Mackie and JBL Full Gig PA Package
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Includes Mackie PPM1008 mixer, JBL JRX125 and JBL JRX112M speakers, AKG D88S microphones. See Description for full details.
Overview
Take the guess work out of building a professional PA sound system. Joining some of the best Mackie mixing with JBL's renowned amplification is a good place to start. However you can't just pick anything and hope it works together. With the leg work done for you it doesn't get easier than this. The Mackie PPM1008 provides enough power to run JBL's massive JRX125 speaker cabinets and still have enough power to provide juice to two JRX112M for the vocalist or guitarist who always wants more of their own mix. AKG's 3300 Hypercardioid Vocal microphone complements the system by safeguarding against unwanted feedback while providing the clarity, volume and ruggedness needed for stage use. Finally, the package is rounded out by providing all the cable connections needed to plug one to the other.
Package Contents
1 x Mackie PPM1008 8-Channel Powered Mixer (Stereo, 1600 Watts)
2 x JBL JRX125 PA Cabinet Quasi 3-Way (2x15 in.)
2 x JBL JRX112M Monitor Cabinet (250 Watts, 1x12 in.)
4 x AKG D88S Supercardioid Vocal Microphone with Switch
4 x OnStage 7701B Tripod Boom Mic Stand
2 x OnStage SS7730 Tripod Speaker Stand
4 x CBI LowZ Microphone Cable
4 x Stagg Speakon to Speakon Speaker Cable
Mackie PPM1008 8-Channel Powered Mixer
Ultra-light and completely self-contained, the Mackie PPM1008 professional powered mixer features two ridiculously robust power amps for mains and/or monitors (800W + 800W). With 1600 watts of system power, the PPM1008 is in a class of its ownfully capable of powering… read more a huge system (try a couple S215s AND a pair of C300s!) Mackie custom designed the PPM1008 with Class-D amps, which are cool-running and boast maximum efficiency, keeping your sound pumping until they start kicking people out. They had to include Mackie’s proven Fast Recovery circuitry, eliminating the risk of pesky amp latching. The result is a distortion free mix even when pushing peak levels. The built-in limiter can go toe-to-toe with the most popular outboard stereo limiters used in live sound today, protecting your speakers from damage. The limiter’s attack and release times are specifically selected to address full-bandwidth music and will not muddy things up by adding any unwanted pumping. PPM mixers are surprisingly lightweight, but tremendously powerful. You can push the PPM1008 to its maximum output, distortion free!
The Right Tools for the Job
Most powered mixers out there have either a limited set of mixing tools—keeping your mix decidedly average—or they cram in a mind-boggling amount of lame effects that you would never use. Every professional carries the right tools for the job, so the PPM608 comes with a great-sounding, highly useable toolkit:
- Premium Mackie preamplifiers ensure transparent, low-noise/high-headroom characteristics right at the front of the mixer. The PPM1008 offers 8 mic/line channels with trusted Mackie preamplifiers.
- True 48V phantom power allows every condenser mic to perform at its full potential.
- Legendary 3-band active EQ straight off the tremendously popular VLZ3 mixer series. Sweetening any channel is a breeze.
- Individual channel inserts (ch. 1-6) allow compressors and other outboard processing on critical instrument or voice channels. Don’t leave the lead singer hanging!
- Dedicated in-line compressors on channels 1-4 bring simple but sweet dynamics to our PPM mixers.
- Dual graphic EQs are provided for both mains and monitors. These EQs feature tight, constant-Q Filters that effect only the frequency range you’ve intended, unlike many inexpensive built-in graphic EQs that will remain nameless.
- Simple stuff like useable main and monitor output metering make a huge difference in your mix. Sorry, but 5 LED meters at the output doesn’t tell you that you’re about to clip. Our high-resolution 12 segment meters enable more visibility of your signal, and the super quick response of the meters allows what you see to translate quickly and easily to what you hear.
