Behringer UB1622FX Pro Eurorack 16 Input Mixer with FX
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zZounds Gear Experts Say...
Ultra low-noise design 16-input 2/2-bus mic/line mixer with premium IMP mic preamplifiers and 24-bit multi-FX processor.
Overview
You get all the important elements right here in a 19 in. form-factor. This compact console offers 12 balanced high-headroom line inputs, 4 Invisible Mic Preamps (IMPs), 2 aux sends per channel (1 pre/post fader switchable for monitoring/FX applications and 1 post fader for internal FX or as external send). You also get an effective, extremely musical 3-band EQ with semi-parametric mid band plus switchable low-cut filter on all mono channels. The integrated 24-bit digital stereo FX processor with 99 great-sounding Virtualizer presets includes reverb, delay, chorus, compressor, tube distortion and others as well as a 1 kHz test tone generator. There are 2 subgroups with separate outputs for added routing flexibility and 2 multi-functional stereo aux returns with flexible routing.
Every crucial development stage of the new UB Series has Uli Behringer's name on it
Every crucial development stage of the new UB Series has Uli Behringer's name on it
Documents and Manuals
For support or warranty questions, please contact the manufacturer:
Web: https://www.behringer.com/service.html
Web: https://www.behringer.com/service.html
Reviews
Reviewers gave this product an overall rating of 4.5 out of 5 stars.
(52 ratings)
Submitted May 13, 2005 by a customer from hotmail.com
"Great value!"
Verified Customer
zZounds has verified that this reviewer made a purchase from us.
Yup, it's a great little doodad for not too much money. I'll take care of it and it will probably last.
Sound
Overall sound is good except the EFX. They're noisey (see earlier posts about setting low returns and hot sends to minimize noise) and mostly sound kind of tinny and metallic. However, they're fine in a non-critical pinch, or if you're recording and want to have some EFX in the monitor, but not on the track - I don't think I'd lay these efx to a track unless I was going for a slightly nasty sound. Other than that, the pre's are reasonably quiet and it's a remarkable value.
Features
Love the 4, count'em 4 stereo channels, separate from 4 mic channels, and especially the subs. If you haven't had a mixer with 4 subs before, here's a tip, in brief: assign only things you want to record to the subs, and run the sub outputs into your recorder (i.e., sound card). Take the output of your recorder into a stereo channel assigned to Mains only - not the subs, or you'll have a feedback loop. Assign the subs to pass through to the mains, and then if you monitor the mains you'll hear the recorder and what you're recording. Run the control room outs to your monitoring system and you have a handy switch to choose which set of outputs to monitor. Also, assign those nasty efx to mains only, if you want them when you're recording but don't want to print them. This is killer flexibility for a $180 board!! Other than… read more that, I haven't made major use of the sweepable EQ yet because I'm using it to record so I record flat and EQ the track, but I do in general love sweepable mids in live recording. I do a fair amount of theatre work so I'm thinking those may come in handy for that.
Quality
Really, it's good for the money. I would have rated it higher except for the stinky effects.
Value
Really a pretty nice piece, spectacularly cheap. If you don't use the built-in EFX it won't ruin your recordings.
Manufacturer Support
I have no personal experience, but I've heard it's no good. On the other hand, I have a Behringer headphone distro, compressor, feedback killer, and the little MXB 1002 (sweet little mixer that will run off batttery power), and I haven't broken any of them yet. But then I don't break much, except keyboards.
The Wow Factor
I got it cause it's a good value and I needed another small mixer.
Musical Background:
active theatrical sound designer, recording musician, performer
Musical Style:
world, r&b, jazz, new age, theatrical scoring read less
Sound
Overall sound is good except the EFX. They're noisey (see earlier posts about setting low returns and hot sends to minimize noise) and mostly sound kind of tinny and metallic. However, they're fine in a non-critical pinch, or if you're recording and want to have some EFX in the monitor, but not on the track - I don't think I'd lay these efx to a track unless I was going for a slightly nasty sound. Other than that, the pre's are reasonably quiet and it's a remarkable value.
Features
Love the 4, count'em 4 stereo channels, separate from 4 mic channels, and especially the subs. If you haven't had a mixer with 4 subs before, here's a tip, in brief: assign only things you want to record to the subs, and run the sub outputs into your recorder (i.e., sound card). Take the output of your recorder into a stereo channel assigned to Mains only - not the subs, or you'll have a feedback loop. Assign the subs to pass through to the mains, and then if you monitor the mains you'll hear the recorder and what you're recording. Run the control room outs to your monitoring system and you have a handy switch to choose which set of outputs to monitor. Also, assign those nasty efx to mains only, if you want them when you're recording but don't want to print them. This is killer flexibility for a $180 board!! Other than… read more that, I haven't made major use of the sweepable EQ yet because I'm using it to record so I record flat and EQ the track, but I do in general love sweepable mids in live recording. I do a fair amount of theatre work so I'm thinking those may come in handy for that.
Quality
Really, it's good for the money. I would have rated it higher except for the stinky effects.
Value
Really a pretty nice piece, spectacularly cheap. If you don't use the built-in EFX it won't ruin your recordings.
Manufacturer Support
I have no personal experience, but I've heard it's no good. On the other hand, I have a Behringer headphone distro, compressor, feedback killer, and the little MXB 1002 (sweet little mixer that will run off batttery power), and I haven't broken any of them yet. But then I don't break much, except keyboards.
The Wow Factor
I got it cause it's a good value and I needed another small mixer.
Musical Background:
active theatrical sound designer, recording musician, performer
Musical Style:
world, r&b, jazz, new age, theatrical scoring read less
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