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Shure Beta 52A Kick Drum and Bass Microphone
20Hz - 10kHz frequency response. Supercardioid dynamic mic.
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Because this item is used at your mouth or ear, it cannot be returned once opened due to health reasons. details
Description
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Shure Beta 52A Kick Drum and Bass Microphone
The Shure Beta 52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and 'punch', and delivers studio quality sound even at extremely high sound pressure levels. The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain before feedback and excellent rejection of unwanted sound. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
Features
Frequency response shaped specifically for kick drums and bass instruments
Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
Studio quality performance, even at extremely high sound pressure levels
Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
Hardened steel mesh grille that resists wear and abuse
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
Neodymium magnet for high signal-to-noise ratio output
Low sensitivity to varying load impedance
Legendary Shure quality and reliability
Type: Dynamic (moving coil)
Frequency Response: 20 to 10,000 Hz
Polar Pattern: Supercardioid, rotationally symmetrical about microphone axis
Output Level (at 1,000 Hz): Open Circuit Voltage: 64 dBV/Pa* (0.6 mV)
*1 Pa = 94 dB SPL
Impedance: Rated impedance is 150 ohms (45 ohms actual) for connection to microphone inputs rated low Z
Phasing: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
Maximum SPL: 174 dB at 1000 Hz (calculated)
Connector: Threepin professional audio connector (male XLR type)
Case: Silver blue enamel painted die cast metal with hardened, matte-finished steel grille
Adjustable, Locking Stand Adapter: Integral, dynamic locking, adjustable through 180 degrees, with standard 5/8 in. -27 thread
Net Weight: 605 grams (21.6 oz)
Certification: Eligible to bear CE Marking. Conforms to European EMC Directive 89/336/EEC. Meets applicable tests and performance criteria in European Standard EN55103 (1996) parts 1 and 2, for residential (E1) and light industrial (E2) environments.
Furnished Accessories: Storage Bag, 5/8 in. to 3/8 in. (Euro) Thread Adapter
The Shure Beta 52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and 'punch', and delivers studio quality sound even at extremely high sound pressure levels. The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain before feedback and excellent rejection of unwanted sound. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
Features
Frequency response shaped specifically for kick drums and bass instruments
Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
Studio quality performance, even at extremely high sound pressure levels
Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
Hardened steel mesh grille that resists wear and abuse
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
Neodymium magnet for high signal-to-noise ratio output
Low sensitivity to varying load impedance
Legendary Shure quality and reliability
Technical Info
SpecificationsType: Dynamic (moving coil)
Frequency Response: 20 to 10,000 Hz
Polar Pattern: Supercardioid, rotationally symmetrical about microphone axis
Output Level (at 1,000 Hz): Open Circuit Voltage: 64 dBV/Pa* (0.6 mV)
*1 Pa = 94 dB SPL
Impedance: Rated impedance is 150 ohms (45 ohms actual) for connection to microphone inputs rated low Z
Phasing: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
Maximum SPL: 174 dB at 1000 Hz (calculated)
Connector: Threepin professional audio connector (male XLR type)
Case: Silver blue enamel painted die cast metal with hardened, matte-finished steel grille
Adjustable, Locking Stand Adapter: Integral, dynamic locking, adjustable through 180 degrees, with standard 5/8 in. -27 thread
Net Weight: 605 grams (21.6 oz)
Certification: Eligible to bear CE Marking. Conforms to European EMC Directive 89/336/EEC. Meets applicable tests and performance criteria in European Standard EN55103 (1996) parts 1 and 2, for residential (E1) and light industrial (E2) environments.
Furnished Accessories: Storage Bag, 5/8 in. to 3/8 in. (Euro) Thread Adapter
With a supercardioid pickup pattern, a frequency response tailored specifically for kick drums and bass cabs, and a (no kidding) 174 dB SPL handling, this is a serious and seriously good-sounding mic. Integral swivel mount for easy, no-slip placement. Includes pouch.