"Gig Ready" Effects
The all-new RMFX+ (Running Man FX) 32-bit effects processor brings "gig ready," useable effects to your mixes. Why scroll through hundreds of bizarre effects, like "ghost ambience?" Yeah, like anyone even knows what that means. Or how about winners like “delay+phaser2”, which you’ll never use in a million years. Those other mixers will leave your fingers raw from all the scrolling you have to do. The RMFX+ processor features 24 solid FX that are known for their utility and usability. Small, medium and large room reverbs with the choice of a warm or bright characteristic put your mix in the right space. Simple, rich choruses and an array of practical delays enable you to create professional mixes without requiring a two-hour sound check. Also, the RMFX+ is the first onboard processor to feature a user tap function. So if you want to use a delay, but our preset delay time doesn’t work, you can tap it in instantly! Basically, we’ve delivered a full rack of gear at your fingertips that is easy to master, allowing you to look really and sound really good at your next gig. Really, really good.
Absolutely Armored
The PPM1008 is fully armored inside a solid steel chassis, helping to protect the electronics from any potential environmental hazard (Think beer.) Extremely durable polycarbonate ABS end caps will protect the PPM1008 from years of abuse caused by tossing it in and out of the truck or falling off the stool at rehearsal. Each PPM1008 features rounded front with recessed controls, so if it rolls on its face in the van or gets kicked over at the show, you can be sure that it will emerge damage-free. Two metal side handles allow you to easily pick it up and get going. It’s ultra-light so you won’t need both hands!
JBL JRX125 PA Cabinet Quasi 3-Way (2x15 in.)
The JBL JRX125 is a dual 15 in. speaker system, which has become one of the most popular configurations with DJs and musicians who are looking for more low-frequency performance while maintaining the simplicity of a single-box system. The JRX125 is actually a 'quasi three-way' design. This means that the upper woofer covers lows and mids. The bottom woofer uses a lower crossover frequency and covers only lows, acting as a built-in subwoofer. So you get the extra low-end of a dual 15 in. rig while maintaining the superior mid-frequency performance of a single driver system. Features Neutrik connectors.
JBL JRX112M Monitor Cabinet (250 Watts, 1x12 in.)
The JRX112M was designed from the ground up as a stage monitor. It's a 250-watt (program, 1,000W peak) 12 in. two-way stage monitor in a compact enclosure also featuring the dual-angle pole socket. Voiced to perfection, it cuts through to allow performers to hear everything they need for a pro performance.
Features
Neutrik, Speakon, and 1/4 in. input connectors
Constructed of carpet-covered, 3/4 in. MDF - a material that is structurally and acoustically superior to the particleboard
Heavy gauge wire is used for inductors
SonicGuard high-frequency driver protection
Dual-angle pole socket [ for conventional vertical position, or with a 10 degree down angle]
All metal handles
18-gauge, full metal grille
All JRX100 models have passed the same 100-hour, full rated-power torture test that JBL high-end touring systems must survive.
AKG D88S Supercardioid Vocal Microphone with Switch
The AKG CCS (Crystal Clear Sound) microphones offer great value for your money. D88S -- Here comes the boss. Lead vocalists simply need a better microphone that looks as cool as it sounds. A supercardioid polar pattern makes the voice cut through the mix more easily. Its heavy-duty metal body with rugged wire mesh cap feels great to hold and will take some tough handling.
Young musicians, Karaoke singers, audio hobbyists, solo entertainers are all looking for good, reliable microphones at affordable prices. Many of the microphones on the market do not provide the desired quality.
AKG Acoustics closes the gap between low-cost/low-quality offerings and professional microphones with an attractive line of microphones for a large range of requirements and applications. The CCS Series microphones do not only provide crystal-clear sound, but come in professional cases showing all important specs and features at a glance.
OnStage 7701B Tripod Boom Mic Stand
Height adjustable mic stand comes with a durable tripod base and foldable legs for easy storage.
Features
Solid cast end with standard 5/8-27 threads
Long 30 in. boom with molded plastic counterweight
Euro-Style boom with separate clutches for length and angle of boom. Allows user to make one-handed adjustments of boom angle while performing
Professional quality die-cast zinc clutch locks vertical shaft at any height from 36 - 63 in.
Clip-on cable holder
Steel-reinforced plastic leg housing offers less weight and exceptional strength
Folding legs with plastic endcaps for durability and reduced floor vibration. Base spread: 23 in.
