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Audio Technica AT2041 Studio Microphone Package
Includes AT2020 large-diaphragm condenser mic, AT2021 small-diaphragm condenser mic, stand mount for the AT2020, stand clamp for the AT2021, and 2 protective pouches.
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Because this item is used at your mouth or ear, it cannot be returned once opened due to health reasons. details
About This Product!
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The AT2041SP Studio Pack offers two versatile 20 Series condenser microphones for use in home, project and commercial studios. Equally at home with digital and analog recording devices, the two included studio condensers deliver remarkable specs and superior build. The critically acclaimed AT2020 side-address condenser is ideal for vocal and instrument applications, while the new AT2021 small-diaphragm condenser is a natural for acoustic instruments, overheads, hi-hat and piano.
Audio-Technica's stringent quality/consistency standards set both microphones apart from other mics in their class. Each offers a wide dynamic range and handles high SPLs with ease. An innovative pivoting stand mount is included along with a stand clamp and protective pouches.
AT2041SP Studio Pack includes:
AT2020 Side-address cardioid condenser microphone
AT2021 Small-diaphragm cardioid condenser microphone
Pivoting, threaded stand mount for the AT2020
Professional stand clamp for the AT2021
Two protective pouches
About the microphones
AT2020 Side-address cardioid condenser microphone
The price/performance standard in side-address studio condenser microphone technology
Ideal for project/home-studio applications
High SPL handling and wide dynamic range provide unmatched versatility
Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response
Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone
AT2021 Small-diaphragm cardioid condenser microphone
Ideal for acoustic guitar, overheads, piano and group vocals
Condenser design for studio-quality vocal and instrument applications
Excels in high-SPL applications
Extended response for smooth, natural sonic characteristics
Low-mass element for superb transient response
Corrosion-resistant contacts from gold-plated XLRM-type connector
Rugged design and construction for reliable performance
Polar pattern: cardioid
Frequency response:
-- AT2020: 20-20,000 Hz
-- AT2021: 30-20,000 Hz
Open circuit sensitivity:
-- AT2020: 37 dB (14.1 mV) re 1V at 1 Pa
-- AT2021: 39 dB (11.2 mV) re 1V at 1 Pa
Impedance:
-- AT2020: 100 ohms
-- AT2021: 250 ohms
Maximum input sound level:
-- AT2020: 144 dB SPL, 1 kHz at 1% T.H.D.
-- AT2021: 145 dB SPL, 1 kHz at 1% T.H.D.
Noise:
-- AT2020: 20 dB SPL
-- AT2021: 19 dB SPL
Dynamic range (typical):
-- AT2020: 124 dB, 1 kHz at Max SPL
-- AT2021: 126 dB, 1 kHz at Max SPL
Signal-to-noise ratio:
-- AT2020: 74 dB, 1 kHz at 1 Pa
-- AT2021: 75 dB, 1 kHz at 1 Pa
Phantom power requirements: 48V DC, 2 mA typical
Weight:
-- AT2020: 12.1 oz (345 g)
-- AT2021: 2.9 oz (83 g)
Dimensions:
-- AT2020: 6.38 in. (162.0 mm) long, 2.05 in. (52.0 mm) maximum body diameter
-- AT2021: 4.00 in. (101.5 mm) long, 0.83 in. (21.0 mm) maximum body diameter
Output connector: integral 3-pin XLRM-type
Accessories furnished:
-- AT2020: stand mount for 5/8 in.-27 threaded stands; 5/8 in.-27 to 3/8 in.-16 threaded adapter; soft protective pouch
-- AT2021: stand clamp; soft protective pouch
Audio-Technica's stringent quality/consistency standards set both microphones apart from other mics in their class. Each offers a wide dynamic range and handles high SPLs with ease. An innovative pivoting stand mount is included along with a stand clamp and protective pouches.
