Behringer V-Amp Pro Guitar Amp Modeling Processor

125 memory locations. Easy, intuitive operation. 15 rear panel connectors.

Item: BEHVAMPPRO

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Behringer V-Amp Pro Guitar Amp Modeling Processor reviews

Rate and Review This Product:

85 People rated this product : * * * * * * * * * * 8 out of 10

 

14 People wrote reviews

Read all Behringer V-Amp Pro Guitar Amp Modeling Processor reviews...
* * * * * * * * * * 10 out of 10

"YOU DON'T HAVE $150? Quit surfing and get a job!"

Feature:
An awful lot of ins and outs for $150 bucks. Most of the effects that guitarists expect. Lots of pretty lights, and the coolest blue faceplate, real eye candy. Would like an attenuator to turn down the lights a bit.

Quality:
No problems with noise, RF, or finish. Knobs are plastic but travel 360 degrees, so you shouldn't be breaking pots. Sturdy metal box which really should be rack-mounted, providing even more protection.

Value:
Someone else said it, it's a lousy $150 bucks. If it were made 30 years ago it would be $10,000. Are other modelers better? Who cares, buy them too! Get a whole rack full of them! Still cheaper than buying just one of the amps they are designed to emulate.

Desirability:
It was more practical than the J-station because it's rackmountable, it's prettier cause it's blue, it has a pretty nice foot pedal controller available for cheap.

Sound:
It's not a tube amp mic'd by a professional in a large studio room. I can tell the difference, I think. But I've been fooled before. You might be too! Most guitar players have two or three sounds that they are craving, and you should be able to get pretty close with this unit. If you play a lot of covers, you could literally sequence your whole show with the midi options available.

Support:
Have no experience with support, but I assume it would be a little difficult, as Behringer isn't in the US. Just try calling anywhere for support for anything though, usually it sucks, so I'll give the Uli a break here.

Overall:
I would buy another cause I'm a gear slut who likes sexy knobs and pretty lights, and gadgets that come with software and can be expanded and foot controlled. This product has all that for under $350 (with FCB1010)!

Submitted: 10/6/2005

Style of Music: Country, Rock

2 of 2 people (100%) found this review helpful. Did you?

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* * * * * * * * * * 10 out of 10 zZounds has verified that this customer bought this product from us.

"Good enough for the recording studio."

Feature:
I think the features are fine. Would prefer an LCD like the PODs but for 500bux less I can live with it. Face it - these are digital and all sound the same.

Quality:
If it were a little thicker Aluminum I would give a 10. But honestly I dont see this getting hurt. It aint plastic.

Value:
I have a lot of their products - the MOST BANG FOR YOUR BUCK sold me every time. I dont have millions of dollars to throw away. I run a recording studio as my buisness so money is a factor. And getting as many kewl things for as little as possible lets my users have their choice of sounds and I get more selections with spending less.

Desirability:
I would like more a digital look - LCD panel like POD. I wish their were some real preamp tubes in there as well.

Sound:
Used in Pro-Studio environment. All the bands I record compliment the sound. We still mic the marshalls and fenders in the studio but this as a second trackover adds depth and perspective to the sound. The sounds are amazing - FULLY configurable to your hearts desire. I was absolutely impressed. The cheapest item in the studio and it ROCKS!

Support:
Called them before on OTHER products. They are polite and get the job done... what more do you want.

Overall:
I have lots of cash and bought just about everything out there. This is definitely one of the better items in the studio. Sure my 72Fender and 82Marshall sound great but... they only give 1 sound. More creative freedom with this box. I mean... do you really want to practice in front of a 100watt marshall cranked to 10 before it starts sounding RIGHT or... plug in some headphones and use a V-AMP while saving your EARS!!

Submitted: 1/16/2005

Style of Music: All.

2 of 2 people (100%) found this review helpful. Did you?

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Read all Behringer V-Amp Pro Guitar Amp Modeling Processor reviews...

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About This Product!
Description
Docs
Professional Guitar Amp Modeling and Multi-Effects Processor with Additional 24-Bit/96 kHz Digital Output and Ultra-G Cabinet Simulation
Not just for Pros -- the V-AMP Pro is the 19 in. rack-mount version of the V-AMP 2 with extensive MIDI and digital connectivity. You get an impressive collection of 32 classic amps, 15 legendary speaker cabinets and 16 studio-quality effects: everything from vintage combos to supercharged gain monsters. Store your own presets in the 125 memory locations or get presets developed by today's hottest players.

The V-AMP Pro includes pre-DSP send/return and post-DSP stereo inserts as well as balanced stereo XLR DI out with ground lift. A BNC wordclock input for synchronization and a 24-bit/96 kHz digital output with AES/EBU and S/PDIF connectors. Plus, it has Behringer's exclusive auto wah and rotary effects and DI output with Ultra-G cabinet simulation designed by famous amp designer Juergen Rath. The V-AMP Pro is your best partner in the studio -- but you can also take it to your next gig!

Features:
32 authentic virtual amp models can be combined with any of the 15 speaker cabinet simulations, noise gate, compressor, wah-wah, modulation effects, delay and reverb

125 memory locations, divided into 25 banks of 5 presets each

Facilitates direct recording without an amp for professional guitar tones

Easy, intuitive operation with self-explanatory controls

Comprehensive LEDs show all current settings

15 rear panel connectors allow comprehensive routing and suit virtually every conceivable application

Additional unparalleled authentic cabinet simulation with sound designed by Juergen Rath

Stereo headphones output with adjustable volume

Adjustable auto-chromatic tuner

Internal power supply unit

Extremely low-noise instrument input ensures maximum guitar signal integrity

Pre DSP send/return for dry recording and wet monitoring

Stereo 1/4 in. line outputs controlled by master volume for live use as guitar preamp

Balanced stereo XLR DI out with ground lift and switchable Ultra-G cabinet simulation

Post DSP stereo inserts for connection of external effects

Phones output on front panel for easy access

BNC wordclock input for external sample rate synchronization up to 96 kHz

AES/EBU and S/PDIF connectors allow usage as an all-purpose A/D converter with 24-bit/96 kHz digital output

MIDI In, Out, Thru

Manufactured under ISO9000 certified management system
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