Taylor GS Series Grand Symphony Acoustic Guitar (with Case)
No longer available at zZounds

zZounds Gear Experts Say...
This grand symphony acoustic guitar offers an unmatched deep, loud tone that reaches piano-like bass, rich mids, and balanced highs.
Overview
It's big. And if you think you know the Taylor sound, you're in for a big surprise. Meet the all-new Grand Symphony, an original body shape developed by Bob Taylor. Its big voice is bold and new, and unlike any other Taylor. The GS Series features four wood combinations, each with the same visual appointments -- and all for around the same price. Try each one and find your big tone.
Acoustic Roots
Pure acoustic styling is identical on all GS Series models. Taylor changes only the wood combinations, creating four new and unique tones.
A Little Equals a Lot
Small changes go a long way. A higher, wider waist and a rounder lower bout add up to a big difference in tone.
Another Taylor Flavor
Deep, piano-like bass, rich mids and clear, balanced highs. And plenty of volume. This is the new GS.
It's About Tone
All four models sell for about the same price. Try each one and let tone be your guide.
Grand Symphony Shape
Though you might see similarities to a Grand Auditorium, the GS is unique in both sound and shape. Significant changes in its geometry yield a deeper, more piano-like bass. A wider lower bout and higher, wider waist return ample volume and low-end sustain, in symphony with fuller mids and balanced highs.
Gloss Finish
The finish used to create this guitar's lustrous gloss top, back, and sides was developed at Taylor for maximum durability and resistance to cold-checking. This ultra violet-cured finish is also more environmentally friendly than traditional lacquer finishes.… read more
Mahogany/Cedar
The Tropical American mahogany/Western Red cedar combination is a true powerhouse. It's one of Taylor's favorites, and a natural choice to be among the inaugural models in the GS Series. Like all GS models, it has "pure acoustic" detailing: abalone micro dot inlays, Ivoroid binding, abalone rosette, and rosewood peghead veneer.
Top: Western Red cedar
Back & sides: Tropical American mahogany
Maple/Spruce
You'll detect distinct tonal differences as you move from model to model within the GS Series. The Big Leaf maple/Sitka spruce combination is stunning from first glance, and clear and articulate from first listen. If you thought you knew the maple guitar sound, think again.
Top: Sitka spruce
Back & sides: Big Leaf maple
Rosewood/Cedar
Indian rosewood and Western Red cedar is a pairing that is traditionally among Taylor's best-selling models. The softness of cedar will yield subtle differences in tone when compared to the rosewood/spruce combination.
Top: Western Red cedar
Back & sides: Indian rosewood
Rosewood/Spruce
For many guitar enthusiasts, Indian rosewood is the definitive tonewood. Paired with a Sitka spruce top, it's a traditional combination that sings in the GS body shape. Taylor expects this to be the "go-to" GS model for many players.
Top: Sitka spruce
Back & sides: Indian rosewood read less
Acoustic Roots
Pure acoustic styling is identical on all GS Series models. Taylor changes only the wood combinations, creating four new and unique tones.
A Little Equals a Lot
Small changes go a long way. A higher, wider waist and a rounder lower bout add up to a big difference in tone.
Another Taylor Flavor
Deep, piano-like bass, rich mids and clear, balanced highs. And plenty of volume. This is the new GS.
It's About Tone
All four models sell for about the same price. Try each one and let tone be your guide.
Grand Symphony Shape
Though you might see similarities to a Grand Auditorium, the GS is unique in both sound and shape. Significant changes in its geometry yield a deeper, more piano-like bass. A wider lower bout and higher, wider waist return ample volume and low-end sustain, in symphony with fuller mids and balanced highs.
Gloss Finish
The finish used to create this guitar's lustrous gloss top, back, and sides was developed at Taylor for maximum durability and resistance to cold-checking. This ultra violet-cured finish is also more environmentally friendly than traditional lacquer finishes.… read more
Mahogany/Cedar
The Tropical American mahogany/Western Red cedar combination is a true powerhouse. It's one of Taylor's favorites, and a natural choice to be among the inaugural models in the GS Series. Like all GS models, it has "pure acoustic" detailing: abalone micro dot inlays, Ivoroid binding, abalone rosette, and rosewood peghead veneer.
