microphone stand.
Built-in storage -- for minimum stage clutter, the built-in powered mixer can be left inside the storage compartment of one speaker during operation. Speaker cables are included, too. There's even a convenient storage compartment in the other speaker box for packing the included power cable, speaker cables, owner's manual and microphone. Carry the STAGEPAS 300 with you, and you've got all you need to set up and perform -- anywhere, anytime.
Variety of performance options -- the easy-to-use mixer of the STAGEPAS 300 provides controls and connections, for maximum flexibility in your stage setup -- including two sets of stereo inputs for keyboards or CD/MP3 players, and a high-quality 1-bit modulation digital reverb for adding a rich ambience to your vocals.
High power, high quality -- the built-in amplifier puts out a full 150 watts of power into each channel, and utilizes class D amplification for maximum efficiency, low heat, and remarkably high fidelity. It has all the sonic muscle you need to fill small- and medium-sized venues. Ready to perform -- wherever you go!
Performers: The compact STAGEPAS 300 delivers a remarkably clear, powerful sound.
Its exceptional high-quality and power makes it ideal for almost any PA application. Its rugged, durable construction makes it perfect for the road.
Vocalists: Now, Yamaha has done virtually all the work for you -- just plug yourself in and play!
Guitarists: The STAGEPAS 300 is the perfect gig companion for solo performers, especially guitarists/singers.
Public Speakers: The STAGEPAS 300 is ideal for a wide range of applications, including outdoor events, school functions, church gatherings, conferences.
-- 150 W+150 W/6ohm @ 10% THD at 1kHz (speaker L/R)
-- 100 W+100 W/6ohm @ 1% THD at 1kHz (speaker L/R)
Frequency response:
-- -3 dB, 0 dB, +1 dB @20 Hz.20 kHz, 1 W output/6
(without music/speech, EQ and SP EQ circuit) (speaker L/R)
-- -3 dB, 0 dB, +1 dB @20 Hz.20 kHz, +4 dBu 10 k load
[music/speech] switch=music (monitor out, rec out)
Total harmonic distortion:
-- 1% @1 kHz, 50 W output power (speaker L/R)
-- 0.5% @20 Hz.20 kHz, +14 dBu 10 k (monitor out, rec out)
Hum & noise:
-- -65 dBu Residual output noise (SPEAKER L/R)
-- -90 dBu Residual output noise (MONITOR OUT, REC OUT)
-- -67 dBu @ MONITOR OUT control & one CH LEVEL control at nominal level
Crosstalk: -70 dB between input channels
Weight: 18 kg (mixer and two speakers)
Power consumption: 70 W
Stereo input channel equalization:
-- Shelving turnover/rolloff frequency: 3 dB before maximum cut or boost
-- +/- 15 dB
-- High: 10 kHz shelving
-- Low: 100 Hz shelving
Speaker:
Enclosure: bass-reflex type
Speaker unit:
-- LF: 8 in. (20 cm) cone
-- HF: 1 in. (2.54 cm) compression driver
Crossover frequency: 4 kHz
Frequency range: 55 Hz - 20 kHz
Maximum output level: 112 dB (1 m)
There's no telling where your music will take you. And no matter where your music leads, Yamaha's new STAGEPAS 300 Portable PA system has the power to go with you.
The new STAGEPAS 300 has all the power and high-quality sound you need to fill a small performance space, yet it's small and light enough to bring wherever you need it. Combining a built-in powered mixer and PA speakers, it's also incredibly easy to use -- letting you set up and be playing in a matter of minutes!
Exceptionally compact and portable, it's the perfect road companion, providing powerful, reliable, convenient sound reinforcement for a wide variety of applications. Great sound has never been so portable -- and so easy to use. High quality, convenience, and power to go!
