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Home>Recording>Microphones>Stand-Mount Condenser Microphones>Large Diaphragm Condenser Microphones

Shure KSM32 Studio Condenser Microphone (Champagne)

The Shure KSM32 is a studio condenser mic featuring an extended low-frequency response and 15 dB attenuation switch for handling extremely high SPL. 70 People rated this product: Rate and Review This Product
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Manufacturer's Description for Shure KSM32 Studio Condenser Microphone (Champagne)

The Shure KSM32 is a side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. It offers an extended frequency response for an open, natural sounding reproduction of the original sound source.

Features

- Class A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range
- Embossed, high-compliance diaphragm provides extended low frequency response
- Ultra-thin, gold-layered, low mass, Mylar diaphragm for excellent transient response
- 15 dB attenuation switch for handling extremely high sound pressure levels (SPL)
- Switchable low-frequency filter provides greater flexibility to reduce background noise or to counteract proximity effect
- Integrated 3-stage pop protection grille reduces "pop" and other breath noise
- Internal shock mount reduces transmission of handling noise
- Some typical applications for the KSM32 are listed below. Microphone use, however, is largely a matter of personal taste. The KSM32 may be used for a variety of applications other than those listed.

Applications

- Voice: solo, background, voice-over, broadcasting
- Acoustic instrument: such as piano, guitar, drums, percussion, strings
- Wind instruments: brass and woodwind
- Low frequency instruments: such as double bass, electric bass, kick drum
- Overhead miking: drums or percussion
- Ensembles: choral or orchestral
- Room ambience pick-up: guitar amplifier or drums

Both the acoustic environment and microphone placement have significant effects on the sound obtained when miking a source. You may need to experiment with these variables to achieve the best overall sound for each application. zZounds is an authorized dealer of Shure products.
- Cartridge Type: Permanently-biased condenser
- Frequency Response: 20 Hz to 20 kHz
- Directional Pattern: Cardioid
- Sensitivity (at 1000 Hz): Open Circuit Voltage -36 dBV/Pa (16 mV) typical (1 Pa = 94 dB SPL)
- Self Noise (equivalent SPL): 13 dB typical, A-weighted (IEC 651)
- Total Harmonic Distortion (20 Hz to 20 kHz , 2500 W load): < 0.08%* for a 120 dB equivalent SPL input
- Dynamic Range (20 Hz to 20 kHz, 2500 W load): 126 dB (maximum SPL minus A-weighted noise level)
- Signal-to-Noise Ratio: 81 dB (IEC 651)
- Output Impedance: 150 W (actual)
- Attenuation Switch: 0 or -15 dB
- Low Frequency Response Switch: Flat, -6 dB/octave below 115 Hz, -18 dB/octave below 80 Hz
- Power: Phantom Power: 48 Vdc 4 Vdc (IEC-268-15/DIN 45 596),positive pins 2 and 3
- Current Drain: 4.65 mA typical at 48 Vdc
- Common Mode Rejection Ratio (CMRR): 50 dB, 20 Hz to 20 kHz
- Connector: Gold plated, 3-in (XLR) professional audio
- Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3
- Dimensions: 55.9 mm (2.20 in.) maximum body diameter, 187 mm (7.37 in.) long.
- Net Weight: 490 g (17.3 oz.
- Conforms to European Union directives, eligible to bear CE marking; meets European Union EMC Immunity Requirements (EN 50 082-1, 1992)

Maximum SPL (20 Hz to 20 kHz, THD < 1%*):
- 2500 W Load 139 dB (154 dB w/ attenuation)
- 1000 W Load 133 dB (148 dB w/ attenuation)

Output Clipping Level (20 Hz to 20 kHz, THD < 1%*):
- 2500 W Load +9 dBV (2.82 V rms)
- 1000 W Load +3 dBV (1.41 V rms)

Furnished Accessories
- ShureLock Elastic Shock Mount (SL model only) A32SM
- ShureLock Swivel Adapter A32M
- Aluminum Carrying Case (SL model only) A32SC
- Padded, Zippered Carrying Bag (CG model only) A32ZB
- Protective Velveteen Pouch (SL model only) A32VB