OnStage SS7730 Tripod Speaker Stand
The steel-aluminum design on this affordable speaker stand make it both lightweight and durable. Use either the 1 3/8 in. diameter upper shaft or the included 1 1/2 in. adapter sleeve for a universal fit.
Features
Universal fit with 1 3/8 in. or 1 1/2 in. inserts.
Tension height adjustment knob and safety pin for added safety.
Locking/Retractable leg housing with 120-degree design for low center of gravity and equal weight distribution.
CBI LowZ Microphone Cable
CBI 24 gauge balanced wire. Very flexible. CBI Nickel XLRs. read less
Package Contents
1 x Mackie PPM1008 8-Channel Powered Mixer (Stereo, 1600 Watts)
2 x JBL JRX125 PA Cabinet Quasi 3-Way (2x15 in.)
2 x JBL JRX112M Monitor Cabinet (250 Watts, 1x12 in.)
4 x AKG D88S Supercardioid Vocal Microphone with Switch
4 x OnStage 7701B Tripod Boom Mic Stand
2 x OnStage SS7730 Tripod Speaker Stand
4 x CBI LowZ Microphone Cable
4 x Stagg Speakon to Speakon Speaker Cable
Mackie PPM1008 8-Channel Powered Mixer
Ultra-light and completely self-contained, the Mackie PPM1008 professional powered mixer features two ridiculously robust power amps for mains and/or monitors (800W + 800W). With 1600 watts of system power, the PPM1008 is in a class of its ownfully capable of powering… read more a huge system (try a couple S215s AND a pair of C300s!) Mackie custom designed the PPM1008 with Class-D amps, which are cool-running and boast maximum efficiency, keeping your sound pumping until they start kicking people out. They had to include Mackie’s proven Fast Recovery circuitry, eliminating the risk of pesky amp latching. The result is a distortion free mix even when pushing peak levels. The built-in limiter can go toe-to-toe with the most popular outboard stereo limiters used in live sound today, protecting your speakers from damage. The limiter’s attack and release times are specifically selected to address full-bandwidth music and will not muddy things up by adding any unwanted pumping. PPM mixers are surprisingly lightweight, but tremendously powerful. You can push the PPM1008 to its maximum output, distortion free!
The Right Tools for the Job
Most powered mixers out there have either a limited set of mixing tools—keeping your mix decidedly average—or they cram in a mind-boggling amount of lame effects that you would never use. Every professional carries the right tools for the job, so the PPM608 comes with a great-sounding, highly useable toolkit:
- Premium Mackie preamplifiers ensure transparent, low-noise/high-headroom characteristics right at the front of the mixer. The PPM1008 offers 8 mic/line channels with trusted Mackie preamplifiers.
- True 48V phantom power allows every condenser mic to perform at its full potential.
- Legendary 3-band active EQ straight off the tremendously popular VLZ3 mixer series. Sweetening any channel is a breeze.
- Individual channel inserts (ch. 1-6) allow compressors and other outboard processing on critical instrument or voice channels. Don’t leave the lead singer hanging!
- Dedicated in-line compressors on channels 1-4 bring simple but sweet dynamics to our PPM mixers.
- Dual graphic EQs are provided for both mains and monitors. These EQs feature tight, constant-Q Filters that effect only the frequency range you’ve intended, unlike many inexpensive built-in graphic EQs that will remain nameless.
- Simple stuff like useable main and monitor output metering make a huge difference in your mix. Sorry, but 5 LED meters at the output doesn’t tell you that you’re about to clip. Our high-resolution 12 segment meters enable more visibility of your signal, and the super quick response of the meters allows what you see to translate quickly and easily to what you hear.
"Gig Ready" Effects
The all-new RMFX+ (Running Man FX) 32-bit effects processor brings "gig ready," useable effects to your mixes. Why scroll through hundreds of bizarre effects, like "ghost ambience?" Yeah, like anyone even knows what that means. Or how about winners like “delay+phaser2”, which you’ll never use in a million years. Those other mixers will leave your fingers raw from all the scrolling you have to do. The RMFX+ processor features 24 solid FX that are known for their utility and usability. Small, medium and large room reverbs with the choice of a warm or bright characteristic put your mix in the right space. Simple, rich choruses and an array of practical delays enable you to create professional mixes without requiring a two-hour sound check. Also, the RMFX+ is the first onboard processor to feature a user tap function. So if you want to use a delay, but our preset delay time doesn’t work, you can tap it in instantly! Basically, we’ve delivered a full rack of gear at your fingertips that is easy to master, allowing you to look really and sound really good at your next gig. Really, really good.