Features
Portable PA system: two passive speakers with built-in powered mixer speaker cables (5 m x 2)
2-way bass reflex speakers: suitable as mains or monitors
8 channel powered mixer: 4 mic + 2 stereo line inputs class D power amplifier (150w + 150W) 1-bit modulation digital reverb mic stand mountable (with BMS10A)
Accessory compartment: the STAGEPAS 300 features a convenient storage compartment in the speaker box for packing the included power cable, speaker cable, owner's manual and your choice of microphone. Remove the rear panel of the speaker and put in the things you need.
Crisp highs, punchy mids. Big, fat bass. The STAGEPAS 300 delivers a remarkably clear, powerful sound. Its exceptional high-quality and power makes it ideal for almost any PA application. Its rugged, durable construction makes it perfect for the road. And its compact, all-in-one convenience makes it an essential gig companion you'll never want to be without.
Versatile application features -- flexible placement options let you stand the speakers up or lay them on their sides. For speaker stand mounting you must use the optional Yamaha ADP138 adapter or Ultimate BMB200K bracket. With the convenient monitor out jack and the angled sides of the cabinet, you can even use one of the speakers as a floor monitor.
The optional BMS10A mic stand adapter makes it easy to mount the mixer on a microphone stand.
Built-in storage -- for minimum stage clutter, the built-in powered mixer can be left inside the storage compartment of one speaker during operation. Speaker cables are included, too. There's even a convenient storage compartment in the other speaker box for packing the included power cable, speaker cables, owner's manual and microphone. Carry the STAGEPAS 300 with you, and you've got all you need to set up and perform -- anywhere, anytime.
Variety of performance options -- the easy-to-use mixer of the STAGEPAS 300 provides controls and connections, for maximum flexibility in your stage setup -- including two sets of stereo inputs for keyboards or CD/MP3 players, and a high-quality 1-bit modulation digital reverb for adding a rich ambience to your vocals.
High power, high quality -- the built-in amplifier puts out a full 150 watts of power into each channel, and utilizes class D amplification for maximum efficiency, low heat, and remarkably high fidelity. It has all the sonic muscle you need to fill small- and medium-sized venues. Ready to perform -- wherever you go!
Performers: The compact STAGEPAS 300 delivers a remarkably clear, powerful sound.
Its exceptional high-quality and power makes it ideal for almost any PA application. Its rugged, durable construction makes it perfect for the road.
Vocalists: Now, Yamaha has done virtually all the work for you -- just plug yourself in and play!
Guitarists: The STAGEPAS 300 is the perfect gig companion for solo performers, especially guitarists/singers.
Public Speakers: The STAGEPAS 300 is ideal for a wide range of applications, including outdoor events, school functions, church gatherings, conferences.
Technical Info
Maximum output power:-- 150 W+150 W/6ohm @ 10% THD at 1kHz (speaker L/R)
-- 100 W+100 W/6ohm @ 1% THD at 1kHz (speaker L/R)
Frequency response:
-- -3 dB, 0 dB, +1 dB @20 Hz.20 kHz, 1 W output/6
(without music/speech, EQ and SP EQ circuit) (speaker L/R)
-- -3 dB, 0 dB, +1 dB @20 Hz.20 kHz, +4 dBu 10 k load
[music/speech] switch=music (monitor out, rec out)
Total harmonic distortion:
-- 1% @1 kHz, 50 W output power (speaker L/R)
-- 0.5% @20 Hz.20 kHz, +14 dBu 10 k (monitor out, rec out)
Hum & noise:
-- -65 dBu Residual output noise (SPEAKER L/R)
-- -90 dBu Residual output noise (MONITOR OUT, REC OUT)
-- -67 dBu @ MONITOR OUT control & one CH LEVEL control at nominal level
Crosstalk: -70 dB between input channels
Weight: 18 kg (mixer and two speakers)
Power consumption: 70 W
Stereo input channel equalization:
-- Shelving turnover/rolloff frequency: 3 dB before maximum cut or boost
-- +/- 15 dB
-- High: 10 kHz shelving
-- Low: 100 Hz shelving
Speaker:
Enclosure: bass-reflex type
Speaker unit:
-- LF: 8 in. (20 cm) cone
-- HF: 1 in. (2.54 cm) compression driver
Crossover frequency: 4 kHz
Frequency range: 55 Hz - 20 kHz
Maximum output level: 112 dB (1 m)
300 watts into two 8" 2-way speakers.
