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Rode K2 Tube Microphone

The Rode K2 is the ground-breaking tube mic from Rode that's characterized by it's rich tube sound and performance, high max SPL and mega wide dynamic range. 58 People rated this product: Rate and Review This Product
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zZounds' Take on Rode K2

There's an authenticity to classic studio recordings. It's the sound of great performers in acoustically tuned rooms tracking on brilliantly designed tube gear, and while auto-tune and reverb can simulate the first two elements, there's no digital plug-in that can emulate the sound of a great tube microphone. Of course, that's why many vacuum tube studio mics sell for many thousands of dollars, but thanks to the Rode K2, recording enthusiasts at any level can get authentic, tube-driven, studio quality recordings.

A lot of companies make a big stink about their microphones sounding many times more expensive than they actually are, but not Rode. Instead, they let others talk up their ground-breaking Rode K2 Tube Microphone; industry-leading publications like Sound on Sound and EQ Magazine have both marveled at the K2's "classy," "detailed," and "natural" sound coupled with an "impressive value." The Rode K2 quite simply delivers professional-grade sound, specs, and versatility at a price that any serious recording enthusiast is sure to swoon over.

The Perfect Balance Of Warmth And Detail

Most engineers-on-a-budget are recording digitally through a USB or FireWire audio interface. Most engineers-on-a-budget are probably using that interface's built-in microphone preamps. Unfortunately, even the best interface's preamps are designed to be as neutral-sounding as possible, and in the digital recording realm, that often means clinical, lifeless, and sometimes harsh. The Rode K2 reintroduces a touch of that classic analog character into your recordings, feeding a signal into your interface that's extremely detailed, but sweetened by genuine tube-driven circuitry. There's not a plug-in in the world that can emulate this sound; with a K2 at the front of your signal path, you'll be starting with professional-sounding tracks instead of trying to polish "ok" audio.

Swiss Army Mic

Being based on a classic tube circuit in no way makes this a one-trick mic. Quite the opposite--the classic external power supply features a continuously-variable polar pattern selector, making the Rode K2 one of the most versatile studio tools in any price-range. In the cardioid pickup position the K2 is a stunning vocal microphone, smooth, airy, and flattering for both male and female voices. At figure-eight it's the perfect choice for a wide range of acoustic instruments including guitar, strings and piano, and is particularly nice to sonically aggressive instruments like banjo sitar. At the omnidirectional position the Rode K2 makes a phenomenal room mic, or can accurately and pleasingly capture the most notorious of instrument sources like harp or upright bass. Moreover, between these three major positions is an infinite variety of subtle sonic signatures. As the polar control travels across its range, the frequency response and pickup pattern transform smoothly, granting savvy engineers access to unorthodox but wholly usable response profiles. Chances are, if it makes noise, there's a position on the K2's polar selector to capture its essence.

Professional Results

Rode microphones are found in pro studios around the world--and are responsible for a significant layer of dust build-up on other, more expensive microphones--because they're up-to-spec for even the most demanding professional applications. The K2 is no different, boasting impressive numbers in low self-noise (10 dBA), dynamic range (150dB), and max sound pressure levels (162 dB). Because of Rode's dedication to quality manufacturing practices, the K2 shines in even the most extreme conditions, from orchestral recording to sound design. More than likely, when you've got a recording source you've never heard before, the Rode K2 will become your go-to-mic.

The K2 is the kind of microphone Rode has built their reputation on, and you'll be happy to stake yours on it as well. Whether you're just building your project studio collection or adding to a fully stocked mic locker, the Rode K2 will take your recordings to the next level. Get yours today at an unbeatable zZounds price.

Manufacturer's Description for Rode K2 Tube Microphone

The Rode K2 delivers the ultimate in pure rich tube sound and performance, super low self noise (10dBA), high max. SPL (162dBA), and mega wide dynamic range (150dB). Featuring totally variable polar pattern control for an unbeatable combination of flexibility and power, the K2's legendary sound quality literally inspires those magic takes.

The new TYPE HF1 dual diaphragm capsule represents Rode's finest transducer technology. Coupled with their most advanced high output tube circuitry, the K2 brings out every little detail, nuance & whisper, while handling even the loudest source material. The K2 is literally in a class by itself. Includes shockmount, case, power supply and 30 ft. cable.