AT2041SP Studio Pack includes:
AT2020 Side-address cardioid condenser microphone
AT2021 Small-diaphragm cardioid condenser microphone
Pivoting, threaded stand mount for the AT2020
Professional stand clamp for the AT2021
Two protective pouches
About the microphones
AT2020 Side-address cardioid condenser microphone
The price/performance standard in side-address studio condenser microphone technology
Ideal for project/home-studio applications
High SPL handling and wide dynamic range provide unmatched versatility
Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response
Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone
AT2021 Small-diaphragm cardioid condenser microphone
Ideal for acoustic guitar, overheads, piano and group vocals
Condenser design for studio-quality vocal and instrument applications
Excels in high-SPL applications
Extended response for smooth, natural sonic characteristics
Low-mass element for superb transient response
Corrosion-resistant contacts from gold-plated XLRM-type connector
Rugged design and construction for reliable performance
Technical Info
Element: fixed-charge back plate, permanently polarized condenserPolar pattern: cardioid
Frequency response:
-- AT2020: 20-20,000 Hz
-- AT2021: 30-20,000 Hz
Open circuit sensitivity:
-- AT2020: 37 dB (14.1 mV) re 1V at 1 Pa
-- AT2021: 39 dB (11.2 mV) re 1V at 1 Pa
Impedance:
-- AT2020: 100 ohms
-- AT2021: 250 ohms
Maximum input sound level:
-- AT2020: 144 dB SPL, 1 kHz at 1% T.H.D.
-- AT2021: 145 dB SPL, 1 kHz at 1% T.H.D.
Noise:
-- AT2020: 20 dB SPL
-- AT2021: 19 dB SPL
Dynamic range (typical):
-- AT2020: 124 dB, 1 kHz at Max SPL
-- AT2021: 126 dB, 1 kHz at Max SPL
Signal-to-noise ratio:
-- AT2020: 74 dB, 1 kHz at 1 Pa
-- AT2021: 75 dB, 1 kHz at 1 Pa
Phantom power requirements: 48V DC, 2 mA typical
Weight:
-- AT2020: 12.1 oz (345 g)
-- AT2021: 2.9 oz (83 g)
Dimensions:
-- AT2020: 6.38 in. (162.0 mm) long, 2.05 in. (52.0 mm) maximum body diameter
-- AT2021: 4.00 in. (101.5 mm) long, 0.83 in. (21.0 mm) maximum body diameter
Output connector: integral 3-pin XLRM-type
Accessories furnished:
-- AT2020: stand mount for 5/8 in.-27 threaded stands; 5/8 in.-27 to 3/8 in.-16 threaded adapter; soft protective pouch
-- AT2021: stand clamp; soft protective pouch
Studio engineers often use multiple microphones on a single audio source for balanced, textured tracks. It's common to see a large-diaphragm condenser defining the character of an instrument, for example, with a small-diaphragm condenser adding the subtle details. Alternatively, the smaller mic is used up close for a crisp image, with the larger mic at a distance letting in room ambience and rounding out the sound. Either way, it's important to match the microphones for the best overall blend. Audio Technica's Studio Packs have everything you need to bring layered, multi-dimensional complexity to your recorded tracks. The SP2041 contains a large-diaphragm AT2020 side-address condenser, plus an AT2021 small-diaphragm condenser, delivering professional results for budget-minded studios. If you need wider frequency response and higher SPL handling, the SP4041 features a large AT4040 mic and the smaller AT4041, plus shockmount, windscreen, and protective case. Sometimes, a pair of small-diaphragm condensers is your best bet. A tight stereo image up above your drum kit can highlight the crisp cymbal details, for example. Audio Technica's SP4041 pack includes a pair of AT4041's, perfect for this purpose.
11/13
Just delivered to our warehouse! New, with Tripod Boom Stand and Mic Cable (20 Foot), available for immediate delivery.
11/03
Just delivered to our warehouse! Blemished, will ship immediately.
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Audio Technica AT2041 Studio Microphone Package Reviews
9 out of 10
zZounds has verified that this customer bought this product from us.
"My Live Multitrack Recordings came alive!"
Feature:
The Audio Technica mikes are well made, feel solid, and work very well for digital multitrack recorders. A spider shock mount would be nice to come with these.
Quality:
The Audio Technica mikes were of top notch quality fit and finish, and worked well in live recording situations.
Value:
I have spent three times the cost of the pair of AT2020/AT2021's and basically wasted money on one mike that did not perform as well as these mikes. They are the big bang for the home digital studio buck.
Desirability:
Good looking mike. Musicians commented, "Wow"! and were excited to record with them. Much better sounding recordings were made.
