Korg MS2000R Analog Modeled Synthesizer (Rack)
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128 programs.
Overview
Sound Control
The EG (Envelope Generator) that applies time-variant change to sound parameters uses a familiar 4-parameter ADSR (Attack, Decay, Sustain, Release) configuration. The LFO (Low Frequency Oscillator) used to apply cyclic change to sound parameters allows you to choose from 4 types of waveform. Two EGs and 2 LFOs are provided for each timbre.
The MS2000/MS2000R provides 4 types of filter: 2 types of low pass filter (-12/-24 dB), band pass filter, and high pass filter. Resonance is provided, and can be adjusted into self-oscillation.
The effect section provides a modulation effect (3 types), a delay with 3 selectable types, and an equalizer. In addition to volume and pan controls, the amp section provides a Distortion on/off setting so that even soft sounds can be transformed into aggressive solo parts.
Virtual Patch function allows wildly creative possibilities
The MS2000/MS2000R provides a "Virtual Patch" function that simulates the patching capabilities of the legendary Korg PS Series and MS Series synthesizers. Not only EG and LFO, but even velocity or keyboard tracking can be used as modulation sources to affect parameters such as pitch, noise level, and pan.
Mod Sequence function generates dramatic tonal changes
The Mod Sequence function applies time-variant change to sound parameters in a way similar to varying the control voltage on an analog synthesizer of the past. In addition to the 28 parameters on the front panel, you can apply time-variant change… read more to the pitch or step length and adjust it in real time.
Since its introduction in 1978, the Korg MS Series of synthesizers caused a sensation by its sound, looks, and flexibility in sound creation. More than 20 years later, a new MS instrument is born, fusing the functionality of the SQ10 analog sequencer and VC-10 vocoder that were also part of Korg's lineup. The MS2000/MS2000R simultaneously returns to the origin of synthesizers and opens a new universe of possibilities.
Unparalleled Analog Modeling Power
The tone generator of the MS2000/MS2000R uses a DSP-powered analog modeling system. The analog modeling system acclaimed on the KORG Prophecy, Z1, and Electribe Series has been refined to produce an incredibly wide range of sounds. From sharply cutting to powerful and thick, all the awesome sonic power that can be produced only by DSP technology is packed into a compact keyboard or module. All major sound parameters are arranged on the front panel, allowing you the total freedom of manipulating knobs and switches in real time.
Back to the future
The MS2000/MS2000R is dressed in a retro teal blue body with rosewood side panes and is packed with other great features of the past, like a powerful built-in 16-band vocoder and an arpeggiator with 6 types of arpeggio patterns.The arpeggiator, Mod Sequencer, and LFOs all sync to MIDI for ultra-cool rhythmic effects. Both models allow the panel to be tilted for excellent visibility and easy operation. read less
The EG (Envelope Generator) that applies time-variant change to sound parameters uses a familiar 4-parameter ADSR (Attack, Decay, Sustain, Release) configuration. The LFO (Low Frequency Oscillator) used to apply cyclic change to sound parameters allows you to choose from 4 types of waveform. Two EGs and 2 LFOs are provided for each timbre.
The MS2000/MS2000R provides 4 types of filter: 2 types of low pass filter (-12/-24 dB), band pass filter, and high pass filter. Resonance is provided, and can be adjusted into self-oscillation.
The effect section provides a modulation effect (3 types), a delay with 3 selectable types, and an equalizer. In addition to volume and pan controls, the amp section provides a Distortion on/off setting so that even soft sounds can be transformed into aggressive solo parts.
Virtual Patch function allows wildly creative possibilities
The MS2000/MS2000R provides a "Virtual Patch" function that simulates the patching capabilities of the legendary Korg PS Series and MS Series synthesizers. Not only EG and LFO, but even velocity or keyboard tracking can be used as modulation sources to affect parameters such as pitch, noise level, and pan.
Mod Sequence function generates dramatic tonal changes
The Mod Sequence function applies time-variant change to sound parameters in a way similar to varying the control voltage on an analog synthesizer of the past. In addition to the 28 parameters on the front panel, you can apply time-variant change… read more to the pitch or step length and adjust it in real time.
Since its introduction in 1978, the Korg MS Series of synthesizers caused a sensation by its sound, looks, and flexibility in sound creation. More than 20 years later, a new MS instrument is born, fusing the functionality of the SQ10 analog sequencer and VC-10 vocoder that were also part of Korg's lineup. The MS2000/MS2000R simultaneously returns to the origin of synthesizers and opens a new universe of possibilities.
Unparalleled Analog Modeling Power
The tone generator of the MS2000/MS2000R uses a DSP-powered analog modeling system. The analog modeling system acclaimed on the KORG Prophecy, Z1, and Electribe Series has been refined to produce an incredibly wide range of sounds. From sharply cutting to powerful and thick, all the awesome sonic power that can be produced only by DSP technology is packed into a compact keyboard or module. All major sound parameters are arranged on the front panel, allowing you the total freedom of manipulating knobs and switches in real time.
