Save money and hassle with this expertly-configured, bargain-priced PA package! We've done all the hard thinking for you--matching great-sounding speakers with powered mixers that have the right wattage to drive the speakers properly; choosing great, durable live sound mics; and selecting all the cables and stands you'll need to get everything connected and ready to use!
Includes:
1 x Behringer UB1832FX Pro Eurorack 18-input mixer with FX
2 x Behringer B300 Ultrawave powered PA speakers (300 Watts)
2 x CBI 14-gauge speaker cables (25 ft.)
2 x On-Stage SS7761B tripod speaker stands
3 x Shure PG58XLR Performance Gear vocal microphone with XLR mic cables
3 x On-Stage 7701B tripod/boom microphone stands
Behringer UB1832FX Pro Eurorack Mixer
If you are looking for a capable compact mixer with a breathtaking 3D XPQ stereo surround effect and a 9-band stereo graphic EQ, this is your machine. Of course, you also get 14 balanced high-headroom line inputs, 6 Invisible Mic Preamps (IMPs), 3 aux sends per channel (1 pre fader for monitoring, 1 pre/post fader switchable for monitoring/FX applications, and 1 post fader for internal FX or as external send).
There are effective, extremely musical 3-band EQs with semi-parametric mid bands plus switchable low-cut filters on all mono channels. 2 subgroups with separate outputs for added routing flexibility and 2 multi-functional stereo aux returns with flexible routing are also there for your convenience. You will also find the integrated 24-bit digital stereo FX processor with 99 great-sounding Virtualizer presets.
Every crucial development stage of the new UB Series has Uli Behringer's name on it -- literally: from the design study to the circuitry layout to the mechanical makeup of the consoles. He has personally selected each and every individual component, all with the goal of squeezing the very most out of every single one of them. These consoles have been pushed as far as the technology permits to-date.
Features:
Ultra low-noise ULN design, highest possible headroom, ultra-transparent audio
6 new state-of-the-art, studio-grade IMP "Invisible" Mic Preamps with:
130 dB dynamic range for 24-bit, 192 kHz sampling rate inputs
Ultra-wide 60 dB gain range
Lowest possible distortion 0.0007% (20 Hz - 20 kHz)
Integrated 24-bit digital stereo FX processor with 99 great-sounding Virtualizer presets including reverb, delay, chorus, compressor, tube distortion, vinylizer, and more - plus 1 kHz test tone generator
Breathtaking 3D stereo surround effect for more vitality and enhanced stereo image
9-band stereo graphic EQ allows precise frequency correction of monitor or main mixes
Effective, extremely musical 3-band EQ with semi-parametric mid band plus switchable low-cut filter on all mono channels
Inserts on each mono channel for flexible connection of outboard equipment
14 balanced high-headroom line inputs with +4/-10 level selection on stereo channels
State-of-the-art 4580 operational amplifiers provide lowest noise and distortion - better than 4560 op amps
3 aux sends per channel: 1 pre fader for monitoring, 1 pre/post fader switchable for monitoring/FX applications, 1 post fader (for internal FX or as external send)
Peak LEDs, mute, main mix, and subgroup routing switches, solo and PFL functions on all channels
2 subgroups with separate outputs for added routing flexibility
2 multi-functional stereo aux returns with flexible routing
Balanced main mix outputs with TRS and gold-plated XLR connectors, separate control room, headphones, and stereo tape outputs
Control room/phones outputs with multi-input source matrix
Tape inputs assignable to main mix or control room/phones outputs
Long-wearing 60 mm logarithmic-taper ALPS¬ faders and sealed rotary controls
Internal switch-mode power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response - plus lowest possible power consumption for energy saving
Extremely rugged steel construction ensures long life even under the most demanding conditions
Rack mount brackets included
Manufactured under ISO9000 certified management system
Behringer B300 PA Speakers
The Ultrawave B300 has nothing in common with conventional "plastic" boxes. It sounds so transparent and precise -- at any level - that it couldn't be called a PA box. Compare it to any system on the market. And we mean any system, even if it costs tens times as much.