Absolutely Armored
The PPM1008 is fully armored inside a solid steel chassis, helping to protect the electronics from any potential environmental hazard (Think beer.) Extremely durable polycarbonate ABS end caps will protect the PPM1008 from years of abuse caused by tossing it in and out of the truck or falling off the stool at rehearsal. Each PPM1008 features rounded front with recessed controls, so if it rolls on its face in the van or gets kicked over at the show, you can be sure that it will emerge damage-free. Two metal side handles allow you to easily pick it up and get going. It’s ultra-light so you won’t need both hands!
JBL JRX125 PA Cabinet Quasi 3-Way (2x15 in.)
The JBL JRX125 is a dual 15 in. speaker system, which has become one of the most popular configurations with DJs and musicians who are looking for more low-frequency performance while maintaining the simplicity of a single-box system. The JRX125 is actually a 'quasi three-way' design. This means that the upper woofer covers lows and mids. The bottom woofer uses a lower crossover frequency and covers only lows, acting as a built-in subwoofer. So you get the extra low-end of a dual 15 in. rig while maintaining the superior mid-frequency performance of a single driver system. Features Neutrik connectors.
JBL JRX112M Monitor Cabinet (250 Watts, 1x12 in.)
The JRX112M was designed from the ground up as a stage monitor. It's a 250-watt (program, 1,000W peak) 12 in. two-way stage monitor in a compact enclosure also featuring the dual-angle pole socket. Voiced to perfection, it cuts through to allow performers to hear everything they need for a pro performance.
Features
Neutrik, Speakon, and 1/4 in. input connectors
Constructed of carpet-covered, 3/4 in. MDF - a material that is structurally and acoustically superior to the particleboard
Heavy gauge wire is used for inductors
SonicGuard high-frequency driver protection
Dual-angle pole socket [ for conventional vertical position, or with a 10 degree down angle]
All metal handles
18-gauge, full metal grille
All JRX100 models have passed the same 100-hour, full rated-power torture test that JBL high-end touring systems must survive.
AKG D88S Supercardioid Vocal Microphone with Switch
The AKG CCS (Crystal Clear Sound) microphones offer great value for your money. D88S -- Here comes the boss. Lead vocalists simply need a better microphone that looks as cool as it sounds. A supercardioid polar pattern makes the voice cut through the mix more easily. Its heavy-duty metal body with rugged wire mesh cap feels great to hold and will take some tough handling.
Young musicians, Karaoke singers, audio hobbyists, solo entertainers are all looking for good, reliable microphones at affordable prices. Many of the microphones on the market do not provide the desired quality.
AKG Acoustics closes the gap between low-cost/low-quality offerings and professional microphones with an attractive line of microphones for a large range of requirements and applications. The CCS Series microphones do not only provide crystal-clear sound, but come in professional cases showing all important specs and features at a glance.
OnStage 7701B Tripod Boom Mic Stand
Height adjustable mic stand comes with a durable tripod base and foldable legs for easy storage.
Features
Solid cast end with standard 5/8-27 threads
Long 30 in. boom with molded plastic counterweight
Euro-Style boom with separate clutches for length and angle of boom. Allows user to make one-handed adjustments of boom angle while performing
Professional quality die-cast zinc clutch locks vertical shaft at any height from 36 - 63 in.
Clip-on cable holder
Steel-reinforced plastic leg housing offers less weight and exceptional strength
Folding legs with plastic endcaps for durability and reduced floor vibration. Base spread: 23 in.
OnStage SS7730 Tripod Speaker Stand
The steel-aluminum design on this affordable speaker stand make it both lightweight and durable. Use either the 1 3/8 in. diameter upper shaft or the included 1 1/2 in. adapter sleeve for a universal fit.
Features
Universal fit with 1 3/8 in. or 1 1/2 in. inserts.
Tension height adjustment knob and safety pin for added safety.
Locking/Retractable leg housing with 120-degree design for low center of gravity and equal weight distribution.
