Extensive Creative Control in the Studio or On Stage
The mid-range MG models go beyond the basics to give you extensive control for a wide range of applications and the no-compromise Yamaha sonic quality that make the MG mixers the finest in their class. Whether music is a hobby or profession, these mixers will deliver total satisfaction. If you don't need effects, or already have an arsenal of outboard favorites, the MG12/4 or MG16/4 may offer all the capacity and capabilities you need. But if the idea of having some of the finest effects available built right into the console appeals to you, then consider the effect enabled MG16/6FX.
MG16/4 Mixing Console
When You Need Extra Input Capacity...
16 Input Channels
Eight mono microphone/line inputs and four stereo line inputs. Two of the stereo inputs also offer mono microphone input capability.
10 Low-noise, High-precision Mic Preamps
Ten high-performance head amplifiers will deliver optimum performance with any dynamic or condenser microphone.
Phantom Power
All ten mic preamps feature switchable phantom power for studio condenser microphones. A single switch turns phantom power on or off for all 10 channels.
Insert I/O
Add compressors, EQ, or other signal-processing gear to the mono channels as required via insert I/O patch points.
4 Buses (Stereo and Group)
The MG16/4 features a stereo group bus and outputs that can be used for convenient channel grouping, in addition to the main stereo bus.
3-band Channel EQ & HPF
Smooth, "musical-response" 3-band equalizers on all input channels. All mono microphone input channels also feature a switchable highpass filter that can be used to cut out unwanted low-frequency noise.
2 Aux Sends & Stereo Aux Return
Each input channel has two auxiliary sends - one post-fader and one switchable for pre- or post-fader operation - affording plenty of flexibility for external signal processing and monitoring. A stereo auxiliary return is also provided.
Illuminated Switches
Illuminated ON (ST buss assign), PFL (Pre-Fader Listen), and phantom-power switches provide easy visual confirmation of critical console settings.
Rack Mount Adapters Included
Desktop or rackmounted, your MG mixer will happily integrate in any setup. Rack mount adapters are provided.
Technical Info
Total Harmonic Distortion: Less than 0.1 % (THD+N) 20 Hz - 20 kHz @ +14 dB 600 Ohms (ST OUT)
Frequency Response: 0 +1, -3 dB 20 Hz - 20 kHz @ +4 dB 600 ohms (ST OUT)
Input Hum & Noise*1: -128 dB 20 Hz - 20 kHz, Rs=150 ohms, Input Gain=Maximum, Input sensitivity=-60 dB
Crosstalk: -70 dB @ 1 kHz
CH Input:
Mic: 10 (Ch 1 - 8, 9/10, 11, 12: XLR)
Line: 8 (Ch 1 - 8: TRS)
Stereo: 2 2 (Ch 9 - 10, 11 - 12: TRS) * Ch9, 11: L (MONO) 2 (Ch 9 - 10, 11 - 12: TRS/RCA)
Insert I/O: 8 (Ch 1 - 8: TRS = T: Out, R: In, S: Gnd)
AUX:
Send: 2 (1/Post-Pre selectable, 2/Post: TRS)
Return: 1 Stereo (L/MONO, R: TRS)
2TR: 1 Stereo (L, R: RCA)
REC: 1 Stereo (L, R: RCA)
ST: 2 Stereo (L, R: 2 TRS & 2 XLR)
C/R: 1 Stereo (L, R: TRS)
GROUP: 2 (1, 2: TRS)
Phones: 1 (TRS Stereo)
Phantom Power: +48V
CH & ST Ch Input Gain Control: 44 dB valiable
CH & ST High Pass Filter: 80 Hz 12 dB/Octave
CH EQ (MONO)*2: ?15 dB (Max.)
High: 10 kHz (Shelving)
Mid: 2.5 kHz (Peaking)
Low: 100 Hz (Shelving)
CH EQ (STEREO)*2 15 dB (Max.):
High: 10 kHz (Shelving)
Mid: 2.5 kHz (Peaking)
Low: 100 Hz (Shelving)
Dimensions:
Width: 16.65 in.
Depth: 16.40 in.
Height: 4.09 in.
Weight: 11.46 lbs.
Power Requirements: U/C: 38 W 120 V/60 Hz
Other: Rack Mountable
*1 Hum & Noise are measured with a 6 dB/octave filter @ 12.7 kHz;equivalent to a 20 kHz filter with infinite dB/octave attenuation.
*2 Turn over /roll-off frequency of shelving : 3 dB below maximum variable level.