10/01
Price cut, New, saves you $30.00, now $599.99.
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Item: YAMSTAGEPAS300
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Yamaha Stage PAS 300 Portable PA System Reviews
10 out of 10
"GREAT Pa!!!!"
Feature:
not that great of features
Quality:
i havnt had it for long but it seems to be put together good
Value:
it is a great pa for the money i would paid alot more for it
Sound:
has excellence sounds have had it for a few weeks and use it for gigs and it sounds great my friend has a 1000 dollar pa and this sound blows that one away
Support:
havnt needed to call them
Overall:
i will probably use this pa for the next few years
not that great of features
Quality:
i havnt had it for long but it seems to be put together good
Value:
it is a great pa for the money i would paid alot more for it
Sound:
has excellence sounds have had it for a few weeks and use it for gigs and it sounds great my friend has a 1000 dollar pa and this sound blows that one away
Support:
havnt needed to call them
Overall:
i will probably use this pa for the next few years
Submitted: 05/24/2005
Style of Music: Alternatiive/punk
8 out of 10
"This little PA system is ideal for a solo performer."
Feature:
The product came with speaker cables and a power cord. I had to spring for a bracket to mount the removable mixer to a mic stand. I'm not complaining. the bracket seems substantial and the mixer unit is light, mounted to a short stand puts it at the right height for a seated performance. Ideally the eq would have a sweepable mid and there would be individual reverb for each channel. This would drive up the price which, as it is, is eminently affordable for what you DO get. One nice touch is that you can place the cabinets on their sides such that they will aim upward such as a monitor or an amp with legs to tilt it backward for better dispertion in an actual room. This, to a degree, negates the need for speaker stands. . . lugging less gear is good.
Quality:
It is well made. Mixers are fragile and I don't think this one would withstand much abuse. When stowed in the recess the control surface of the mixer faces the outside so you have to be careful that it doesn't slide all around the back of a van and accidentally damage the control surface. I've had it for a little over a year now and it's doing just fine. If I were on the road I'd have likely compared the 500 and some other systems, all of which were more powerful, slightly larger, and more expensive. For local gigs this system is just perfect.
Value:
excellent value. at around $500.00 you get really good sound in a compact system.
Desirability:
It's not particularly sexy but it does what it's supposed to and does it well. When I put the little mixer on a mic stand so I can control it from a seated performance position it looks kind of cool.
Sound:
I'm going to be careful to not rate anything too high because of my lack of in depth experience with other gear together with the idea that 10 is perfect and NOTHING'S perfect. I'm a solo acoustic guitarist, original music and covers, mostly instrumental, bluesy new agey mixture. I do not use a pickup but rather an AKG C1000s small diaphragm condenser mic, partially chosen for price partly for sound quality and good off axis rejection. This mic is more sensitive than a dynamic and I can get further away from it and still get a good meaty sound. This system has enough power for any solo guitar act in a small venue. The sound is clear and substantial, sufficient bass and does not sound boxy, honky or otherwise artificial. It actually sounds like a guitar. Many people can't tell because they're so used to the sound of piezo pickups. My criteria for purchase were sound, price, and portability, all of which were about equal in priority. This was the best thing I found. I always ask people in the audience how the sound quality is, whether it's too bassy, too loud, clear or overdriven sounding, and I always get positive feedback on how natural my sound is.
