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Shure KSM44SL Studio Condenser Microphone with Case and Shockmount
20 Hz - 20 KHz. 15 dB attenuation switch.
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Description
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The KSM44/SL is a multiple pattern (cardioid, omnidirectional, bidirectional), externally biased, dual large diaphragm condenser microphone with extremely low self-noise (7dB). Developed to meet the needs of studio recording musicians, the warm, rich sound of the KSM44 delivers exceptional performance, tailored to deliver vivid reproduction of voice for the most critical recordings.
The KSM44 also offers great flexibility in a variety of recording applications, working well on acoustic and amplified instruments, as its capacity for managing high SPLs accommodates loud sound sources such as drums and guitar amplifiers.
Features
Dual 1 in., externally biased, ultra-thin, 2.5 micron, 24-karat gold-layered, low mass, Mylar� diaphragms provide superior transient response
Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response and no crossover distortion. Minimizes harmonic and intermodulation distortions.
Full-range frequency response (20 Hz - 20 KHz) for an extremely accurate reproduction of voice and instruments.
Extremely low self noise (7 dBA) for critical studio vocal recording.
Premium electronic components and gold-plated internal and external connectors.
Subsonic filter eliminates rumble from mechanical vibration below 17 Hz.
15 dB attenuation switch for handling high input SPL sound sources.
3-position switchable low-frequency filter virtually eliminates unwanted background noise and controls proximity effect.
Durable zinc die-cast housing and hardened low carbon steel grille to protect the cartridge from accidental drops or misuse.
Uniform polar response provides natural off-axis response for critical recording.
An integrated 3-stage pop protection grille to guard against wind and breath noise.
An internal shock mount to reduce unwanted handling and stand noise.
Performance Characteristics
Extended frequency response
Very low self-noise
Exceptional low-frequency reproduction
High output level
High input SPL capability
No cross-over distortion
Extremely uniform polar response
Superior common mode rejection and suppression of radio frequency interference
Accessories
Each KSM44/SL comes supplied complete with:
Color-matched ShureLock™ elastic-suspension shock mount
ShureLock™ swivel mount
Protective velveteen pouch
Locking aluminum carrying case
Applications
The KSM44/SL is designed as a premium vocal microphone for studio recording. Microphone use, however, is a matter of personal taste. Here is a non-exhaustive list of common applications:
Vocals: solo, background, voice-over
Acoustic instruments : such as piano, guitar, drums, percussion, strings
Wind instruments: brass and woodwind
Low frequency instruments: such as double bass, electric bass, kick drum
Overhead miking: drums or percussion
Ensembles: choral or orchestral
Room ambiance pick-up: guitar amplifier or drums
Of course, both the acoustic environment and microphone placement have significant effects on the sound obtained when miking any sound source. We encourage users to experiment with these variables to achieve the best overall sound.
Frequency Response: 20 to 20,000 Hz
Output Impedance: 150 ohms (actual)
Attenuation Switch: 0 or 15 dB attenuation
Low Frequency Response Switch: Flat; -6 dB/octave below 115 Hz; -18 dB/octave below 80 Hz
Phantom Power: 48 Vdc +/- 4 Vdc (IEC-268-15/DIN 45 596), positive pins 2 and 3
Current Drain: 5.4 mA typical at 48 Vdc
Common Mode Rejection: >/= 50dB, 20 Hz to 20 kHz
Polarity: Positive pressure on front diaphragm produces positive voltage on output pin 2 relative to pin 3
Dimensions and Weight: 55.9 mm (2.20 in.) maximum body diameter, 187 mm (7.37 in.) long; 490.5 g (17.30 oz.)
Directional Polar Patterns: Cardioid/Omnidirectional/Bidirectional
Sensitivity (typical; at 1000 Hz; 1 Pa =94dBSPL): --31 dBV/Pa / --37 dBV/Pa / --36 dBV/Pa
Self-noise (typical, equivalent SPL; A-weighted (IEC 651)): 7 dB/10 dB/10 dB
Maximum SPL* 2500 ohms load (Attenuator on): 132 (149) dB/138 (151) dB/137 (150) dB
1000 ohms load: 127 (144) dB/132 (145) dB/131 (144) dB
Output Clipping Level*
2500 ohms load: 7 dBV/7 dBV/7 dBV
1000 ohms load: 1 dBV/1 dBV/1 dBV
Dynamic Range
2500 ohms load: 125 dB/128 dB/127 dB
1000 ohms load: 120 dB/122 dB/121 dB
Signal to Noise ratio: 87 dB/84 dB/84 dB
The KSM44 also offers great flexibility in a variety of recording applications, working well on acoustic and amplified instruments, as its capacity for managing high SPLs accommodates loud sound sources such as drums and guitar amplifiers.
