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Rode NT1000 Studio Condenser Microphone
Superior in both vocal and instrumental performances.
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Because this item is used at your mouth or ear, it cannot be returned once opened due to health reasons. details
Description
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When today's musicians and recording engineers demand clarity and dynamic range, they demand large capsule performance. Made from high-quality components, including internal capsule shock-mounting the NT1000 provides unmatched quality and sound.
Features:
Large capsule with gold-plated membrane
Ultra low-noise transformerless circuitry
Cardioid polar pattern
Heavy-duty cast metal satin Nickel body
High-strength welded and heat-treated mesh head
Internal capsule shock-mounting
True condenser (externally biased)
Full frequency response
Active Electronics: Unity-gain closed-loop
impedance converter; JFET
input with bipolar buffering.
Polar Pattern: Cardioid
Frequency Response: 20 Hz ~ 20 kHz (+/-6dB)
Output Impedance: 100 ohms (50 ohms per leg)
Sensitivity: -36dB re 1V/Pa (16mV @94dB SPL) +/-1dB
Equivalent Noise: 6dB SPL (A-weighted, perIEC268-15) +/-1dB
Maximum Output: +13dBu @1kHz, 1% THD into 1Kohm load
Dynamic Range: >134dB (A-weighted, per IEC268-15)
Maximum SPL: >140dB SPL @1kHz, 1% THD into 1Kohm load
Signal/Noise Ratio: >88dB (A-weighted, per IEC268-15)
Power Requirements: 6mA @ P48 (35V 53V)
Packed Weight: 882gm
Microphone Only: 682gm
Accessories Included
-Zip Pouch
-M2 Stand Mount
-3/8 in.- 5/8 in. Thread Adaptor
Features:
Large capsule with gold-plated membrane
Ultra low-noise transformerless circuitry
Cardioid polar pattern
Heavy-duty cast metal satin Nickel body
High-strength welded and heat-treated mesh head
Internal capsule shock-mounting
True condenser (externally biased)
Full frequency response
Technical Info
Capsule: Externally polarised pressure-gradient condenserActive Electronics: Unity-gain closed-loop
impedance converter; JFET
input with bipolar buffering.
Polar Pattern: Cardioid
Frequency Response: 20 Hz ~ 20 kHz (+/-6dB)
Output Impedance: 100 ohms (50 ohms per leg)
Sensitivity: -36dB re 1V/Pa (16mV @94dB SPL) +/-1dB
Equivalent Noise: 6dB SPL (A-weighted, perIEC268-15) +/-1dB
Maximum Output: +13dBu @1kHz, 1% THD into 1Kohm load
Dynamic Range: >134dB (A-weighted, per IEC268-15)
Maximum SPL: >140dB SPL @1kHz, 1% THD into 1Kohm load
Signal/Noise Ratio: >88dB (A-weighted, per IEC268-15)
Power Requirements: 6mA @ P48 (35V 53V)
Packed Weight: 882gm
Microphone Only: 682gm
Accessories Included
-Zip Pouch
-M2 Stand Mount
-3/8 in.- 5/8 in. Thread Adaptor
Voiced for versatility, this mic's 1" cardioid capsule glows on everything from grand piano to cymbals to vocals. Includes pouch and stand mount.
What Our Customers Say About zZounds
"I had a few detailed questions which were very professionally, quickly, and courteously answered by one of your staff. Thanks!" - customer on November 16, 2009
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Item: RODNT1000
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Rode NT1000 Studio Condenser Microphone Reviews
10 out of 10
zZounds has verified that this customer bought this product from us.
"Sounds like a keeper!!"
Feature:
Doesnt have any features...just a solid microphone minus the extras.
Quality:
Heavy. Very solid build. Feels like its made with high quality components.
Value:
Purchased mine brand new about 7 months ago for $200. Great Value.
Sound:
Excellent sounding condenser microphone. Vocals sound nice and clear.
Overall:
Excellent sound quality, definitely a great value for anyone looking for a really good all around condenser microphone for their home studio.
Doesnt have any features...just a solid microphone minus the extras.
Quality:
Heavy. Very solid build. Feels like its made with high quality components.
Value:
Purchased mine brand new about 7 months ago for $200. Great Value.
Sound:
Excellent sounding condenser microphone. Vocals sound nice and clear.
Overall:
Excellent sound quality, definitely a great value for anyone looking for a really good all around condenser microphone for their home studio.
Submitted: 12/27/2004
Style of Music: Hip Hop, R&B, Soul, Urban
10 out of 10
"One of the best microphones on Earth!"
Feature:
The mic doesn't come with much: Cardboard box, vinyl bag and a stand clip. No pads or filters and it's cardiod only. What you do get though is a top quality microphone without bells and whistles. I also picked up the shockmount (SM2) and never use the stand mount.
Quality:
Aside from the awesome sound, this mic is built like a tank and weighs about as much as one. I use mine as a hammer from time to time (just kidding).
Value:
You'd have to spend 10 times more to get a better sounding mic and even then I'm not so sure it would sound better, just different.
Desirability:
It looks like a big tube of lipstick that you just want to take a bite out of. I've noticed that people actually perform better in front if it.
Sound:
This mic sounds excellent! It is a very versatile mic. I've recorded just about every type of instrument the is with this mic and everything sounds clear and well represented. Some sources it shines particularly well on are: Vocals - definitely one of the best vocal mics out there without a tube regardless of price. Amps - honestly, stuff this mic about an inch from the cone near the edge pointed toward the center and you get a rich full bodied sound that no SM57 could come close to. Drum - overheads - or distant micing you get a great vintage sound. I could go on and on guitar, strings, room mic etc. I have yet to find something that doesn't benefit from this mic.
Support:
No problems with the mic, but the tightening bolt on the shock mount broke within the first month of use. I contacted R
The mic doesn't come with much: Cardboard box, vinyl bag and a stand clip. No pads or filters and it's cardiod only. What you do get though is a top quality microphone without bells and whistles. I also picked up the shockmount (SM2) and never use the stand mount.
Quality:
Aside from the awesome sound, this mic is built like a tank and weighs about as much as one. I use mine as a hammer from time to time (just kidding).
Value:
You'd have to spend 10 times more to get a better sounding mic and even then I'm not so sure it would sound better, just different.
Desirability:
It looks like a big tube of lipstick that you just want to take a bite out of. I've noticed that people actually perform better in front if it.
Sound:
This mic sounds excellent! It is a very versatile mic. I've recorded just about every type of instrument the is with this mic and everything sounds clear and well represented. Some sources it shines particularly well on are: Vocals - definitely one of the best vocal mics out there without a tube regardless of price. Amps - honestly, stuff this mic about an inch from the cone near the edge pointed toward the center and you get a rich full bodied sound that no SM57 could come close to. Drum - overheads - or distant micing you get a great vintage sound. I could go on and on guitar, strings, room mic etc. I have yet to find something that doesn't benefit from this mic.
Support:
No problems with the mic, but the tightening bolt on the shock mount broke within the first month of use. I contacted R
Submitted: 12/13/2003
Style of Music: Name it - I've played it
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