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Behringer C2 Condenser Microphone
Perfect for stereo recording. Ultra-wide frequency response. Cardioid pattern.
Because this item is used at your mouth or ear, it cannot be returned once opened due to health reasons. details
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These professional condenser microphones for studio recording and live applications have all the big-time features packed in an extremely compact form factor. They are sold as a matched pair -- perfect for stereophonic recording -- for a price you wouldn't even consider it bought you a single one. The C-2s utilize a low-mass diaphragm for ultra-wide frequency response and ultimate sound reproduction and their inconspicuous size makes them perfect for acoustic instruments, overhead applications, pianos and similar. The cardioid pickup pattern effectively eliminates feedback, plus there is switchable low frequency roll-off and -10 dB input attenuation. Ultra low-noise transformerless FET input eliminates low-frequency distortion, while a gold-plated 3-pin XLR connector assures the highest signal integrity. Custom microphone stand adapters, windscreens, stereo-bar and transport case are all included, making these condenser microphones ready for action straight out of the box! If super-compact size is paramount but you don't want to compromise on the performance, then a pair of C-2s is the answer.
Features:
2 professional true condenser microphones for studio recording and live applications
Sold as matched pair - perfect for stereophonic recording
Low-mass diaphragm for ultra-wide frequency response and ultimate sound reproduction
Perfect for acoustic instruments, overhead, piano, etc.
Cardioid pickup pattern for effective feedback elimination
Switchable low-frequency roll-off and -10 dB input attenuation
Custom microphone stand adapters, windscreens, stereo-bar and transport case included
Ultra low-noise transformerless FET input eliminates low-frequency distortion
Gold-plated 3-pin XLR connector for highest signal integrity
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by Behringer Germany
Operating Principle: Pressure gradient
Polar Pattern: Cardioid
Connection: Gold-plated balanced XLR connector
Open Circuit Sensitivity (at 1kHz): -41dBV (0dBV = 1V/Pa)
Frequency Response: 20Hz - 20kHz
Level Attenuation: -10dB (switchable)
Low-Cut Filter: 6dB/oct. At 120Hz (switchable)
Max. SPL (1%THD @ 1kHz): 140dB (0dB); 150dB (-10dB)
Equivalent SPL (IEC 651): 19dB-A
Signal-to-Noise Ratio: 75dB
Nominal Impedance: 75 ohms
Load Impedance: >1k ohms
Supply Voltage: +48V
Supply Current: 3mA
Dimensions:
Shaft: Approx. 13/16 in. (20mm)
Length: Approx. 3-11/16 in. (94mm)
Weight: Approx. 0.21 lbs. (900g)
Features:
2 professional true condenser microphones for studio recording and live applications
Sold as matched pair - perfect for stereophonic recording
Low-mass diaphragm for ultra-wide frequency response and ultimate sound reproduction
Perfect for acoustic instruments, overhead, piano, etc.
Cardioid pickup pattern for effective feedback elimination
Switchable low-frequency roll-off and -10 dB input attenuation
Custom microphone stand adapters, windscreens, stereo-bar and transport case included
Ultra low-noise transformerless FET input eliminates low-frequency distortion
Gold-plated 3-pin XLR connector for highest signal integrity
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by Behringer Germany
Technical Info
Transducer Type: True condenser, 16mm (0.63 in.) single diaphragmOperating Principle: Pressure gradient
Polar Pattern: Cardioid
Connection: Gold-plated balanced XLR connector
Open Circuit Sensitivity (at 1kHz): -41dBV (0dBV = 1V/Pa)
Frequency Response: 20Hz - 20kHz
Level Attenuation: -10dB (switchable)
Low-Cut Filter: 6dB/oct. At 120Hz (switchable)
Max. SPL (1%THD @ 1kHz): 140dB (0dB); 150dB (-10dB)
Equivalent SPL (IEC 651): 19dB-A
Signal-to-Noise Ratio: 75dB
Nominal Impedance: 75 ohms
Load Impedance: >1k ohms
Supply Voltage: +48V
Supply Current: 3mA
Dimensions:
Shaft: Approx. 13/16 in. (20mm)
Length: Approx. 3-11/16 in. (94mm)
Weight: Approx. 0.21 lbs. (900g)
Stereo recording is made ultra-affordable with this matched stereo pair of small-diaphragm cardioid condenser mics! Low-cut and -10dB pad switch on each. Includes stand adapters, windscreens, a stereo bar for mounting both on one stand, and a transport case.