CBI LowZ Microphone Cable
CBI 24 gauge balanced wire. Very flexible. CBI Nickel XLRs. read less
Specs
Mackie PPM1008 8-Channel Powered Mixer Specs
Dual 800W Mackie designed Class-D, Fast Recovery power amplifiers
32-bit RMFX+ processor featuring 24 sane, useable reverbs, choruses, and tap delay for live applications
8 premium Mackie mic preamps with 48V phantom power and TRS inserts (ch 1-6)
New Single In-line Compression (SIC) provides increased presence and punch for vocals and instruments
2 stereo inputs with dual RCA and dual 1/4-inch line inputs for flexible connectivity
Mackie’s Musical 3-Band Active channel EQ with a Mid sweep (100Hz-8kHz) on mono channels
2 built-in DI boxes for direct instrument connections
Separate Monitor and FX auxiliary sends
12 segment LEDs for the Main and Monitor outputs
Dual 9-Band graphic EQ on the Mains and Monitor outputs for tuning rooms and monitor mixes
3-Mode Amplifier for ultra-flexible routing, switchable as Mains Stereo L/R, Mono Mains/Monitor 1, or Mon 1 & Mon 2
Precision Passive EQ for enhanced clarity and LF response with Mackie passive loudspeakers
Rugged metal handles built into the sides of the mixer case for easy transport from gig to gig.
Classic Mackie rounded front chassis design. If the PPM rolls on its face during transport the controls are recessed and protected
Ultra-Lightweight and portable (20 lbs/ 9 kg)
JBL JRX125 PA Cabinet Quasi 3-Way (2x15 in.) Specs
Frequency Range (-10dB): 35Hz - 16kHz
Frequency Response: (3dB): 45Hz - 12kHz
Sensitivity (1W/1m): 100dB SPL
Nominal Impedance: 4 Ohms
Power Capacity (continuous, 100-hour power test): 500 Watts
Peak Power Capacity: 2000 Watts
Recommended Amplifier Power: 500 Watts to 1000 Watts into 4 Ohms
Maximum SPL: 133dB
Nominal Dispersion: 90
JBL JRX112M Monitor Cabinet Specs
Frequency Range (-10dB): 60Hz - 16kHz
Frequency Response: (3dB): 70Hz - 12kHz
Sensitivity (1W/1m): 99dB SPL
Nominal Impedance: 8 Ohms
Power Capacity (continuous, 100-hour power test): 250 Watts
Peak Power Capacity: 1000 Watts
Recommended Amplifier Power: 250 Watts to 500 Watts into 8 Ohms
Maximum SPL: 129dB
Nominal Dispersion: 90 degrees x 50 degrees
Crossover Frequency: 1.8kHz
High Frequency Driver: JBL 2412 1 in. exit compression driver mounted on Progressive Transition Waveguide
Low Frequency Driver: JBL M112-8
Input Connector: Neutrik, Speakon, NL-4 (x1); 1/4 in. TS phone jack (x1); parallel
Dimensions: 22.5 x 15.5 x 12.5 in. (572 x 293 x 318 mm)
Weight: 43 lbs. (19.5 kg)
AKG D88S Supercardioid Vocal Microphone Specs
Polar Pattern: Supercardioid
Frequency Range: 40 Hz to 20 kHz
Sensitivity: 2.5 mV/Pa
OnStage 7701B Tripod Boom Mic Stand Specs
5/8-27 threads
30 in. boom
Molded plastic counterweight
Adjustable height from 36 - 63 in.
Steel-reinforced plactic leg housing
Folding legs
Plastic endcaps
Base spread: 23 in.
OnStage SS7730 Tripod Speaker Stand Specs
Applications: Mid-size speakers
Height Adj.: 44 in.-80 in.
Weight Capacity: 160 lbs.
Upper Shaft Tubing: 1 3/8 in. or 1 1/2 in.
Base Spread: 32 in.-48 in.