Optional Accessories
- Foam Windscreen (Charcoal Gray) A32WS (Measured 0.6 m (2 ft) from a spherical sound source, free-field conditions)
Dimensions and Weight in Packaging
Base Item
Shipping Weight: 8 lbs
Shipping Dimensions: 15 x 11 x 7 in
with Microphone Stand and Cable
Shipping Weight: 13 lbs
Shure Warranty
Shure Warranty
If you have additional warranty questions, please call the manufacturer at 800-25-SHURE
Our extended 30-Day 100% Satisfaction Guarantee applies on this product. Buy it, and if it isn't just right for you, return it!
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Customer Reviews
5 out of 5 (70 ratings) Rate and Review This Product
This review has been selected by our experts as particularly helpful. "Shure KSM32 Studio Condensor Microphone Review."
Sound: I own two Shure KSM32 studio condensor mics. It has a very natural sound. I bought them because when I used some Audio Technica Midnight Blues to record a band, I noticed bass guitar was missing, and also the bass drum. The frequency response curve of the KSM32 indicates it has very flat bass response. I used them on four concerts and the bass drum sounds awesome on the recording, the spectrum analyzer in Adobe Audition measures it at 54 Hz. The high end is there too, and it produced an astoundingly clear recording, of a xylophone/barred percussion. I recorded also mandolin and banjo and the bright "plucking" sounds are very delightful. I recorded a marching/concert band, and the trumpets were very nice and bright and clarinets very smooth and natural, tenor sax came through fine. The bass response of this mic, picking up wind noise outside, will rip the cones off of your speakers! The only reservation I have, is with voices, sometimes, depending on the distance, the voice will sound "whistly" or similar, at a high frequency, on certain consonants, such as "f" or maybe "s". However, it usually is very natual sounding, but not overly "warm" like SM58 or AKG D190ES. Running into a Tapco/Mackie 6306 mixer/preamp to Sony CDRW66 24 bit AD optically coupled SPDIF into 2.68GHz PC running Adobe Audition. Shock mount ez to use and very effective in isolating the microphone. My bass pickup problem solved for the time being. Have to try low "E" on the bass guitar and some pipe organ. Much better than AT Midnight Blues for bass (the AT are voice mics so that should be expected!). They don't have much hiss but when it is quiet they seem to emphasize bass ambient noise if anything, I am talking -60dB or so. As read on VU meters, I can at home studio achieve about 60 some dB SNR and without more sound proofing that is it. That is, ambient noises including computer fans etc. are becoming the dominant factor. This is a good mic, well built, solid feel, reliable, it works fine. To make it perfect they should smooth out the bumps in the high end response to eliminate the slight "buzziness" or "whistling" on voices. This characteristic sounds great on mandolin/banjo though, its not a negative thing on the instruments. Feature: Elastic shock mount works fine, easy to use, reliable. I only use the shock mount, have not used the swivel mount. I don't use the -15dB attenuation switch, the sound would have to be massively loud to require its use. Wish it had omni pattern for flatter bass to 0 Hz but that is somewhat academic. Noise is low enough and not much of a factor. Quality: This is top quality fit and finish, there is no doubt it will work. Cables are more likely to break, not this mic. The carrying case is not a true road case and will scratch and dent easily. Manufacturer Support: They have a good web site, did not need any interaction with them. The Wow Factor: It has wide frequency response, it hears everything. Overall: Need a more "warm" or more "smooth" mic for vocals, to hear velvety smooth soft warm singing voices. This mic is "natural" not "warm". Some clients may prefer more "warm" = emphasized midrange sound. They must smooth out the high frequency response. I did not think this would be noticable from the curve, but it IS noticeable, only 3 or 4 dB; our ears are fantastic instruments.
Style of Music: Church woodwinds, concert and marching band trumpet and woodwind.
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"Sweet sounding mic!!"
Sound: I do voice work in professional studios and over more than 30 years of experience, I find the KSM32 one of the finest sounding microphones I've ever used. It an extremely smooth sound and makes me sound better than I thought possible! I plan to build a small voice facility in my home for out of town clients and will definitely consider this microphone as my choice. Feature: Not being an owner, I can't really comment here, except that the shock mount works very well. Manufacturer Support: Can't comment here either.
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