11/10
New inventory arrives, New, Matched Pair, with 2 x Boom Stands and Mic Cables, order before they are gone!
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Behringer C2 Condenser Microphone Reviews
8 out of 10
"Very cheap Behringer C2 stereo mikes: they can sound really good in classical recordings."
Feature:
Stereo bar, pop filters. Both OK. Missed inter-distance adapter for ORTF mode, and 90degr. adapter for mounting the stereo bar in parallel under the mike-boom in case the mikestand must be beside the soundsource. Made them myself. I must also make rubber-suspension for the stereo setup.
Quality:
XLR plug fitted difficult in only one of all my 6 Behringer C2 mikes. Good PCB, nice metal housing, feels good and looks impressive. Feels reliable. Can be used "on the road" i think. Cheap, so spare ones do not cost much. BUT: DESIGNFAULT in microphone output circuit: XLR pin3 is grounded directly for audio, and the impedance on pin2 rises for low frequencies. Be aware: This impedance-unbalance will reveal very weak residual hum/noise from your 48V phantom power supply (if any) when0 used with low soundlevels (test it)! I modified XLR pin3 cricuit, and hum/noise now is further suppressed by 30dB into an undetectable low level. Now perfect! See my modification article on internet.
Value:
Yes, absolutely.
Desirability:
Feels and looks very good, nicely small, only wanted sometimes it was black and less obvious to see, and less obvious printing on it.
Sound:
It has the best price/quality. Very good vor low budget recording. Pro: it has a very smooth freq.char. which is esily to equalize. And very constant directivity between 500Hz and 5kHz for very good XY or ORTF stereo. With proper equalisation they sound really impressive on all kinds of classical music: big church organ @ 12mtrs distance with really deep bass (16'pipes), big male choir (45 men)+ solist @ 2.5mtrs away and 5mtr up, grand piano @ 1.5mtrs, or 30cms from hammers, standup piano @ 1.6mtrs or 30cms from the soundboard, classical solo singers (fi. tenor or VERY loud soprano) @ 0,5-2 mtrs distance. No distortion, with ORTF mode exellent stereo roominess (big church) and soundsource positioning (choir). Good sound compared to my MXL990.
Ease of Use:
Needs equalisation when more than 30cm away from soundsource, it then sounds to me like very expensive. Is easy standard procedure for me now. Equalisation: When at 30cms distance only -2dB equalisation @ 8kHz needed, then very neutral and pleasent sound. When at 1m distance or more it needs the following equalizing at my Phonic MU1202 mixer with positions: Hi: 10.30Hrs ( -2 dB@8kHz); Mid: 13.30Hrs (+1.5db@2.5kHz); Low: 14.30Hrs (+8dB@80Hz). Afterwards at home extra EQ before music-cutting on my PC: +3dB@50Hz / +6dB@30Hz.
Support:
I informed Behringer about the problem and asked for modification. First time no real good reaction (pointed their finger towards my mixer). I devellopped modification myself: Second time when my modification was send to them, they respondede more serious and did send it to their devellopment department.
Overall:
I will keep them. Becouse i want to make stereo recording in Blumlein mode, i will buy at least one set stereo mikes with figure-of-eight characteristic. Must wait for budget. If small budget, possably the cheap new Behringer C3 or the more expensive Superlux CMH-8C.
Stereo bar, pop filters. Both OK. Missed inter-distance adapter for ORTF mode, and 90degr. adapter for mounting the stereo bar in parallel under the mike-boom in case the mikestand must be beside the soundsource. Made them myself. I must also make rubber-suspension for the stereo setup.
Quality:
XLR plug fitted difficult in only one of all my 6 Behringer C2 mikes. Good PCB, nice metal housing, feels good and looks impressive. Feels reliable. Can be used "on the road" i think. Cheap, so spare ones do not cost much. BUT: DESIGNFAULT in microphone output circuit: XLR pin3 is grounded directly for audio, and the impedance on pin2 rises for low frequencies. Be aware: This impedance-unbalance will reveal very weak residual hum/noise from your 48V phantom power supply (if any) when0 used with low soundlevels (test it)! I modified XLR pin3 cricuit, and hum/noise now is further suppressed by 30dB into an undetectable low level. Now perfect! See my modification article on internet.
Value:
Yes, absolutely.