Construction: Steel-aluminum
Color: Black Powder Coat Finish
Stagg Speakon to Speakon Speaker Cable Specs
10 meter speaker cable Speakon plug/Speakon plug - 2 x 1.5 mm2 - diam. 7.5 mm - black
Dual 800W Mackie designed Class-D, Fast Recovery power amplifiers
32-bit RMFX+ processor featuring 24 sane, useable reverbs, choruses, and tap delay for live applications
8 premium Mackie mic preamps with 48V phantom power and TRS inserts (ch 1-6)
New Single In-line Compression (SIC) provides increased presence and punch for vocals and instruments
2 stereo inputs with dual RCA and dual 1/4-inch line inputs for flexible connectivity
Mackie’s Musical 3-Band Active channel EQ with a Mid sweep (100Hz-8kHz) on mono channels
2 built-in DI boxes for direct instrument connections
Separate Monitor and FX auxiliary sends
12 segment LEDs for the Main and Monitor outputs
Dual 9-Band graphic EQ on the Mains and Monitor outputs for tuning rooms and monitor mixes
3-Mode Amplifier for ultra-flexible routing, switchable as Mains Stereo L/R, Mono Mains/Monitor 1, or Mon 1 & Mon 2
Precision Passive EQ for enhanced clarity and LF response with Mackie passive loudspeakers
Rugged metal handles built into the sides of the mixer case for easy transport from gig to gig.
Classic Mackie rounded front chassis design. If the PPM rolls on its face during transport the controls are recessed and protected
Ultra-Lightweight and portable (20 lbs/ 9 kg)
JBL JRX125 PA Cabinet Quasi 3-Way (2x15 in.) Specs
Frequency Range (-10dB): 35Hz - 16kHz
Frequency Response: (3dB): 45Hz - 12kHz
Sensitivity (1W/1m): 100dB SPL
Nominal Impedance: 4 Ohms
Power Capacity (continuous, 100-hour power test): 500 Watts
Peak Power Capacity: 2000 Watts
Recommended Amplifier Power: 500 Watts to 1000 Watts into 4 Ohms
Maximum SPL: 133dB
Nominal Dispersion: 90
JBL JRX112M Monitor Cabinet Specs
Frequency Range (-10dB): 60Hz - 16kHz
Frequency Response: (3dB): 70Hz - 12kHz
Sensitivity (1W/1m): 99dB SPL
Nominal Impedance: 8 Ohms
Power Capacity (continuous, 100-hour power test): 250 Watts
Peak Power Capacity: 1000 Watts
Recommended Amplifier Power: 250 Watts to 500 Watts into 8 Ohms
Maximum SPL: 129dB
Nominal Dispersion: 90 degrees x 50 degrees
Crossover Frequency: 1.8kHz
High Frequency Driver: JBL 2412 1 in. exit compression driver mounted on Progressive Transition Waveguide
Low Frequency Driver: JBL M112-8
Input Connector: Neutrik, Speakon, NL-4 (x1); 1/4 in. TS phone jack (x1); parallel
Dimensions: 22.5 x 15.5 x 12.5 in. (572 x 293 x 318 mm)
Weight: 43 lbs. (19.5 kg)
AKG D88S Supercardioid Vocal Microphone Specs
Polar Pattern: Supercardioid
Frequency Range: 40 Hz to 20 kHz
Sensitivity: 2.5 mV/Pa
OnStage 7701B Tripod Boom Mic Stand Specs
5/8-27 threads
30 in. boom
Molded plastic counterweight
Adjustable height from 36 - 63 in.
Steel-reinforced plactic leg housing
Folding legs
Plastic endcaps
Base spread: 23 in.
OnStage SS7730 Tripod Speaker Stand Specs
Applications: Mid-size speakers
Height Adj.: 44 in.-80 in.
Weight Capacity: 160 lbs.
Upper Shaft Tubing: 1 3/8 in. or 1 1/2 in.
Base Spread: 32 in.-48 in.
Construction: Steel-aluminum
Color: Black Powder Coat Finish
Stagg Speakon to Speakon Speaker Cable Specs
10 meter speaker cable Speakon plug/Speakon plug - 2 x 1.5 mm2 - diam. 7.5 mm - black
Documents and Manuals
For support or warranty questions, please contact the manufacturer:
Phone: 800-898-3211
Email: support@mackie.com
Web: https://mackie.com/en/support/contact
Phone: 800-898-3211
Email: support@mackie.com
Web: https://mackie.com/en/support/contact
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