Top: Western Red cedar
Back & sides: Tropical American mahogany
Maple/Spruce
You'll detect distinct tonal differences as you move from model to model within the GS Series. The Big Leaf maple/Sitka spruce combination is stunning from first glance, and clear and articulate from first listen. If you thought you knew the maple guitar sound, think again.
Top: Sitka spruce
Back & sides: Big Leaf maple
Rosewood/Cedar
Indian rosewood and Western Red cedar is a pairing that is traditionally among Taylor's best-selling models. The softness of cedar will yield subtle differences in tone when compared to the rosewood/spruce combination.
Top: Western Red cedar
Back & sides: Indian rosewood
Rosewood/Spruce
For many guitar enthusiasts, Indian rosewood is the definitive tonewood. Paired with a Sitka spruce top, it's a traditional combination that sings in the GS body shape. Taylor expects this to be the "go-to" GS model for many players.
Top: Sitka spruce
Back & sides: Indian rosewood read less
Specs
Type/shape: 6-string GS
Soundhole rosette: abalone
Neck: tropical American mahogany
Fretboard: ebony with binding
Fretboard inlay: abalone dots
Headstock overlay: Indian rosewood
Binding: Ivoroid
Bridge: ebony
Nut & saddle: Tusq
Tuning machines: gold-plated Taylor tuners
Strings: Elixir Medium Gauge Strings with NANOWEB coating
Scale length: 25 1/2 in.
Truss rod: adjustable
Neck width at nut: 1 3/4 in.
Number of frets: 20
Bracing: scalloped, X-brace
Finish: gloss
Cutaway: none
Electronics: none
Body Width: 16 1/4 in.
Body depth: 4 5/8 in.
Body length: 20 in.
Overall length: 41 in.
Case: GS Series Deluxe hardshell
Soundhole rosette: abalone
Neck: tropical American mahogany
Fretboard: ebony with binding
Fretboard inlay: abalone dots
Headstock overlay: Indian rosewood
Binding: Ivoroid
Bridge: ebony
Nut & saddle: Tusq
Tuning machines: gold-plated Taylor tuners
Strings: Elixir Medium Gauge Strings with NANOWEB coating
Scale length: 25 1/2 in.
Truss rod: adjustable
Neck width at nut: 1 3/4 in.
Number of frets: 20
Bracing: scalloped, X-brace
Finish: gloss
Cutaway: none
Electronics: none
Body Width: 16 1/4 in.
Body depth: 4 5/8 in.
Body length: 20 in.
Overall length: 41 in.
Case: GS Series Deluxe hardshell
Reviews
Reviewers gave this product an overall rating of 5 out of 5 stars.
(31 ratings)
Submitted March 17, 2007 by a customer from billyhellrc.com
"Taylor GSRC - The best sounding Taylor of All Time"
I could have purchased any guitar in the store and this one went home with me.
Sound
I have been playing since 1978. The time had come for a new guitar. I was really leaning towards a higher end Martin but the Taylors always sounded better than the Martins to me. I have owned a Taylor 214, 414 and now my favorite is the GSRC. The first thing that got me was the low end, it was great to play a Taylor that actually growled. Then I realized the mids were there too! And of course it had the Taylor highs. I was able to play the different wood combinations and the Maple was beautiful but the rosewood "spoke" to me. The action was perfect and even hard srumming rendered a really loud balanced sound. I was fully intending on buying a 615ce with tobacco burst and quilted maple on the back - BEAUTIFUL but he GSRC out played it and sound SO much better. I can honestly say I have never played a guitar that sounded as good as the GSRC and I'm happy to say it went home with me. I love the looks. I also won't be afraid to take out to a pasture to pick with my friends. I also added the LR Baggs I-Beam and it sounds great ampified.
THANK YOU TAYLOR - I'm in love!!!
Features
The alligator cash is NICE.
Ease of Use
Plays great, even for hard strumming
Quality
Built like a Taylor, great.
Value
The best guitar I have ever played at a decent price.
Manufacturer Support
Haven't needed any yet.
The Wow Factor
I love the look, some fancier dots would have been nice.
Musical Background:
Flat picker since 1978.
Musical Style:
alt country
8 of 9 people (89%) people found this review helpful. Did you?
Thanks for your opinion!
No longer available at zZounds
In most cases, a product is unavailable because it has been discontinued by the manufacturer
This is a carousel with product cards. Use the previous and next buttons to navigate.