Desirability:
Feels and looks very good, nicely small, only wanted sometimes it was black and less obvious to see, and less obvious printing on it.
Sound:
It has the best price/quality. Very good vor low budget recording. Pro: it has a very smooth freq.char. which is esily to equalize. And very constant directivity between 500Hz and 5kHz for very good XY or ORTF stereo. With proper equalisation they sound really impressive on all kinds of classical music: big church organ @ 12mtrs distance with really deep bass (16'pipes), big male choir (45 men)+ solist @ 2.5mtrs away and 5mtr up, grand piano @ 1.5mtrs, or 30cms from hammers, standup piano @ 1.6mtrs or 30cms from the soundboard, classical solo singers (fi. tenor or VERY loud soprano) @ 0,5-2 mtrs distance. No distortion, with ORTF mode exellent stereo roominess (big church) and soundsource positioning (choir). Good sound compared to my MXL990.
Ease of Use:
Needs equalisation when more than 30cm away from soundsource, it then sounds to me like very expensive. Is easy standard procedure for me now. Equalisation: When at 30cms distance only -2dB equalisation @ 8kHz needed, then very neutral and pleasent sound. When at 1m distance or more it needs the following equalizing at my Phonic MU1202 mixer with positions: Hi: 10.30Hrs ( -2 dB@8kHz); Mid: 13.30Hrs (+1.5db@2.5kHz); Low: 14.30Hrs (+8dB@80Hz). Afterwards at home extra EQ before music-cutting on my PC: +3dB@50Hz / +6dB@30Hz.
Support:
I informed Behringer about the problem and asked for modification. First time no real good reaction (pointed their finger towards my mixer). I devellopped modification myself: Second time when my modification was send to them, they respondede more serious and did send it to their devellopment department.
Overall:
I will keep them. Becouse i want to make stereo recording in Blumlein mode, i will buy at least one set stereo mikes with figure-of-eight characteristic. Must wait for budget. If small budget, possably the cheap new Behringer C3 or the more expensive Superlux CMH-8C.
Submitted: 07/10/2006
Style of Music: Classical singing / piano / church organs/jazz/pop (rolling stones).
9 out of 10
zZounds has verified that this customer bought this product from us.
"Excellent quality for the price"
Feature:
The Included stereo bar alone Is almost worth the price of the total package and I use the 10db roll off switch to eliminate all traces of bottom boom on acoustic.
Quality:
The mics seem to be very sturdy and the fit and finish on my pair Is excellent.
Value:
The price of these mics can't be beat for the quality sound that I have been able to produce with them.For a basic home recording setup that won't break the bank,I highly recommend them.
Desirability:
I don't consider mics to be very sexy,but to each his own.
Sound:
So far I have only used these to record acoustic guitar and they do a much better job than I had originally expected,I have been able to produce a very woody natural sound both used as a stereo pair or with a single unit pointed at the 12th fret from about 7 inches away. A few hints for the guy who trashed them. Read up on mic placement technique,learn how to work your preamp and or your mixer and you might be pleasantly surprised. By the way...they are not vocal mics!
Ease of Use:
Plug and play of course.
Support:
I have never needed support on any of the several Behringer products that I have owned.
Overall:
If lost or stolen I would purchase another pair.As a matter of fact I'm thinking of purchasing a backup pair anyway.
The Included stereo bar alone Is almost worth the price of the total package and I use the 10db roll off switch to eliminate all traces of bottom boom on acoustic.
Quality:
The mics seem to be very sturdy and the fit and finish on my pair Is excellent.
Value:
The price of these mics can't be beat for the quality sound that I have been able to produce with them.For a basic home recording setup that won't break the bank,I highly recommend them.
Desirability:
I don't consider mics to be very sexy,but to each his own.
Sound:
So far I have only used these to record acoustic guitar and they do a much better job than I had originally expected,I have been able to produce a very woody natural sound both used as a stereo pair or with a single unit pointed at the 12th fret from about 7 inches away. A few hints for the guy who trashed them. Read up on mic placement technique,learn how to work your preamp and or your mixer and you might be pleasantly surprised. By the way...they are not vocal mics!
Ease of Use:
Plug and play of course.
Support:
I have never needed support on any of the several Behringer products that I have owned.
Overall:
If lost or stolen I would purchase another pair.As a matter of fact I'm thinking of purchasing a backup pair anyway.
Submitted: 05/24/2006
Style of Music: Folk,Country,Blues
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