What Our Customers Say About zZounds
"Very competitive prices and good quality products. Very satisfied with purchasing with zZounds!" - customer on November 19, 2009
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Item: SHUBETA52A
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Shure Beta 52A Kick Drum and Bass Microphone Reviews
10 out of 10
Shure Beta 52A Mic Customer Review
Feature:
They could have included a nice case.
Quality:
Great quality! a big sturdy all-metal mic that is impossible to break and sounds great.
Value:
This mic is cheap as well as indespensible for drums.
Desirability:
It does look pretty cool.
Sound:
Thicker and more responsive my AKG D112 it works great for a solid low-end boom.
Support:
Haven't needed support.
Overall:
It's definately my favorite kick drum mic.
They could have included a nice case.
Quality:
Great quality! a big sturdy all-metal mic that is impossible to break and sounds great.
Value:
This mic is cheap as well as indespensible for drums.
Desirability:
It does look pretty cool.
Sound:
Thicker and more responsive my AKG D112 it works great for a solid low-end boom.
Support:
Haven't needed support.
Overall:
It's definately my favorite kick drum mic.
Submitted: 06/16/2005
Style of Music: Industrial
10 out of 10
zZounds has verified that this customer bought this product from us.
"...Swiss Army Mic..."
Feature:
Between all the kick mics in this price range, I don't see any HUGE difference. But, I personally went with the Beta52a because it's the only one with a supercardioid pickup pattern. So this mic rejects unwanted sound BETTER than all the others... I do wish it had a nice case, the bag is kinda lame.
Quality:
Yeah it's good quality, it's made out of metal... No cheap plastic here...
Value:
Like I was saying, it's the only one in the price range to have a supercardioid pattern, it dosent "cut" any frequencies you may want when using it in other applications like for a bass cab or even a guitar cab. (as strange as that sounds) It's sturdy metal, and it's slightly cheaper than the other mics in it's price range.
Desirability:
Yeah I want it, I bought it diddn't I?
Sound:
Honestly, with a little EQ you can get any sound you are looking for out of this mic, and who in their right mond isnt using EQ? By itself, the low end is great, Mids are all there, and highs are clean and clear. I record mostly Metal and hard rock. So I'm looking for slight "woof", heavy punch, and loud attack. I can get that and more out of this mic.
Ease of Use:
How hard is it to use a kick mic? Plug it in, & put it in the desired spot you want in your kick, or in the sound hole...
Support:
I couldnt tell you man, I haven't needed any.
Overall:
This mic is a swiss army knife of a mic, You could say its a "swiss army mic". It can be used for just about anything, and it sounds great. Just USE YOUR EQ PEOPLE!!!
Between all the kick mics in this price range, I don't see any HUGE difference. But, I personally went with the Beta52a because it's the only one with a supercardioid pickup pattern. So this mic rejects unwanted sound BETTER than all the others... I do wish it had a nice case, the bag is kinda lame.
Quality:
Yeah it's good quality, it's made out of metal... No cheap plastic here...
Value:
Like I was saying, it's the only one in the price range to have a supercardioid pattern, it dosent "cut" any frequencies you may want when using it in other applications like for a bass cab or even a guitar cab. (as strange as that sounds) It's sturdy metal, and it's slightly cheaper than the other mics in it's price range.
Desirability:
Yeah I want it, I bought it diddn't I?
Sound:
Honestly, with a little EQ you can get any sound you are looking for out of this mic, and who in their right mond isnt using EQ? By itself, the low end is great, Mids are all there, and highs are clean and clear. I record mostly Metal and hard rock. So I'm looking for slight "woof", heavy punch, and loud attack. I can get that and more out of this mic.
Ease of Use:
How hard is it to use a kick mic? Plug it in, & put it in the desired spot you want in your kick, or in the sound hole...
Support:
I couldnt tell you man, I haven't needed any.
Overall:
This mic is a swiss army knife of a mic, You could say its a "swiss army mic". It can be used for just about anything, and it sounds great. Just USE YOUR EQ PEOPLE!!!
Submitted: 02/28/2007
Style of Music: Metal & Hard Rock
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