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Korg MS2000 Analog Modeled Synthesizer

44 notes.

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Description
Docs
Sound Control
The EG (Envelope Generator) that applies time-variant change to sound parameters uses a familiar 4-parameter ADSR (Attack, Decay, Sustain, Release) configuration. The LFO (Low Frequency Oscillator) used to apply cyclic change to sound parameters allows you to choose from 4 types of waveform. Two EGs and 2 LFOs are provided for each timbre.

The MS2000/MS2000R provides 4 types of filter: 2 types of low pass filter (-12/-24 dB), band pass filter, and high pass filter. Resonance is provided, and can be adjusted into self-oscillation. The effect section provides a modulation effect (3 types), a delay with 3 selectable types, and an equalizer. In addition to volume and pan controls, the amp section provides a Distortion on/off setting so that even soft sounds can be transformed into aggressive solo parts.

Virtual Patch function allows wildly creative possibilities
The MS2000/MS2000R provides a "Virtual Patch" function that simulates the patching capabilities of the legendary KORG PS Series and MS Series synthesizers. Not only EG and LFO, but even velocity or keyboard tracking can be used as modulation sources to affect parameters such as pitch, noise level, and pan.

Mod Sequence function generates dramatic tonal changes
The Mod Sequence function applies time-variant change to sound parameters in a way similar to varying the control voltage on an analog synthesizer of the past. In addition to the 28 parameters on the front panel, you can apply time-variant change to the pitch or step length and adjust it in real time.

Since its introduction in 1978, the Korg MS Series of synthesizers caused a sensation by its sound, looks, and flexibility in sound creation. More than 20 years later, a new MS instrument is born, fusing the functionality of the SQ10 analog sequencer and VC-10 vocoder that were also part of Korg's lineup. The MS2000/MS2000R simultaneously returns to the origin of synthesizers and opens a new universe of possibilities.

Unparalleled Analog Modeling Power
The tone generator of the MS2000/MS2000R uses a DSP-powered analog modeling system. The analog modeling system acclaimed on the Korg Prophecy, Z1, and Electribe Series has been refined to produce an incredibly wide range of sounds. From sharply cutting to powerful and thick, all the awesome sonic power that can be produced only by DSP technology is packed into a compact keyboard or module. All major sound parameters are arranged on the front panel, allowing you the total freedom of manipulating knobs and switches in real time.

Back to the future
The MS2000/MS2000R is dressed in a retro Teal Blue body with Rosewood side panes and is packed with other great features of the past, like a powerful built-in 16-band vocoder and an arpeggiator with 6 types of arpeggio patterns. The arpeggiator, Mod Sequencer, and LFOs all sync to MIDI for ultra-cool rhythmic effects. Both models allow the panel to be tilted for excellent visibility and easy operation.

Technical Info

Sound Generation Method: Analog Modeling Synthesis System-Synthesizer Program Multi Timbral = 2 (max., Split/Dual Mode) Voices = 4 voices Sound Source = 2 Oscillator + Noise Generator, EG x 2, LFO x 2, Virtual Patch x 4, MOD Sequence 16 steps (max.) x 3 -Vocoder Program Voices = 4 voices Sound Source = 1 Oscillator + Noise Generator, EG x 2, LFO x 2, 16 Channels vocoder, level and pan of each channel can be edited, Formant Shift function

Programs: 128

Effects: Modulation effects (3 types), Delay (3 types), Equalizer

Arpeggiator: 6 types

Inputs: AUDIO IN 1, 2, Level switch LINE/MIC, [AUDIO IN 1, 2(LINE)]Input impedance = 39 k-ohms, Maximum output level = -3.5 dBu (Audio In knob maximum), [AUDIO IN 2(MIC)] Input impedance = 22 k-ohms, Maximum output level = -33 dBu (Audio In knob maximum), Input source impedance = 600 ohms

Outputs: L/MONO, R, Output impedance = 1.1k-ohms (MONO = 550 ohms), Maximum output level = +6.5 dBu, Load impedance = 100k-ohms, Headphones, Output impedance = 10 ohms, Maximum output level = 35 mW, Load impedance = 33 ohms

Control Inputs: Assignable Pedal, Assignable Switch

MIDI: IN, OUT, THRU to Display: 16 charactors x 2 lines with backlight

Power Supply: DC 9V (AC adapter)

Power Consumption: 8W

Dimensions (W x D x H):
MS2000 = 737.8 x 371.3 x 147.7 mm (29.0 x 14.6 x 5.8 in.)
MS2000R = 482.0 x 233.2 x 87.1 mm (19.0 x 9.2 x 3.4 in.) 4U rack-mountable

Weight: 7.1 kg (15.6 lbs.)

Accessories: AC adapter (DC 9V, 600mA)

Keyboard: 44 notes

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Korg MS2000 Analog Modeled Synthesizer Reviews

191 People rated this product :
           9 out of 10
           10 out of 10
"You can't go wrong by buying this synth!"
I own the rack version of this synth (MS2000R) for 8 months now, and I'm still impressed by the sound quality and tweakability of this baby! Only thing missing:more polyphony, 4 voices is rather limiting (for pads anyway). Everything else is pure heaven: the ergonomics, very user-friendly, etc...

For people contemplating buying it, here's a few useful things to know: every knob (and there are 35 of them) sends, and can receive midi CC changes, when editing a parameter it's value is displayed on the LCD screen in real-time, a small LED lights up when you put the knob to the original value used in the patch(very useful), no battery inside needed to hold patches in memory (uses non-volatile RAM), very high speed DSP providing fast real-time tweaking without audible "steps", MOD sequencer can record real-time tweaks of any knob up to 16 steps, LFO's can sync to clock, and the list could go on and on...

It's closest rival, the Roland JP8080 has more voices, but only 12 bands Vocoder (MS2000R has 16 bands the more bands mean more intelligible vocoder output), has a slightly slower DSP (fast tweaking of the Filter Cutoff reveals this), and is more expensive. (and has been discontinued by the way).

But don't take my word for it, go try the MS2000 in a music store and take your time, you'll probably end-up buying it! (like I did)

Alain.
Submitted: 11/06/2002
Style of Music: Progressive rock, Techno,
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           9 out of 10
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"Incredibly diverse sounds and full manipulation of sound."
I have owned an MS2000 for about 2 years and I would have to say that this machine is capable of making the coolest and fattest sounds of any virtual analog synth. You have total control over the sound and can make really interesting arpeggios on the 16 step sequencer. The arpeggios are not only note changes, but almost any parameter on the synth can be arpeggiated. It also makes a really cool vocoder. One of the most interesting and hypnotic sounds I ever heard was when I ran an Ibanez RG470 into the input of my MS2000. I ran the guitar through a lowpass filter and 2 arps controlling cutoff and resonance. Add a lot of delay and a little wah from the guitar and I was in a trance. My only possible complaint about this incredible machine is the fact that it only has a max of 4 note polyphony and is not truely multitimbral.
I would highly reccomend this machine to anyone who loves to totally shape their own sounds and who wants to add a very distinct flavor to their music.
Submitted: 10/17/2002
Style of Music: All but country
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