Moog Subsequent 37 Analog Synthesizer Keyboard

SOUND ENGINE: 100% Analog
POLYPHONY: Selectable Monophonic or Paraphonic
KEYBED: 37-note Semi-weighted with After Pressure
LCD: 128 X 64 pixel LCD with white backlight
CONTROLLERS: Pitch Bend, Mod Wheel, After Pressure, Velocity
SOUND SOURCES: 2 Variable Waveshape Oscillators, 1 Square Wave Sub Oscillator, 1 Analog Noise Generator, 1 External Input/Filter Feedback
OSCILLATOR CALIBRATION RANGE: 22Hz-6.8KHz. Note range at 8' = 18 - 116
GLIDE MODULE: Assign to Osc1/Osc2/Both. Type - LCR, LCT, EXP, Gated, Legato
FILTER: 20Hz-20KHz Moog Ladder Filter w/ 6/12/18/24 dB/Oct Filter Slopes and MultiDrive
TRANSPOSITION: +/- 2 Octaves
ARPEGGIATOR/SEQUENCER: Up, Down, Order, Random, Latching, Back/Forth, Invert, +/-2 Range, Tie, Rest, MIDI Sync, 64-note sequencer
MODULATION BUSSES
SOURCES: LFO (Triange, Square, Saw, Ramp, Sample & Hold), Filter EG/PGM
PROGRAMMABLE SOURCES: Amp Env, Constant ON, Sine LFO, Noise LFO, Osc 1 Pitch, Osc 2 Pitch, Seq Note, Seq Vel, and Seq Mod.
DESTINATIONS: Osc 1 Pitch, Osc 2, Osc 1 & 2 Pitch, Filter, LFO Rate, VCA Level, Osc 1 Wave, Osc 2 Wave, Osc 1 & 2 Wave, Noise Level, EG Time/PGM
PROGRAMMABLE DESTINATIONS: Filter Resonance, Filter Drive, Filter Slope, Filter Env Amount, Filter Keyboard Amount, Osc 1 Level, Sub Osc Level, Osc 2 Level, External In/Feedback Level, Osc 1 On, Sub Osc On, Osc 2 On, Noise On, External In/Feedback On, Arp Rate, Arp Clock Division, Arp Range, Arp Back/Forth, Arp Ends, Arp Invert, Arp Gate Length, Arp Run, Glide Time, Glide OSC Choice, Glide Type, Glide Gate, Glide Legato, Glide On, LFO 1 Clock Division, LFO 1 Range, LFO 1 Sync, LFO 1 Keyboard Reset, LFO 1 Keyboard Track, Mod 1 Pitch Amount, Mod 1 Filter Amount, Mod 1 Programmable Amount, Mod 1 Programmable Destination, LFO 2 Clock Division, LFO 2 Range, LFO 2 Sync, LFO 2 Keyboard Reset, LFO 2 Keyboard Track, Mod 2 Pitch Amount, Mod 2 Filter Amount, Mod 2 Programmable Amount, Mod 2 Programmable Destination, Osc 1 Oct, Osc 2 Sync, Osc 2 Keyboard Reset, Osc 2 Oct, Osc 2 Keyboard Control, Osc 2 DUO Mode, Osc 2 Freq, Osc 2 Beat Freq, Filter Env Attack, Filter Env Decay, Filter Env Sus, Filter Env Release, Filter Env Delay, Filter Env Hold, Filter Env Vel Amount, Filter Keyboard Track, Filter Env Multitriggering, Filter Env Reset, Filter Env Sync, Filter Env Loop, Filter Env Latch, Amp Env Attack, Amp Env Decay, Amp Env Sus, Amp Env Release, Amp Env Delay, Amp Env Hold, Amp Env Vel Amount, Amp Keyboard Track, Amp Env Multitriggering, Amp Env Reset, Amp Env Sync, Amp Env Loop, Amp Env Latch, Output Volume, Bend Up, and Bend Down.
LFO PANEL FEATURES: Hi/Low Range from .01Hz–1kHz, MIDI Sync, KB Reset
ENVELOPES: DAHDSR Envelopes with Multi-Trigger, Reset, Looping, MIDI Sync, Latch, and Variable control of EG Delay, Hold, Velocity Amount, KB Tracking.

INPUTS/OUTPUTS:
AUDIO INPUT: 1xTS
AUDIO OUTPUT: 1xTS, 1xTRS Headphone with separate volume control
PRESETS: 256 Presets - 16 Banks x 16 presets
MIDI I/O: DIN In/Out, and MIDI over USB
CV/GATE INPUTS: Filter CV, Pitch CV, Volume CV, KB Gate
CV/GATE OUTPUTS: 4x Assignable CV, 2x Assignable Gate
CV DESTINATIONS: KB Pitch (is also sequence pitch), Velocity, Aftertouch, Mod 1,
Mod 1x Ctrl, Mod 2, Mod 2 x Ctrl, Filter EG, Amp EG, Pitch Wheel, Mod Wheel, Seq Mod, Duo Pitch.
GATE DESTINATIONS: KB Gate (is also sequence gate),Ext. Gate, Arp/Seq Clock, Arp/Seq Run/Stop, Arp/Seq Step 1 Trig, Filt EG Trigger, Amp EG Trigger, LFO 1 Rate, LFO 2 Rate.
DIMS: 6.75"H x 26.75"W x 14.75"D
WEIGHT: 22 lbs
POWER: 110VAC-240VAC Universal Power Supply with IEC connector
Dimensions and Weight in Packaging
Base Item
Shipping Weight: 25.75 lbs
Shipping Dimensions: 31 x 17 x 10 in
Manufacturer Part Number (MPN): LPS-SUB-006-01
If you have additional warranty questions, please contact the manufacturer at 828-251-0090
(3 ratings)
Submitted January 28, 2019 by Ted b
"Unnnngggghhh"
Verified Customer zZounds has verified that this reviewer made a purchase from us.
Sometime I just stand in my studio, low A latched down, sweeping the filter and getting weak in the knees. This thing sounds so fat, huge and dirty... then you crank that Multidrive and you're like "WTF there is seriously MORE?!"This thing slays, that's all there is to it. If you want fat Moog sound, you want this synth.
Musical Background:
20 years on the guitar, 5 in the studio
Musical Style:
I make techno
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