Back to the future
The MS2000/MS2000R is dressed in a retro teal blue body with rosewood side panes and is packed with other great features of the past, like a powerful built-in 16-band vocoder and an arpeggiator with 6 types of arpeggio patterns.The arpeggiator, Mod Sequencer, and LFOs all sync to MIDI for ultra-cool rhythmic effects. Both models allow the panel to be tilted for excellent visibility and easy operation. read less
Specs
Sound Generation Method: Analog Modeling Synthesis System-Synthesizer Program Multi Timbral = 2 (max., Split/Dual Mode) Voices = 4 voices Sound Source = 2 Oscillator + Noise Generator, EG x 2, LFO x 2, Virtual Patch x 4, MOD Sequence 16 steps (max.) x 3 -Vocoder Program of Voices = 4 voices
Programs: 128 programs
Effects: Modulation effects (3 types), Delay (3 types), Equalize
Arpeggiator: 6 types
Inputs: AUDIO IN 1, 2, Level switch LINE/MIC, [AUDIO IN 1, 2(LINE)]Input impedance = 39 k-ohms, Maximum output level = -3.5 dBu (Audio In knob maximum), [AUDIO IN 2(MIC)] Input impedance = 22 k-ohms, Maximum output level = -33 dBu (Audio In knob maximum), Input source impedance = 600 ohms
Outputs: L/MONO, R, Output impedance = 1.1k-ohms (MONO = 550 ohms), Maximum output level = +6.5 dBu, Load impedance = 100k-ohms, Headphones, Output impedance = 10 ohms, Maximum output level = 35 mW, Load impedance = 33 ohms
Control Inputs: Assignable Pedal, Assignable Switch
MIDI: IN, OUT, THRU
Display: 16 charactors x 2 lines with backlight
Power Supply: DC 9V (AC adapter)
Power Consumption: 8W
Dimensions (W x D x H): 482.0 x 233.2 x 87.1 mm (19.0 x 9.2 in. x 3.4 in.), 4U rack-mountable
Weight: 2.8 kg (6.2 lbs.)
Accessories: AC adapter (DC 9V, 600mA), Washers x 4, Bushings x 4, Screws x 4
Programs: 128 programs
Effects: Modulation effects (3 types), Delay (3 types), Equalize
Arpeggiator: 6 types
Inputs: AUDIO IN 1, 2, Level switch LINE/MIC, [AUDIO IN 1, 2(LINE)]Input impedance = 39 k-ohms, Maximum output level = -3.5 dBu (Audio In knob maximum), [AUDIO IN 2(MIC)] Input impedance = 22 k-ohms, Maximum output level = -33 dBu (Audio In knob maximum), Input source impedance = 600 ohms
Outputs: L/MONO, R, Output impedance = 1.1k-ohms (MONO = 550 ohms), Maximum output level = +6.5 dBu, Load impedance = 100k-ohms, Headphones, Output impedance = 10 ohms, Maximum output level = 35 mW, Load impedance = 33 ohms
Control Inputs: Assignable Pedal, Assignable Switch
MIDI: IN, OUT, THRU
Display: 16 charactors x 2 lines with backlight
Power Supply: DC 9V (AC adapter)
Power Consumption: 8W
Dimensions (W x D x H): 482.0 x 233.2 x 87.1 mm (19.0 x 9.2 in. x 3.4 in.), 4U rack-mountable
Weight: 2.8 kg (6.2 lbs.)
Accessories: AC adapter (DC 9V, 600mA), Washers x 4, Bushings x 4, Screws x 4
Documents and Manuals
For support or warranty questions, please contact the manufacturer:
Phone: 631-390-6800
Web: https://www.korgusa.com/support
Phone: 631-390-6800
Web: https://www.korgusa.com/support
Reviews
Reviewers gave this product an overall rating of 5 out of 5 stars.
(86 ratings)
Submitted June 14, 2003 by a customer from worldnet.att.net
"Gad-Zooks! This thing makes some weird noises!"
I love it! It has become an itegral part of my set. Now if I can just get my MS-10 repaired...Holy Smokes! Can you imagine?
Sound
Brighter, louder, nastier sounding...makes the Roland sound as if it was submerged in molasis. The delay is wonderful, the distortion...eh.
Features
I bought the floor model. No manual, no box, had to pay extra for the volume pedal. Arpeggios are nice to have, but they are kind of limited. Only 4 voice poly...2 if in dual! The sync is a little wierd but almost organic, works well with my style, needs very close monitoring for dance/techno. Vocoder very cool. I wish those darn knobs were infinant, hate that nasty, immidiate change!
Quality
Knobs a bit cheezy, but I had mine giging for 9 months and no problems.
Value
Very cool and powerful sounds are awaiting to be discovered. Fantastic value we're talking about here.
Manufacturer Support
Got the manual online thanks to the going out-of-buisness sale I got the thing from. Got every thing I needed there.
The Wow Factor
I wanted it the second I heard some kid messin' with it on the display floor! I dreamed about it for a week then went and bought the same dang floor unit that kid was making all the weird sounds with. They'll have to pry it from my cold, dead hands now.
Musical Style:
jazz-pop, spacey, passion
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