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As I pulled the H4n out of the box, I was struck first by the improvement in design and construction over the original H4 recorder. This one has a nice, rubberized feel with a more professional heft than its predecessor. It seemed solid and rugged in my hand, as if it would better withstand the rigors of field recording. I like the squared-off look better than the more rounded profile of the original H4. It still won't fit in my pocket, but the included carry case will protect it when it's not in use.
The H4n's control interface is pretty intuitive, but because of all the functionality crammed into this little device, you have to dig deep to get to some of the parameters. Fortunately, the menu system is very straightforward, and some of the most common features can be accessed with dedicated controls. Input levels and playback volume, for example, can be set from up/down switches located on either side of the H4n. Transport controls are within easy reach on the front panel, along with the four channel select buttons. These buttons also do double duty, allowing you to change the media format (WAV or MP3) and playback speed, or select specific files or folders.
The menu system employs a small jog wheel for scrolling through available options. Pressing on the jog wheel selects a parameter, usually taking you to a submenu where you repeat the process to change and store new values. A separate Menu button backs you out of the menu tree. It's a pretty slick way to manage all the available options, and in no time at all I was navigating with ease.
All that said, some of the features did take a bit more work to set up, and can be frustrating to manipulate. In multitrack (MTR) mode, for example, you can record up to four channels of audio simultaneously, or overdub on some channels while playing back others. Effective overdubbing requires a good balance between input and playback volumes, though. On the H4n, this involves navigating through the menu system to set the volume on one of the channels, then backing out of the menu to hear how it compares to the rest of the channels, and back and forth ad nauseam until you're satisfied with the blend. Then repeat to set the pan, effects levels, and so on. It's definitely doable, but not always quick or pleasant.
The large, backlit display on the H4n is very nice, and gives good feedback during recording, playback, and menu navigation. And the feedback extends out beyond the display. Remember those channel buttons that do double duty? Make that triple duty; they flash to let you know the input signal on that channel is clipping. You can see this from well out in the room, so it's pretty easy to ensure your audio will be clean right at the outset instead of recording the whole take and finding out it's worthless.
Handheld audio recorders serve many purposes, and I used the H4n for a bunch of them in the course of my demo. I grabbed some spontaneous sound effects and ambient audio as opportunities presented themselves, and tracked some acoustic instruments and spoken-word voiceovers in the studio. I also tried out the onboard multitrack recording feature, and set the H4n up as a mobile audio interface on my laptop.
The onboard microphones on the H4n really stood out compared to other handheld recorders I've used. For the first time, I felt like I could use the audio from a handheld recorder in a professional project as the main source material. The self-noise was very low, and the adjustable stereo angle provided a noticeably different sonic character. The ambient audio I recorded had a well-defined stereo spread with excellent depth between near and far sources. The response was flat and balanced across the frequency spectrum, and the audio was much cleaner with less distortion than I normally see in other recorders in this category. Similarly, sound effects came through with crisp clarity both close-miked and from out in the room.
Next, using the H4n's onboard phantom power, I connected a pair of studio condenser mics to the recorder's XLR/TRS combo inputs and recorded some acoustic guitar to all four channels. I wanted to compare the two stereo signals. I will say I did prefer the outboard mic tracks, but the onboard mics were very close. They didn't have the same sparkle in the high end as the outboard mics, but the response was very even all across the fretboard. Transients were captured cleanly with no appreciable distortion, and I would have no trouble dropping the H4n's onboard mic tracks into a mix. The voiceover tracks were equally great, with nice presence and a deep, rich tone on my boomy baritone.
As a multitrack recorder, the feature set was impressive. The onboard tuner and wealth of amp models and effects was more than I expected out of this compact device, but as I said, setting levels for overdubs was kind of a pain. It's nice to know the H4n can do this, but I would probably only use it in this context as a last resort. It would be great out on the road for sketching out song ideas with some more context than you usually get just playing and singing.
As a mobile interface, the H4n also performed admirably. I connected it to my laptop with no hassles, and was able to track a direct guitar input into Cubase without a hitch. Again, this functionality seems secondary to me compared to its typical handheld recorder duties, but it's nice to know it's there in a pinch.
Overall, I was thoroughly impressed with the quality and features found on the H4n. It's a little bulkier than some of its competitors, but it's still pretty amazing they were able to jam all that functionality in there. At the end of the day, it all comes down to the sound, and for the price, no other recorder comes close to professional quality of the H4n's onboard mics. Do I have to give it back?




4.5 out of 5
(52 ratings)
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