Behringer Super-X Technology Built-In
Behringer has been researching and developing active crossover technology for years. Their Super-X is one of the most successful crossovers on the market and features phase-linear, 24-dB/octave Linkwitz-Riley filters as well as delay and limiter circuitry in every band. What could have been more logical than to incorporate this technology into the Ultrawave B300
Processor PA, Bi-Amping, Time Alignment: Common Terms in the Pro PA Scene
These terms stand for technological solutions that until recently were expensive and only available to pros. Bi-amping is a method of powering individual frequency ranges in a multi-way speaker system with separate amplifiers, giving you the opportunity to use active, phase-optimized frequency crossovers. The individual bands are overload-protected via limiters, the goal being complete speaker protection and distortion-free reproduction even at maximum volume. It was obvious to the engineers that this modern solution should form the basis for the Ultrawave B300. So it's fitted with 2 separate high-power amplifiers - one for the low frequency range and one for the high end - with a total of 300 Watts for extremely high sound pressure levels and incredibly low distortion.
Shure PG58XLR Vocal Microphones with XLR to XLR Cables
Shure Performance Gear microphones are affordable and application-specific, ideal for everyday use and practice. They are the perfect introduction to Shure engineering excellence for performers ready to plug in and play out. Performance Gear Microphones provide a complete vocal, instrument and drum selection and feature many of the same durability and performance attributes of other Shure microphones at an attractive price. Real gear without compromise. As serious as you want to get.
Features:
Tailored frequency response is smooth and extended. Tuned specifically for vocal applications
Cardioid polar pattern picks up the most sound from in front of the microphone and some sound from the sides. Less susceptible to feedback in high volume settings
Dynamic cartridge has a simple, rugged coil. Handles extreme volume levels without distortion
Cartridge includes a neodymium magnet for high output level
Internal shock mount for reduced handling noise
Durable metal construction
On/off switch for onstage control
Hardened steel mesh ball grille that resists wear and abuse
Integral "pop" filter reduces explosive breath sounds and wind noise
Includes 15ft. (4.57m) cable, break-resistant mic clip and storage bag
On-Stage SS7761B Tripod Speaker Stands
An extremely versatile speaker stand, this reversible-shaft design may be used with either 1-3/8 in. or 1-1/2 in. speaker cabinet mounts. Includes the added safety of a locking shaft pin to prevent accidental speaker slippage.
On-Stage 7701B Tripod/Boom Microphone Stands
Height adjustable mic stand comes with a durable tripod base and foldable legs for easy storage.
Features:
Solid cast end with standard 5/8-27 threads
Long 30 in. boom with molded plastic counterweight
Euro-Style boom with separate clutches for length and angle of boom. Allows user to make one-handed adjustments of boom angle while performing
Professional quality die-cast zinc clutch locks vertical shaft at any height from 36 - 63 in.
Clip-on cable holder
Steel-reinforced plastic leg housing offers less weight and exceptional strength
Folding legs with plastic endcaps for durability and reduced floor vibration. Base spread: 23 in.
Technical Info
Behringer B300
System: 2-way active
Total Power: 300 Watts
High-frequency Power: 75 Watts
Low-frequency Power: 225 Watts
Crossover Frequency: 1.8 kHz
Frequency Response: 42 Hz - 20 kHz
Input Impedance: 20k Ohm
Dimensions (H x W x D): 27 x 18 x 16-6/8 in. (687 x 457 x 425 mm)
Weight: 68.34 lbs. (31 kg)
Shure PG58XLR
Microphone Type: Dynamic (moving coil)
Polar Pattern: Cardioid (unidirectional)
Frequency Response: 60 to 15,000 Hz
Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of microphone output connector
Output Impedance (at 1000 Hz): 300 Ohms
Sensitivity (at 1000 Hz): 53 dBV/Pa, (2.2 mV), 1 Pascal=94 dB SPL
Electromagnetic Hum Sensitivity: 26 dB equivalent SPL in a 1 millioersted field (60 Hz)
Switch: Builtin On/Off switch
Connector: 3pin professional audio connector (male XLR type)
Case: Die cast metal handle, black matte finish; hardened silver colored, spherical steel mesh grille
Environmental Conditions: This microphone operates over a temperature range of 29 to 57 degrees Celcius (20 to 135 degrees Fahrenheit), and at a relative humidity of 0 to 95%.
Weight:
Net: 321 g (11.3 oz.)
Packaged: 908 g (2 lbs.)
On-Stage SS7761B
200 lb. capacity
Adjustable height (44 - 80 in.)
Black finish
On-Stage 7701B
5/8-27 threads
30 in. boom
Molded plastic counterweight
Adjustable height from 36 - 63 in.
Steel-reinforced plactic leg housing
Folding legs
Plastic endcaps
Base spread: 23 in.