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Studio Projects C3 Large Diaphragm Condenser Microphone
Upgraded electronics. -10dB and -20dB pads, and 75Hz and 150Hz high pass filters.
Because this item is used at your mouth or ear, it cannot be returned once opened due to health reasons. details
Description
Docs
Featuring upgraded electronics and a sleek new look, the new SP microphone product line is the result of 5 years of research and development by Brent Casey, veteran microphone designer and Vice President of Engineering of Studio Projects. The new electronics allow for better signal to noise ratio, as well as greater dynamic range.
All C Series microphones (except the T3) now have -10dB and -20dB pads, and 75Hz and 150Hz high pass filters. The C3 now has 27 different possible variations of settings.
The Studio Projects C3 is a large diaphragm dual membrane condenser microphone employing a 1.35 in. (34.5mm) capsule, high quality, low noise amplifier and balanced, transformerless output circuitry. It features 3 onboard switchable patterns, a -10dB and -20dB pads, and 75Hz and 150Hz high pass filters for added control in all manner of recording situation. The C3 has a precise response and a distinct sought-after sonic characteristic commonly associated with large capsule microphone designs.
The beauty of the C3 is in the fact that it is capable of achieving results which are typically entrusted only to microphones boasting very large price tags. The reasons behind this can be attributed to the manufacturing process and the components used to build the mic. It is not ?magic,? but rather solid, proven design principles and repeatable build tolerances that are responsible for the performance of the C3. The ratio of quality to price guarantees the C3 to be a benefit to nearly any studio from the modest home setup to the high profile, big-city recording facilities.
As a result of uncompromising dedication and advanced production capabilities, Studio Projects continues to broaden the range of quality pro audio microphones & electronics for today's recording environments.
Features:
Dual membrane 1.06 in. (27mm) 6 um mylar diaphragms
Selectable patterns (omni, cardioid, figure eight)
6dB/octave@150Hz. high Pass Filter
-10db Pad
Applications:
Vocal microphone for production, broadcast, and voice-over work
Perfect for the professional and home project studio
Overhead for choirs, orchestra sections
Ambience miking
Spot mic for strings, piano & percussion
Included Accessories:
Shock Mount Adapter
Foam Filter
Case
Polar Pattern: Cardioid/ Omni-directional/figure 8
Frequency Response: 40~20000Hz
Sensitivity: 12mV/Pa=-38dB(0dB=1V/Pa)
Output Impedance: <200 Ohm
Load Impedance: >1000 Ohm
Maximum SPL: 139/146dB SPL for 1% THD @1000Hz(0dB/-10dB pad, 0dB SPL=0.00002Pa)
Noise: (Line)---28dB (A weighted)---18dB
S/N: 77 dB
Power Requirement: P48 +/- 4V
Current Consumption: <2.5mA
Circuit: Discrete FET balanced, driving symmetrical output
Connector: Gold-plated 3-pin XLR
Pad: -10dB
Low Cut : 6dB/Octave at 150 Hz
Size: dia: 2.1 in. length: 8.9 in.
Weight: 26.9oz
All C Series microphones (except the T3) now have -10dB and -20dB pads, and 75Hz and 150Hz high pass filters. The C3 now has 27 different possible variations of settings.
The Studio Projects C3 is a large diaphragm dual membrane condenser microphone employing a 1.35 in. (34.5mm) capsule, high quality, low noise amplifier and balanced, transformerless output circuitry. It features 3 onboard switchable patterns, a -10dB and -20dB pads, and 75Hz and 150Hz high pass filters for added control in all manner of recording situation. The C3 has a precise response and a distinct sought-after sonic characteristic commonly associated with large capsule microphone designs.
The beauty of the C3 is in the fact that it is capable of achieving results which are typically entrusted only to microphones boasting very large price tags. The reasons behind this can be attributed to the manufacturing process and the components used to build the mic. It is not ?magic,? but rather solid, proven design principles and repeatable build tolerances that are responsible for the performance of the C3. The ratio of quality to price guarantees the C3 to be a benefit to nearly any studio from the modest home setup to the high profile, big-city recording facilities.
As a result of uncompromising dedication and advanced production capabilities, Studio Projects continues to broaden the range of quality pro audio microphones & electronics for today's recording environments.
