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Rode K2 Tube Microphone

Rich tube sound and performance, super low self noise, high max. SPL, and mega wide dynamic range.
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There's an authenticity to classic studio recordings. It's the sound of great performers in acoustically tuned rooms tracking on brilliantly designed tube gear, and while auto-tune and reverb can simulate the first two elements, there's no digital plug-in that can emulate the sound of a great tube microphone. Of course, that's why many vacuum tube studio mics sell for many thousands of dollars, but thanks to the Rode K2, recording enthusiasts at any level can get authentic, tube-driven, studio quality recordings.

A lot of companies make a big stink about their microphones sounding many times more expensive than they actually are, but not Rode. Instead, they let others talk up their ground-breaking Rode K2 Tube Microphone; industry-leading publications like Sound on Sound and EQ Magazine have both marveled at the K2's "classy," "detailed," and "natural" sound coupled with an "impressive value." The Rode K2 quite simply delivers professional-grade sound, specs, and versatility at a price that any serious recording enthusiast is sure to swoon over.

The Perfect Balance Of Warmth And Detail
Most engineers-on-a-budget are recording digitally through a USB or FireWire audio interface. Most engineers-on-a-budget are probably using that interface's built-in microphone preamps. Unfortunately, even the best interface's preamps are designed to be as neutral-sounding as possible, and in the digital recording realm, that often means clinical, lifeless, and sometimes harsh. The Rode K2 reintroduces a touch of that classic analog character into your recordings, feeding a signal into your interface that's extremely detailed, but sweetened by genuine tube-driven circuitry. There's not a plug-in in the world that can emulate this sound; with a K2 at the front of your signal path, you'll be starting with professional-sounding tracks instead of trying to polish "ok" audio.

Swiss Army Mic
Being based on a classic tube circuit in no way makes this a one-trick mic. Quite the opposite--the classic external power supply features a continuously-variable polar pattern selector, making the Rode K2 one of the most versatile studio tools in any price-range. In the cardioid pickup position the K2 is a stunning vocal microphone, smooth, airy, and flattering for both male and female voices. At figure-eight it's the perfect choice for a wide range of acoustic instruments including guitar, strings and piano, and is particularly nice to sonically aggressive instruments like banjo sitar. At the omnidirectional position the Rode K2 makes a phenomenal room mic, or can accurately and pleasingly capture the most notorious of instrument sources like harp or upright bass. Moreover, between these three major positions is an infinite variety of subtle sonic signatures. As the polar control travels across its range, the frequency response and pickup pattern transform smoothly, granting savvy engineers access to unorthodox but wholly useable response profiles. Chances are, if it makes noise, there's a position on the K2's polar selector to capture its essence.

Professional Results At A Project Studio Price
Rode microphones are found in pro studios around the world--and are responsible for a significant layer of dust build-up on other, more expensive microphones--because they're up-to-spec for even the most demanding professional applications. The K2 is no different, boasting impressive numbers in low self-noise (10 dBA), dynamic range (150dB), and max sound pressure levels (162 dB). Because of Rode's dedication to quality manufacturing practices, the K2 shines in even the most extreme conditions, from orchestral recording to sound design. More than likely, when you've got a recording source you've never heard before, the Rode K2 will become your go-to-mic.

The K2 is the kind of microphone Rode has built their reputation on, and you'll be happy to stake yours on it as well. Whether you're just building your project studio collection or adding to a fully stocked mic locker, the Rode K2 will take your recordings to the next level. Get yours today at an unbeatable zZounds price.

The RODE K2 delivers the ultimate in pure rich tube sound and performance, super low self noise (10dBA), high max. SPL (162dBA), and mega wide dynamic range (150dB). Featuring totally variable polar pattern control for an unbeatable combination of flexibility and power, the K2's legendary sound quality literally inspires those magic takes.

The new TYPE HF1 dual diaphragm capsule represents RODE's finest transducer technology. Coupled with their most advanced high output tube circuitry, the K2 brings out every little detail, nuance & whisper, while handling even the loudest source material. The K2 is literally in a class by itself. Includes shockmount, case, power supply and 30 ft. cable.

