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AKG Perception 220 Studio Condenser Microphone
Switchable 20 dB preattenuation pad and bass cut filter. 48v phantom power required.
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Because this item is used at your mouth or ear, it cannot be returned once opened due to health reasons. details
Description
From Our Catalog
News
The AKG Perception 220 Studio Condenser Microphone is a recent addition to the Perception line of quality microphones. If you have never had the chance to experience these mics, here's your chance. Perfect for countless applications, the Perception line is the secret weapon of thousands of studios worldwide. Here are a few quotes from some satisfied customers:
AKG PERCEPTION Series - MARKET REACTION
…I do radio voice overs and I can tell you that after using a $1,000 Neumann, a $650 Shure and a $1,200 Sennheiser, this mic sounds better than any of those
I bought this mic a few weeks ago and have used it for recording vocals and acoustic guitar. The results from this mic were unbelievable for the price! The vocals were clear and warm-sounding. The guitar had a LIVE feel to it.
I own a pair of these mics and have used them to record everything from drums to choirs and they have delivered a very clear and clean sound with awesome detail.
This is THE best buy in an inexpensive condenser mic. So far, I have only used it for vocals and it delivers a warm, transparent sound that I have found lacking in other mics in this price range.
I was just BLOWN AWAY by its clarity and presence – It has that sound that mics a few times its price would have.
Features
Large-Diaphragm True Condenser microphone with a big, up-front sound quality
Switchable 20 dB preattenuation pad for use in sound fields as high as 155 dB
Switchable bass cut filter minimizes noise and boominess
Spider-type Shock Mount and Metal Case included
Cardioid pickup minimizes off-axis sound
Polar Pattern: Cardioid
Frequency Range: 20 - 20,000 Hz
Sensitivity:18 mA
Preattenuation Pad: 0 dB , -20 dB
Bass-cut Filter: 12 dB/octave at 300 Hz
Maximum SPL for 0.5% THD: 135 dB / 155 dB (0 / -20 dB)
Impedance: <200 ohms
Recommended Load Impedance: >1,000 ohms
Powering: 48 V phantom power
Current Consumption: < 2 mA
Output Connector: Gold-plated 3-pin XLR-type
Finish: Metallic blue
Dimensions - mm: 53 x 160mm (W x L)
Dimensions - in: 2.1 x 6.3 in (W x L)
Net / Shipping Weight: 525 g (18.5 oz) / 955 g (33.7 oz)
Included Accessories: Metal case, screw-on spider suspension
AKG PERCEPTION Series - MARKET REACTION
…I do radio voice overs and I can tell you that after using a $1,000 Neumann, a $650 Shure and a $1,200 Sennheiser, this mic sounds better than any of those
I bought this mic a few weeks ago and have used it for recording vocals and acoustic guitar. The results from this mic were unbelievable for the price! The vocals were clear and warm-sounding. The guitar had a LIVE feel to it.
I own a pair of these mics and have used them to record everything from drums to choirs and they have delivered a very clear and clean sound with awesome detail.
This is THE best buy in an inexpensive condenser mic. So far, I have only used it for vocals and it delivers a warm, transparent sound that I have found lacking in other mics in this price range.
I was just BLOWN AWAY by its clarity and presence – It has that sound that mics a few times its price would have.
Features
Large-Diaphragm True Condenser microphone with a big, up-front sound quality
Switchable 20 dB preattenuation pad for use in sound fields as high as 155 dB
Switchable bass cut filter minimizes noise and boominess
Spider-type Shock Mount and Metal Case included
Cardioid pickup minimizes off-axis sound
Technical Info
Capsule: 1-inch Large-diaphragm true condenserPolar Pattern: Cardioid
Frequency Range: 20 - 20,000 Hz
Sensitivity:18 mA
Preattenuation Pad: 0 dB , -20 dB
Bass-cut Filter: 12 dB/octave at 300 Hz
Maximum SPL for 0.5% THD: 135 dB / 155 dB (0 / -20 dB)
Impedance: <200 ohms
Recommended Load Impedance: >1,000 ohms
Powering: 48 V phantom power
Current Consumption: < 2 mA
Output Connector: Gold-plated 3-pin XLR-type
Finish: Metallic blue
Dimensions - mm: 53 x 160mm (W x L)
Dimensions - in: 2.1 x 6.3 in (W x L)
Net / Shipping Weight: 525 g (18.5 oz) / 955 g (33.7 oz)
Included Accessories: Metal case, screw-on spider suspension
Cardioid pattern. Includes metal case and shockmount.
11/20
Just delivered to our warehouse! New, with OnStage Tripod Mic Stand and 20 ft. Mic Cable, available for immediate delivery.