Features
Dual 1 in., externally biased, ultra-thin, 2.5 micron, 24-karat gold-layered, low mass, Mylar� diaphragms provide superior transient response
Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response and no crossover distortion. Minimizes harmonic and intermodulation distortions.
Full-range frequency response (20 Hz - 20 KHz) for an extremely accurate reproduction of voice and instruments.
Extremely low self noise (7 dBA) for critical studio vocal recording.
Premium electronic components and gold-plated internal and external connectors.
Subsonic filter eliminates rumble from mechanical vibration below 17 Hz.
15 dB attenuation switch for handling high input SPL sound sources.
3-position switchable low-frequency filter virtually eliminates unwanted background noise and controls proximity effect.
Durable zinc die-cast housing and hardened low carbon steel grille to protect the cartridge from accidental drops or misuse.
Uniform polar response provides natural off-axis response for critical recording.
An integrated 3-stage pop protection grille to guard against wind and breath noise.
An internal shock mount to reduce unwanted handling and stand noise.
Performance Characteristics
Extended frequency response
Very low self-noise
Exceptional low-frequency reproduction
High output level
High input SPL capability
No cross-over distortion
Extremely uniform polar response
Superior common mode rejection and suppression of radio frequency interference
Accessories
Each KSM44/SL comes supplied complete with:
Color-matched ShureLock™ elastic-suspension shock mount
ShureLock™ swivel mount
Protective velveteen pouch
Locking aluminum carrying case
Applications
The KSM44/SL is designed as a premium vocal microphone for studio recording. Microphone use, however, is a matter of personal taste. Here is a non-exhaustive list of common applications:
Vocals: solo, background, voice-over
Acoustic instruments : such as piano, guitar, drums, percussion, strings
Wind instruments: brass and woodwind
Low frequency instruments: such as double bass, electric bass, kick drum
Overhead miking: drums or percussion
Ensembles: choral or orchestral
Room ambiance pick-up: guitar amplifier or drums
Of course, both the acoustic environment and microphone placement have significant effects on the sound obtained when miking any sound source. We encourage users to experiment with these variables to achieve the best overall sound.
Technical Info
Cartridge Type: Externally biased condenserFrequency Response: 20 to 20,000 Hz
Output Impedance: 150 ohms (actual)
Attenuation Switch: 0 or 15 dB attenuation
Low Frequency Response Switch: Flat; -6 dB/octave below 115 Hz; -18 dB/octave below 80 Hz
Phantom Power: 48 Vdc +/- 4 Vdc (IEC-268-15/DIN 45 596), positive pins 2 and 3
Current Drain: 5.4 mA typical at 48 Vdc
Common Mode Rejection: >/= 50dB, 20 Hz to 20 kHz
Polarity: Positive pressure on front diaphragm produces positive voltage on output pin 2 relative to pin 3
Dimensions and Weight: 55.9 mm (2.20 in.) maximum body diameter, 187 mm (7.37 in.) long; 490.5 g (17.30 oz.)
Directional Polar Patterns: Cardioid/Omnidirectional/Bidirectional
Sensitivity (typical; at 1000 Hz; 1 Pa =94dBSPL): --31 dBV/Pa / --37 dBV/Pa / --36 dBV/Pa
Self-noise (typical, equivalent SPL; A-weighted (IEC 651)): 7 dB/10 dB/10 dB
Maximum SPL* 2500 ohms load (Attenuator on): 132 (149) dB/138 (151) dB/137 (150) dB
1000 ohms load: 127 (144) dB/132 (145) dB/131 (144) dB
Output Clipping Level*
2500 ohms load: 7 dBV/7 dBV/7 dBV
1000 ohms load: 1 dBV/1 dBV/1 dBV
Dynamic Range
2500 ohms load: 125 dB/128 dB/127 dB
1000 ohms load: 120 dB/122 dB/121 dB
Signal to Noise ratio: 87 dB/84 dB/84 dB
Warm, rich sound with multi-pattern versatility! Extremely-low, 7 dBA self-noise makes it great for sampling, vocals, and acoustic sources; -15 dB pad makes it great for loud amps and drums. 3-position low-cut switch. Includes shockmount, pouch, and case.