Features

Continuously variable polar pattern

Class A valve circuitry

Dedicated power supply

Superlative class condenser microphone

Specifications

Acoustic Principle: Externally polarized 25 mm (1 in.) condenser

Active Electronics: Thermionic impedance converter with bipolar output buffer

Pickup Pattern: Multi-pattern

Frequency Response: 20 Hz ~ 20 kHz

Output Impedance: 200 ohms

Sensitivity: -36 dB re 1 Volt/Pascal (16 mV @ 94dB SPL) +/- 2 dB

Equivalent Noise: 10 dBA SPL (per IEC651, IEC268-15)

Maximum Output: > + 30 dBu (@ 1% THD into 1kOhms)

Dynamic Range: 150dB (per IEC651, IEC268-15)

Maximum SPL: 162 dB (@ 1% THD into 1kOhms)

Signal/Noise: > 81 dB (1kHz rel 1 Pa; per IEC651, IEC268-15)

Power Requirements: Dedicated Power Supply (110 ~ 120V/220 ~ 240V, 50/60Hz)
New
Shipping Weight: 14.6 lbs
Shipping Dimensions: 26 x 13 x 6 in
Rebates Manufacturer's Warranty If you have additional warranty questions, please call the manufacturer at 805-566-7777
 
 
  Because this item is used at your mouth or ear, it cannot be returned once opened due to health reasons. details
 
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Rode K2 Tube Microphone Reviews
57 People rated this product :
          
10 out of 10 Read all 11 Rode K2 Tube Microphone reviews
           10 out of 10
 
"The $2000 Microphone Killer"
Feature:
The mic comes with a shockmount, powersupply, and the 7-pin cable often used by tube mics. The durable plastic case looks like something a power tool comes in, but it does its job well. I do wish that the mic had roll off or attenuation switches, but that can be done with a good mixer and EQ.

Quality:
A ten year warranty and a very well made mic, cable, and PSU. I wouldn't say it would survive a fall, but what condenser (especially a tube) could?

Value:
The K2 is known for its value. It outperforms many Neumanns, and competition isn't seen until you get close to the 2000 dollar range. The only mic I have that outperforms it is a custom vintage U47-U67 hybrid someone built for me.

Desirability:
The mic is a beautiful champagne color that is velvety to the touch--it looks great and feels great. Its variable patterns are something only a few mics have attempted, and it pulls it off extremely well.

Sound:
I've owned the K2 for over a year now and its still my favorite tube condenser. The variable patterns are its best feature, allowing you to dial in the most precise pattern. I will say that the warmth was less than I expected when I first tried it out-- replacing the 6922 tube with a NOS Amperex D-Getter really made a difference. Warm mids, the right amount of lows, and a transparent airiness.

Ease of Use:
Very easy to use. Just plug it into the powersupply, let it warm up for about an hour, and you're ready to record anything from vocals to drums. Placement of the mic didn't seem to be a huge issue with vocals as it doesn't have too much sibilance, a good thing.

Support:
I've talked with Rode regarding their support in case I have any problems. They will replace the mic or the PSU if anything goes wrong. The warranty is void if you attempt to do upgrades, but I don't really think anything is needed beyond the tube rolling.

Overall:
The K2 will remain in my mic locker for years to come, and a second one may be joining it for mid-side or Blumein recording. The sound is velvety smooth, and has an airiness that just makes it so crisp. A great mic on male vocals as well as females-- you can always roll the tube to determine the warmth you will receive. Perfect overall.

Style of Music: Post-punk, No-wave, Indie
11 of 11 people (100%) found this review helpful. Did you?    
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           10 out of 10
 
  zZounds has verified that this customer bought this product from us.
"The BEST mic for the price!"
Feature:
The multi-pattern works great. Put it in figure-8 at 90 degrees with it's cousin the NTK, and you've got a great MS Stereo setup. The figure-8 also sounds KILLER on upright acoustic bass! The proximity effect fattens it up like crazy, and rejects muddy reflections from the floor!

Quality:
Very high quality for the price. I don't believe that it's transformer and caps are on par with microphones that cost up in the thousands, but it's TOTALLY great for the price (ESPECIALLY if you change the tube! Siemens is the best for this mic. Mullards are too deep, Amperex are fine)

Value:
AWESOME value. CANNOT beat the value of this mic for the price.

Desirability:
It looks great. Everyone turns their heads to get a glance of it!

Sound:
CHANGE THE TUBE FIRST!!! Get a hold of a vintage 1960's Siemens Tube (with grey plates) and it'll turn into a totally different microphone. It has a nice deep, warm sound without the sibalence you usually get with other mics in this price range. It is perfect for vocals. It's not a U47, but it is similar (for the price).

Ease of Use:
Very easy to use. Just don't unplug it before it is turned off...then wait a few seconds for it to power down.

Support:
Called once, and got some great help.

Overall:
It is such a great mic. Change the tube, run it through a high quality preamp, and it'll find a place in your mic closet. Regardless of how expensive (or budgeted) your studio is, you WILL find a place for this mic! Obviously, no mic is perfect for everything. Great for vocals. And it's great for instruments that might sound harsh on other microphones. It's perfect on banjos!

Style of Music: Bluegrass, Country
6 of 6 people (100%) found this review helpful. Did you?    
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