Features:
Dual membrane 1.06 in. (27mm) 6 um mylar diaphragms
Selectable patterns (omni, cardioid, figure eight)
6dB/octave@150Hz. high Pass Filter
-10db Pad
Applications:
Vocal microphone for production, broadcast, and voice-over work
Perfect for the professional and home project studio
Overhead for choirs, orchestra sections
Ambience miking
Spot mic for strings, piano & percussion
Included Accessories:
Shock Mount Adapter
Foam Filter
Case
Technical Info
Type: Dual diaphragm pressure gradient solid state condenser microphonePolar Pattern: Cardioid/ Omni-directional/figure 8
Frequency Response: 40~20000Hz
Sensitivity: 12mV/Pa=-38dB(0dB=1V/Pa)
Output Impedance: <200 Ohm
Load Impedance: >1000 Ohm
Maximum SPL: 139/146dB SPL for 1% THD @1000Hz(0dB/-10dB pad, 0dB SPL=0.00002Pa)
Noise: (Line)---28dB (A weighted)---18dB
S/N: 77 dB
Power Requirement: P48 +/- 4V
Current Consumption: <2.5mA
Circuit: Discrete FET balanced, driving symmetrical output
Connector: Gold-plated 3-pin XLR
Pad: -10dB
Low Cut : 6dB/Octave at 150 Hz
Size: dia: 2.1 in. length: 8.9 in.
Weight: 26.9oz
What Our Customers Say About zZounds
"I'm so glad I didn't have to order from [major competitor]... the zZ prices and service blows them out of the water!" - customer on November 20, 2009
Studio Projects C3 Large Diaphragm Condenser Microphone Reviews
9 out of 10
"Probably the best pattern-switching large diaphragm mic you can find at this price range."
Feature:
A must for anyone who wants to get a mic that pulls double and triple duty a shoe-string. Pattern switching, at least on my model, an essential and useful feature. The -10db cut is useful for live or straight-to-tape performances. Included shockmount is fine quality as well, and the case -- although I wouldn't drop it from any height -- is roadworthy if packed diligently.
Quality:
For the money, A++++. Sounds better than the down-market AKGs and Neumanns that cost considerably more.
Value:
A++++
Desirability:
More, like, "You need it." If you're on a budget.
Sound:
Compared to micorphones that cost 10 times the price, the studio projects C3 has proved to be an amazingly versatile mic. I have used it in a variety of settings. Although the mic puts its own slight character, it yields extremely -- sometimes unnervingly -- accurate performances.
Ease of Use:
Well, just like any mic, if you know what you are doing with it and why, you'll be fine. All the controls are clearly marked, and are difficult to toggle "by mistake" when housed in the provided shockmount.
Support:
Mine hasn't broken yet, so Idon;t know. Its stood up through some 100 hours of use over the last six mos. Call me in a year though.
Overall:
Considering the value, and the fact that I've done top-shelf commerical quality wok with it -- and its cheap to the point of almost being disposable -- I would say this is probably one of the best choices for a new pattern-switching large diaphragm mic for a project studio on a budget.
A must for anyone who wants to get a mic that pulls double and triple duty a shoe-string. Pattern switching, at least on my model, an essential and useful feature. The -10db cut is useful for live or straight-to-tape performances. Included shockmount is fine quality as well, and the case -- although I wouldn't drop it from any height -- is roadworthy if packed diligently.
Quality:
For the money, A++++. Sounds better than the down-market AKGs and Neumanns that cost considerably more.
Value:
A++++
Desirability:
More, like, "You need it." If you're on a budget.
Sound:
Compared to micorphones that cost 10 times the price, the studio projects C3 has proved to be an amazingly versatile mic. I have used it in a variety of settings. Although the mic puts its own slight character, it yields extremely -- sometimes unnervingly -- accurate performances.
Ease of Use:
Well, just like any mic, if you know what you are doing with it and why, you'll be fine. All the controls are clearly marked, and are difficult to toggle "by mistake" when housed in the provided shockmount.
Support:
Mine hasn't broken yet, so Idon;t know. Its stood up through some 100 hours of use over the last six mos. Call me in a year though.
Overall:
Considering the value, and the fact that I've done top-shelf commerical quality wok with it -- and its cheap to the point of almost being disposable -- I would say this is probably one of the best choices for a new pattern-switching large diaphragm mic for a project studio on a budget.
Submitted: 07/16/2006
Style of Music: psychedelic polka house
9 out of 10
"This Mic Rocks"
Feature:
Nice features.....-10 pad....omni...cardiod...and figure 8 patterns...
Quality:
Great case and shockmount...very solid build quality on the mic itself
Value:
Hard pressed to beat this one on the value
Desirability:
well not the sexiest looking mic...
Sound:
WOW This Mic rocks
Support:
don't know yet
Overall:
I am fully impressed with this mic..
Nice features.....-10 pad....omni...cardiod...and figure 8 patterns...
Quality:
Great case and shockmount...very solid build quality on the mic itself
Value:
Hard pressed to beat this one on the value
Desirability:
well not the sexiest looking mic...
Sound:
WOW This Mic rocks
Support:
don't know yet
Overall:
I am fully impressed with this mic..
Submitted: 11/08/2005
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