Features

- Continuously variable polar pattern
- Class A valve circuitry
- Dedicated power supply
- Superlative class condenser microphone zZounds is an authorized dealer of RODE products.
Specifications
- Acoustic Principle: Externally polarized 25 mm (1 in.) condenser
- Active Electronics: Thermionic impedance converter with bipolar output buffer
- Pickup Pattern: Multi-pattern
- Frequency Response: 20 Hz ~ 20 kHz
- Output Impedance: 200 ohms
- Sensitivity: -36 dB re 1 Volt/Pascal (16 mV @ 94dB SPL) +/- 2 dB
- Equivalent Noise: 10 dBA SPL (per IEC651, IEC268-15)
- Maximum Output: > + 30 dBu (@ 1% THD into 1kOhms)
- Dynamic Range: 150dB (per IEC651, IEC268-15)
- Maximum SPL: 162 dB (@ 1% THD into 1kOhms)
- Signal/Noise: > 81 dB (1kHz rel 1 Pa; per IEC651, IEC268-15)
- Power Requirements: Dedicated Power Supply (110 ~ 120V/220 ~ 240V, 50/60Hz)
Dimensions and Weight in Packaging
Shipping Weight: 15 lbs
Shipping Dimensions: 26 x 13 x 6 in
RODE Warranty If you have additional warranty questions, please call the manufacturer at 805-566-7777
Our extended 30-Day 100% Satisfaction Guarantee applies on this product. Buy it, and if it isn't just right for you, return it!
What Our Customers Are Saying About zZounds "zZounds matched their competitor's lower price, shipped to me for FREE, and then my package arrived the next day. Unbelievable." - customer on January 30th, 2012
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Customer Reviews
5 out of 5 (58 ratings) Rate and Review This Product
zZounds has verified that this customer bought this product from us. "The BEST mic for the price!"
Sound: CHANGE THE TUBE FIRST!!! Get a hold of a vintage 1960's Siemens Tube (with grey plates) and it'll turn into a totally different microphone. It has a nice deep, warm sound without the sibalence you usually get with other mics in this price range. It is perfect for vocals. It's not a U47, but it is similar (for the price). Feature: The multi-pattern works great. Put it in figure-8 at 90 degrees with it's cousin the NTK, and you've got a great MS Stereo setup. The figure-8 also sounds KILLER on upright acoustic bass! The proximity effect fattens it up like crazy, and rejects muddy reflections from the floor! Ease of Use: Very easy to use. Just don't unplug it before it is turned off...then wait a few seconds for it to power down. Quality: Very high quality for the price. I don't believe that it's transformer and caps are on par with microphones that cost up in the thousands, but it's TOTALLY great for the price (ESPECIALLY if you change the tube! Siemens is the best for this mic. Mullards are too deep, Amperex are fine) Value: AWESOME value. CANNOT beat the value of this mic for the price. Manufacturer Support: Called once, and got some great help. The Wow Factor: It looks great. Everyone turns their heads to get a glance of it! Overall: It is such a great mic. Change the tube, run it through a high quality preamp, and it'll find a place in your mic closet. Regardless of how expensive (or budgeted) your studio is, you WILL find a place for this mic! Obviously, no mic is perfect for everything. Great for vocals. And it's great for instruments that might sound harsh on other microphones. It's perfect on banjos!
Style of Music: Bluegrass, Country
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This review has been selected by our experts as particularly helpful. "Only a Neumann can beat this mic, but i don't think others can."
Sound: WOW!!! I compared this mic to the new Mojave MA-200, which i thought was a pretty good mic, but it seemed a little peaky. I then tried the K2, and it had this smooth sound that i could just sing to. It has this buttery upfront sound that sticks out of he mix. I bought this mic to record ballads and pop tracks in the style of Dido. On females this mic sounds beautiful. On male vocals this mic adds soul and add a crisp bite to make the vocals sound upfront and in your face. Sibilance hasnt been a problem, it sounds tamed when used with a setting between omni and cardiod. Also a little top shelve eq tames it off if you feel any sign of sibilance. It comes down to the voice and type of singer. Compared to the SE range (Gemini), the K2 kills it flat out. The Gemini has nothing but pure sibilance, it doesnt even have any tube warmth. Feature: Feature wise the mic has no such switches or pads. What i like about this mic is the solid performance. No thrills and add ons. Its a superlative quality valve mic, which doesnt sound fake, or over eq'ed like all the horrible chinese mics. Ease of Use: Very easy, its plug and play, you dont even need 48v power. Quality: Compares to mics 10 times its price...The famous Neumann U67 comes to mind (specially in the lower midrange), and a hint of modern finesse with the smooth crispness. Value: Worth 10 times the asking price...no kidding. Manufacturer Support: Rode now comes with 10 years i think. But i havent needed any support so far. The Wow Factor: Looks impressive. Very 'Pro' looking mic. Its big, cylinder shaped, and lovely warm silverish colour. Overall: I love this mic for everything it put in front of it. For vocals you cannot find a mic thats sounds as lush as this one. Its very silky on the top that would suit most voices. The midrange is smmoth and not hyped. the bottom end is fairly flat and un hyped, so no boominess.
Style of Music: Pop / Ballads / RnB / Swing
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