11/22
Just back in stock, New, with Case, Shockmount, Mic Stand and XLR Cable, order now!
11/22
New stock arrives in zZounds' warehouse, New, with Free $75 Gift Certificate, available for immediate delivery.
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Item: SHUKSM44SL
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Shure KSM44SL Studio Condenser Microphone with Case and Shockmount Reviews
10 out of 10
zZounds has verified that this customer bought this product from us.
"Buy it youll like the tone belive me!"
Feature:
Best shockmount on the market! Others take note.Mic has many exelent settings,For elemanating unwanted bass rumble.Well made like a truck!
Quality:
Like I said ,Shure tests these things to hold up on the road.Ive had my sm58s for 20years.The 44 is almost as tough But you should care a little more about an 800 dallor condensor.
Value:
For 800bucks Its clearer than most, less expensive than some of those hyped german mics.If I dont love a mic Ill get rid of it.This one is a keeper
Desirability:
I use an arsonal of about 15 mics neumann to at4033,4047.4060.Babyblue,blue bird.I can say might trade them all someday ,but Ill keep my ksm44 for shure !!!
Sound:
Has its own color not too far fromm neutral.
Ease of Use:
Just about everything Ive recorded on. protools has come out perfectly clear,As good or better than my u87.
Support:
Shures got the best support out there.Used them once very helpful.
Overall:
Id compare this mic to a u87. Close hit
Best shockmount on the market! Others take note.Mic has many exelent settings,For elemanating unwanted bass rumble.Well made like a truck!
Quality:
Like I said ,Shure tests these things to hold up on the road.Ive had my sm58s for 20years.The 44 is almost as tough But you should care a little more about an 800 dallor condensor.
Value:
For 800bucks Its clearer than most, less expensive than some of those hyped german mics.If I dont love a mic Ill get rid of it.This one is a keeper
Desirability:
I use an arsonal of about 15 mics neumann to at4033,4047.4060.Babyblue,blue bird.I can say might trade them all someday ,but Ill keep my ksm44 for shure !!!
Sound:
Has its own color not too far fromm neutral.
Ease of Use:
Just about everything Ive recorded on. protools has come out perfectly clear,As good or better than my u87.
Support:
Shures got the best support out there.Used them once very helpful.
Overall:
Id compare this mic to a u87. Close hit
Submitted: 05/15/2007
Style of Music: Jazz rock
9 out of 10
zZounds has verified that this customer bought this product from us.
"Very nice mic for a number of applications"
Feature:
This is a very professional looking package. Nice locking aluminum case (but it scratches if you look at it funny...be aware). Comes with a very nice shockmount as well. 3 Patterns and a pad and rolloff switch....really nice.
Quality:
Feels very solid. Comes with a nice feature set. Nice case, all accessories.....right down to the velveteen bag to give it that extra touch of class. Granted, all the extras in the world wouldn't make me buy the mic if the sound sucked.....this mic doesn't suck. Not by a longshot.
Value:
It's expensive....but, if you can swing it...you won't be disappointed. No mic is perfect on every application...but this one is pretty good on most.
Desirability:
I rated this as a 10 because I MORE than want it...I OWN it.
Sound:
Has a very good sound. Not quite neutral, but not a highly colored mic either. I give it an 8 because I don't want to make the $5000 mics out there jealous!
Support:
I haven't had to use any support.
Overall:
I would imagine that this will be a part of my gear collection forever. One can always use more mics, and a good one is always welcome.
This is a very professional looking package. Nice locking aluminum case (but it scratches if you look at it funny...be aware). Comes with a very nice shockmount as well. 3 Patterns and a pad and rolloff switch....really nice.
Quality:
Feels very solid. Comes with a nice feature set. Nice case, all accessories.....right down to the velveteen bag to give it that extra touch of class. Granted, all the extras in the world wouldn't make me buy the mic if the sound sucked.....this mic doesn't suck. Not by a longshot.
Value:
It's expensive....but, if you can swing it...you won't be disappointed. No mic is perfect on every application...but this one is pretty good on most.
Desirability:
I rated this as a 10 because I MORE than want it...I OWN it.
Sound:
Has a very good sound. Not quite neutral, but not a highly colored mic either. I give it an 8 because I don't want to make the $5000 mics out there jealous!
Support:
I haven't had to use any support.
Overall:
I would imagine that this will be a part of my gear collection forever. One can always use more mics, and a good one is always welcome.
Submitted: 04/13/2005
Style of Music: Folk to metal and all in between
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