Sound:
I bought two Audio Technice AT2020 and AT2021 studio packs to replace Sure SM 57 and SM58's I used in sound reinforcement, but ended up using the Shures for recording sessions on my digital multitrack recorers. Something was lacking in the sound of my prior recordings and I suspected the SM 57's and 58's as the primary suspects. I recorded a rock band several weeks prior with the old Shures, and then recorded the same band again using the Audio Technica 2020 and 2021 condencer, phantom powered mikes. I could not believe the difference in clarity and frequency response range, from lows to highs. I used the AT2021's as overheads on the drums to pick up the cymbals, and the larger AT2020's on the Marshall Amp cabs. The difference between the Audio Technica condencer mikes for recording was far superior than my old mike set up. I noticed at mixdown with these Audio Technica recording mikes that the flat signal recorded from each instrument needed very little EQ, if any, to sweaten up the mix. I liked them so well and they made so much difference on my digital multitrack recorder, that I bought two more Audio Technica Studio packages giving me now 4 AT2020's and 4 AT2021's; that's eight good phantom powered mikes for about $600 bucks, plus shipping. You can pay thousands to get mikes that rate 10, but you can't get better recording mikes for the money.
Ease of Use:
No problem using them, just make sure they are connected before you turn on the 48volt phantom power. You may want a tube preamp for recording vocals into your mixer/recorder, They work fine without additional preamps on musical instruments.
Support:
Never dealt with the company before.
Overall:
I expect to be fully satisfied for a long time. These mikes improved my live recordings to professional quality sound, being much better matched to the sonic capability of my digital recorder, than my old Shures were.
The Audio Technica mikes are well made, feel solid, and work very well for digital multitrack recorders. A spider shock mount would be nice to come with these.
Quality:
The Audio Technica mikes were of top notch quality fit and finish, and worked well in live recording situations.
Value:
I have spent three times the cost of the pair of AT2020/AT2021's and basically wasted money on one mike that did not perform as well as these mikes. They are the big bang for the home digital studio buck.
Desirability:
Good looking mike. Musicians commented, "Wow"! and were excited to record with them. Much better sounding recordings were made.
Sound:
I bought two Audio Technice AT2020 and AT2021 studio packs to replace Sure SM 57 and SM58's I used in sound reinforcement, but ended up using the Shures for recording sessions on my digital multitrack recorers. Something was lacking in the sound of my prior recordings and I suspected the SM 57's and 58's as the primary suspects. I recorded a rock band several weeks prior with the old Shures, and then recorded the same band again using the Audio Technica 2020 and 2021 condencer, phantom powered mikes. I could not believe the difference in clarity and frequency response range, from lows to highs. I used the AT2021's as overheads on the drums to pick up the cymbals, and the larger AT2020's on the Marshall Amp cabs. The difference between the Audio Technica condencer mikes for recording was far superior than my old mike set up. I noticed at mixdown with these Audio Technica recording mikes that the flat signal recorded from each instrument needed very little EQ, if any, to sweaten up the mix. I liked them so well and they made so much difference on my digital multitrack recorder, that I bought two more Audio Technica Studio packages giving me now 4 AT2020's and 4 AT2021's; that's eight good phantom powered mikes for about $600 bucks, plus shipping. You can pay thousands to get mikes that rate 10, but you can't get better recording mikes for the money.
Ease of Use:
No problem using them, just make sure they are connected before you turn on the 48volt phantom power. You may want a tube preamp for recording vocals into your mixer/recorder, They work fine without additional preamps on musical instruments.
Support:
Never dealt with the company before.
Overall:
I expect to be fully satisfied for a long time. These mikes improved my live recordings to professional quality sound, being much better matched to the sonic capability of my digital recorder, than my old Shures were.
Submitted: 08/06/2007
Style of Music: Classic Rock/ All styles
10 out of 10
zZounds has verified that this customer bought this product from us.
Audio Technica AT2041 Customer Review
Feature:
No low or high switches to mess with simplicity is a factoid.
Value:
Sure I could have spent less money on a similar mic, but you always get what you paid for. I nearly got perfection.
Desirability:
Sure those shock mounts are nice but I didnt need them for my application.
Sound:
We use 4 other higher end AT studio mics for our choir, which sounds good, but with these two added on, the congregation has praised the sound team for the crisper clarity improvement it's brought to the choir.
Ease of Use:
took only a few seconds to set the highs,lows, and mids. NO CRACKING noises.
No low or high switches to mess with simplicity is a factoid.
Value:
Sure I could have spent less money on a similar mic, but you always get what you paid for. I nearly got perfection.
Desirability:
Sure those shock mounts are nice but I didnt need them for my application.
Sound:
We use 4 other higher end AT studio mics for our choir, which sounds good, but with these two added on, the congregation has praised the sound team for the crisper clarity improvement it's brought to the choir.
Ease of Use:
took only a few seconds to set the highs,lows, and mids. NO CRACKING noises.
Submitted: 04/10/2009
Style of Music: Gospel
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