CAD DMTP7 7-Piece Drum Microphone Touring Package
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Seven-piece drum mic touring pack. Contains three TM211s, two CM217s, one SN210, and one KM212 in protective travel case.
Overview
Seven-piece drum mic touring pack.
Contains three TM211s, two CM217s, one SN210, and one KM212 in protective travel case.
TM211
Cardioid dynamic microphone designed for toms. The built in rim clip eases setup and adjustment. Sold only in DMTP packs.
Applications: Brass, Guitar Cabinets, Bass Cabinets, Snare Drum, Rack/Floor Toms.
CM217
Cardioid condenser microphone Designed for drum overheads. Features include hi-pass filter and attenuator. Mic clip included. Sold only in DMTP packs.
Applications: Acoustic Instrument, Strings, Cymbals/Overheads, Hi-hat.
SN210
Supercardioid dynamic microphone designed for snare drums. The built in rim clip eases setup and adjustment. Sold only in DMTP packs.
Applications: Brass, Guitar Cabinets, Bass Cabinets, Snare Drum.
KM212
Cardioid dynamic microphone dialed in at the factory for the thump and crack of your kick drum. Try it on the bass rig too. The included mic clip provides additional isolation. Sold only in DMTP packs.
Applications: Bass Cabinets, Kick Drum, Rack/Floor Toms.
Contains three TM211s, two CM217s, one SN210, and one KM212 in protective travel case.
TM211
Cardioid dynamic microphone designed for toms. The built in rim clip eases setup and adjustment. Sold only in DMTP packs.
Applications: Brass, Guitar Cabinets, Bass Cabinets, Snare Drum, Rack/Floor Toms.
CM217
Cardioid condenser microphone Designed for drum overheads. Features include hi-pass filter and attenuator. Mic clip included. Sold only in DMTP packs.
Applications: Acoustic Instrument, Strings, Cymbals/Overheads, Hi-hat.
SN210
Supercardioid dynamic microphone designed for snare drums. The built in rim clip eases setup and adjustment. Sold only in DMTP packs.
Applications: Brass, Guitar Cabinets, Bass Cabinets, Snare Drum.
KM212
Cardioid dynamic microphone dialed in at the factory for the thump and crack of your kick drum. Try it on the bass rig too. The included mic clip provides additional isolation. Sold only in DMTP packs.
Applications: Bass Cabinets, Kick Drum, Rack/Floor Toms.
Specs
TM211 Specifications
Operating Principle: Moving coil dynamic
Polar Pattern: Cardioid
Frequency Response: 90Hz to 13KHz
Sensitivity: -53dBV (2.2mV) @ 1 Pa
Impedance: 560 ohms
CM217 Specifications
Operating Principle: Condenser
Polar Pattern: Cardioid
Frequency Response: 40Hz to 13KHz
Sensitivity: -41dBV (8.9mV) @ 1 Pa
Impedance: 230 ohms
Hi-pass Filter: 200Hz, 6dB/oct
Attenuator: 10dB
Power Requirements: P12, P24, P48, 11mA(P48)
SN210 Specifications
Operating Principle: Moving coil dynamic
Polar Pattern: Supercardioid
Frequency Response: 90Hz to 14KHz
Sensitivity: -56dBV (1.6mV) @ 1 Pa
Impedance: 300 ohms
KM212 Specifications
Operating Principle: Moving coil dynamic
Polar Pattern: Cardioid
Frequency Response: 50Hz to 16KHz
Sensitivity: -66dBV (0.5mV) @ 1 Pa
Impedance: 60 ohms
Operating Principle: Moving coil dynamic
Polar Pattern: Cardioid
Frequency Response: 90Hz to 13KHz
Sensitivity: -53dBV (2.2mV) @ 1 Pa
Impedance: 560 ohms
CM217 Specifications
Operating Principle: Condenser
Polar Pattern: Cardioid
Frequency Response: 40Hz to 13KHz
Sensitivity: -41dBV (8.9mV) @ 1 Pa
Impedance: 230 ohms
Hi-pass Filter: 200Hz, 6dB/oct
Attenuator: 10dB
Power Requirements: P12, P24, P48, 11mA(P48)
SN210 Specifications
Operating Principle: Moving coil dynamic
Polar Pattern: Supercardioid
Frequency Response: 90Hz to 14KHz
Sensitivity: -56dBV (1.6mV) @ 1 Pa
Impedance: 300 ohms
KM212 Specifications
Operating Principle: Moving coil dynamic
Polar Pattern: Cardioid
Frequency Response: 50Hz to 16KHz
Sensitivity: -66dBV (0.5mV) @ 1 Pa
Impedance: 60 ohms
Reviews
Reviewers gave this product an overall rating of 1 out of 5 stars.
(36 ratings)
Submitted March 23, 2010 by a customer from live.ca
"Do not bother!"
Verified Customer
zZounds has verified that this reviewer made a purchase from us.
Sound
Bad, to put it simply. The kick drum mic was impossible to get a good sound out of. Very dead, wimpy, not accurate in low end. The pencil condensers are way too harsh, and the snare/tom mics are half decent at best. My drum recordings all sounded Harsh, lacking presence and clarity. Looking back, I have no idea what I was thinking spending this much on drum mics. Of course they'll sound terrible. I have not used these mics in a live situation, but if you are recording they simply won't cut it.
Features
Pencil condensers have a pad/roll-off, which is handy. Also having clips that clip onto your drum rims is handy too. Too bad they sound like junk.
Ease of Use
Can't get good sounds with it.
Quality
Seems like they can hold up to some whacks from a drum stick. Which mine did encounter.
Value
You get what you pay for. Spend more money if you want a good sound. (D6, sm57, md421, etc) If you want to abuse your ears, then go ahead and get these.
Musical Background:
Audio Engineer, Producer
Musical Style:
Whatever comes my way
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