Behringer CX3400 SuperX Crossover

2- or 3-way stereo or even 4-way mono operation. Servo-balanced, RF filtered.

Item: BEHCX3400

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customer reviews

Rate and Review This Product:

33 People rated this product : * * * * * * * * * * 7 out of 10

2 People wrote reviews

* * * * * * * * * * 9 out of 10

"For live sound, get one!"

Quality:
Looks good, feels good. As with all equipment, the way you look after it determines its lifespan! Put it in a shockmounted rack and know the sequence of switching on your gear.

Value:
Great value for money

Desirability:
I got it

Sound:
In Live Sound setup, this baby has given me unbelievable sound. Whether I want to go 2 way or three way, my sound is clean. Do not bash this unit because you are using some cheap amp and or speakers. It delivers when you need it most

Support:
N/A

Overall:
Good product which actually does the job and has great value for money. Would replace with the same one if something happened

Submitted: 8/27/2005

* * * * * * * * * * 3 out of 10

"Electronic glare and mush."

Sound:
This crossover provides sound with electronic glare and brittleness over every part of the music, making it unusable for high quality audio playback at home.

Support:
No experience with support.

Overall:
I am on the lookout for another crossover, that will beat a modified Audio Control Phase Coupled Activator working on 800Hz frequency, and that won't be aesy.

Submitted: 4/26/2005

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About This Product!
Description
Docs
From Our Catalog
Crossover to Success
The Behringer Super-X Pro CX3400 is a new, high-precision active frequency crossover enabling 2- or 3-way stereo or even 4-way mono operation with your sound systems. Whether you're doing sound in a small club or large concert hall, looking to improve your stage monitoring, or need an additional subwoofer in your studio: the Super-X Pro will fit the bill.

Move Your Speakers Without Leaving Your Seat
If the drivers in a multi-way system aren't set up in a vertical line, you often get phase errors and cancellations. Super-X Pro to the rescue! It enables you to delay the low-frequency bands up to 2 msec., which correlates to moving the speaker backwards up to app. 70 cm. Adjustable crossover frequencies and an additional POLARITY button per output allow perfect runtime and phase problem compensation for various types of speakers and horns.

Well-Adjusted, We've Got the Doctor's Bills to Prove It!
Our special FREQUENCY knobs with 41 detents allow precise setting of both channels' crossover frequencies. The Super-X Pro's extremely wide frequency adjustment ranges from 44 to 930 Hz and from 440 Hz to 9.3 kHz (x 10) assure perfect adaptation to any speaker system.

Your Guardian Angel
Each band of the Super-X Pro features an integrated IGC (Interactive Gain Control) limiter, which effectively protects your system and speakers against overloading. The threshold for all 6 limiters is variable between -6 and +18 dB, whereas each limiter operates individually on its particular frequency band. Precise LED displays monitor the status of the limiters and inform you immediately when a limiter becomes active. Your system is protected and your success guaranteed.

The Universal Speaker Management System
You want lots of volume and big, fat low end? Leave it to Super-X Pro. The lowest frequency band can be merged to a mono signal and separated from the mix, leaving the rest in stereo. Combining the bass cabinets to form a single cluster enables optimal efficiency and notably increased sound pressure level. You can't do much better than the CX3400 if you're looking to add a powerful subwoofer output to your studio monitor or PA system.

Super-X(TM) Pro CX3400: Crossover to Success!

Features
Switchable stereo 2-way/3-way or mono 4-way operation

Several Super-X Pro's can be linked for unlimited frequency bands

24 dB/octave, state-variable Linkwitz-Riley filters for precise frequency separation

Completely linear, phase-compensated amplitude response when summing signals

Independent IGC limiter per output

MUTE button, phase reverse switch, and adjustable output level per band for easy system adaptation

Crossover frequencies adjustable between 44 - 930 Hz and 440 Hz - 9.3 kHz (x 10)

Switchable 25 Hz subsonic filter per input (12 dB/octave)

Switchable equalization for constant-directivity horns

Adjustable delay (up to 2 msec.) for runtime and phase correction

Servo-balanced inputs and outputs with XLR connectors

Manufactured under ISO9000 certified management system

Technical Info

Input
Connectors: XLR

Type: Electronically servo-balanced, RF filtered

Impedance Balanced: >50k Ohms, unbalanced >25k Ohms

Max. Input level: +22 dBu typical, balanced or unbalanced

CMRR: >40 dB, typically >55 dB at 1 kHz

Output
Connectors: XLR

Type: Electronically servo-balanced, RF filtered

Impedance: Balanced 60 Ohms, unbalanced 30 Ohms

Max. Output Level: +20 dBm balanced/unbalanced

Performance
Bandwidth: 20 Hz to 20 kHz, +0/-0.5 dB

Frequency Response: <5 Hz to >90 kHz, +0/-3 dB

Signal to Noise: Ref.: +4 dBu, 20 Hz to 20 kHz, unweighted

Function Switches

Front Panel

Low Cut: Activates 25 Hz Butterworth, 12 dB/Octave high-pass filter

Mute: Mutes the individual output

Phase: Invert Inverts the phase at the individual output

CD Horn: Corrects CD horn frequency response above 3.5 kHz

Limiter: Activates the limiter function for all outputs

Rear Panel
Crossover Frequency: Multiplies crossover frequency range by 10

Mode: Selects stereo/mono and 2/3/4-way operation

LF Sum: Selects normal stereo or mono-summed low frequency operation

ON=Channel 1 + 6dB louder/Channel 2: the same as before

Controls
Input: Controls the input gain (+/-12 dB)

Crossover: Frequency Controls the crossover frequency

Delay: Controls the delay at the low output (0 to 2 msec.)

Gain: Controls the output gain (+/-6 dB)

Threshold: Controls the threshold of the limiter (- 6 dB to OFF)

Physical
Dimensions (H x W x L): 44.5 x 482.6 x 217mm (1-1/4 x 19 x 8.5 in.)

Net Weight: 3 kg

Shipping Weight: 4.3 kg
Can be used as a 2- or 3-way stereo or 4-way mono crossover. It also features up to 2 milliseconds of low frequency delay for phase correction, 41-step detented frequency controls, and adjustable limiting on all output channels.

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