Ease of Use:
I can get set up in 5 - 10 minutes and however long it takes to dial in a sound depending upon the room and my position in it. I don't use effects because I'm looking for a natural acoustic guitar sound although I will dial in a bit of reverb if I feel it's needed. This little system just plain sounds good, and I think that is at least partially due to the fact that I'm not trying to do too much with it. I could likely get this system to work with 2 guitars and vocals but anything more would likely require a larger system. One key is recognizing this. The recessed spaces in the back of the cabs for both the mixer and cords enables me to keep everything together so all I have to do is pick up two cabs and that's it. One reason I chose it is that I don't own a car, I generally hire a car to get to a gig. it's quick, only 2 cabs, a couple of mics and one or two guitars and I'm there.
Support:
Never had to call. I've owned other Yamaha gear before and they make good reliable stuff.
Overall:
I will use this little system around town until it expires which, given Yamaha's track record, should be quite a while.
The product came with speaker cables and a power cord. I had to spring for a bracket to mount the removable mixer to a mic stand. I'm not complaining. the bracket seems substantial and the mixer unit is light, mounted to a short stand puts it at the right height for a seated performance. Ideally the eq would have a sweepable mid and there would be individual reverb for each channel. This would drive up the price which, as it is, is eminently affordable for what you DO get. One nice touch is that you can place the cabinets on their sides such that they will aim upward such as a monitor or an amp with legs to tilt it backward for better dispertion in an actual room. This, to a degree, negates the need for speaker stands. . . lugging less gear is good.
Quality:
It is well made. Mixers are fragile and I don't think this one would withstand much abuse. When stowed in the recess the control surface of the mixer faces the outside so you have to be careful that it doesn't slide all around the back of a van and accidentally damage the control surface. I've had it for a little over a year now and it's doing just fine. If I were on the road I'd have likely compared the 500 and some other systems, all of which were more powerful, slightly larger, and more expensive. For local gigs this system is just perfect.
Value:
excellent value. at around $500.00 you get really good sound in a compact system.
Desirability:
It's not particularly sexy but it does what it's supposed to and does it well. When I put the little mixer on a mic stand so I can control it from a seated performance position it looks kind of cool.
Sound:
I'm going to be careful to not rate anything too high because of my lack of in depth experience with other gear together with the idea that 10 is perfect and NOTHING'S perfect. I'm a solo acoustic guitarist, original music and covers, mostly instrumental, bluesy new agey mixture. I do not use a pickup but rather an AKG C1000s small diaphragm condenser mic, partially chosen for price partly for sound quality and good off axis rejection. This mic is more sensitive than a dynamic and I can get further away from it and still get a good meaty sound. This system has enough power for any solo guitar act in a small venue. The sound is clear and substantial, sufficient bass and does not sound boxy, honky or otherwise artificial. It actually sounds like a guitar. Many people can't tell because they're so used to the sound of piezo pickups. My criteria for purchase were sound, price, and portability, all of which were about equal in priority. This was the best thing I found. I always ask people in the audience how the sound quality is, whether it's too bassy, too loud, clear or overdriven sounding, and I always get positive feedback on how natural my sound is.
Ease of Use:
I can get set up in 5 - 10 minutes and however long it takes to dial in a sound depending upon the room and my position in it. I don't use effects because I'm looking for a natural acoustic guitar sound although I will dial in a bit of reverb if I feel it's needed. This little system just plain sounds good, and I think that is at least partially due to the fact that I'm not trying to do too much with it. I could likely get this system to work with 2 guitars and vocals but anything more would likely require a larger system. One key is recognizing this. The recessed spaces in the back of the cabs for both the mixer and cords enables me to keep everything together so all I have to do is pick up two cabs and that's it. One reason I chose it is that I don't own a car, I generally hire a car to get to a gig. it's quick, only 2 cabs, a couple of mics and one or two guitars and I'm there.
Support:
Never had to call. I've owned other Yamaha gear before and they make good reliable stuff.
Overall:
I will use this little system around town until it expires which, given Yamaha's track record, should be quite a while.
Submitted: 02/16/2009
Style of Music: new age bluesy strangeness
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