What Our Customers Say About zZounds
"I just couldn't ask for any better service. Will I buy from zZ again? You bet!" - customer on November 7, 2009
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Item: AKGPERCEPTION220
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AKG Perception 220 Studio Condenser Microphone Reviews
9 out of 10
zZounds has verified that this customer bought this product from us.
"A surprising value for your voiceover booth."
Feature:
It's an external bias "true" condenser at the price most companies charge for an internally biased mic. To me, that's the most important feature. The extra elastic for the shock mount is a nice touch. Quality shock mount. Pad and filter switches are solid. The roll-off filter is a bit too much for my taste, but it could come in very handy for other uses. If all you want to do is to remove the floor rumble, use your preamp's filter.
Quality:
AKG must really put these under a microscope when they come in from China. Looks and feels solid. No lose bits. No shortcuts that I can find. (It's working too well to open up.) Puts up with high humidity quite well, too. A pleasant surprise.
Value:
Definitely a great value for anyone serious about recording. Even if you've never tried AKG, the Perception line is worth checking out.
Desirability:
Let's face it. Chinese mics have limited appeal. This is one of the exceptions. It's appearance does have a certain vintage quality about it. I feel like I'm using a serious recording tool. Interesting color.
Sound:
While it's not exactly in the same class with a Neumann, it has a surprisingly detailed sound for a mic in this price range. I use it for voiceovers, and it brings out the subtle qualities quite well, especially with a touch of compression. Some might need a de-esser, but if you move in closer it helps. Nice proximity effect. Team it with a nice tube preamp to warm it up and you'll love it.
Ease of Use:
Nothing exotic here. Plug and play. Point and talk. And that's a good thing.
Support:
Haven't needed service. I don't expect I will.
Overall:
After about four months, this has become a "go to" mic for my voice work. Great for broadcast work. Beats out the RE-20 with a more refined top end and better response. An upgrade to a Neumann is about all that can beat it for my needs.
It's an external bias "true" condenser at the price most companies charge for an internally biased mic. To me, that's the most important feature. The extra elastic for the shock mount is a nice touch. Quality shock mount. Pad and filter switches are solid. The roll-off filter is a bit too much for my taste, but it could come in very handy for other uses. If all you want to do is to remove the floor rumble, use your preamp's filter.
Quality:
AKG must really put these under a microscope when they come in from China. Looks and feels solid. No lose bits. No shortcuts that I can find. (It's working too well to open up.) Puts up with high humidity quite well, too. A pleasant surprise.
Value:
Definitely a great value for anyone serious about recording. Even if you've never tried AKG, the Perception line is worth checking out.
Desirability:
Let's face it. Chinese mics have limited appeal. This is one of the exceptions. It's appearance does have a certain vintage quality about it. I feel like I'm using a serious recording tool. Interesting color.
Sound:
While it's not exactly in the same class with a Neumann, it has a surprisingly detailed sound for a mic in this price range. I use it for voiceovers, and it brings out the subtle qualities quite well, especially with a touch of compression. Some might need a de-esser, but if you move in closer it helps. Nice proximity effect. Team it with a nice tube preamp to warm it up and you'll love it.
Ease of Use:
Nothing exotic here. Plug and play. Point and talk. And that's a good thing.
Support:
Haven't needed service. I don't expect I will.
Overall:
After about four months, this has become a "go to" mic for my voice work. Great for broadcast work. Beats out the RE-20 with a more refined top end and better response. An upgrade to a Neumann is about all that can beat it for my needs.
Submitted: 07/11/2009
9 out of 10
"Great mic, great buy, a little bright"
Feature:
i absolutley loved that this product came with a shockmount and a carrying case.
Quality:
this microphone is very well designed. its heavy and durable. although what you pay isnt that much, it feels and looks like a very high quality microphone. havent dropped it yet. but im sure it can withstand a few hits
Value:
this is definitley worth the money. if u are looking for a good vocal condensor or somethin for acoustic guitars this is the way to go. even if you have money to spend on a more expensive mic....save it and try this one out. you might find that you dont have to spend alot of money to get great sound
Desirability:
this microphone looks great sitting in my studio. to most peopl they think that it is a very expensive microphone. the grill on it shines in the light and it makes it look awesome
Sound:
the sound of this microphone is very clear. For the price its hard to beat. It does give a slight boost at around 10Khz leaving it a little bright for my tastes. it picks up everything so make sure theres no background noise. The mic performs very well. its not too sensitive and it clarity is excellent. i primarily use it as a vocal mic for singers. i found that i can use this mic for a wide variety of singers. but since its a bit bright i tend to keep away from using it with higher singing or songs with alot of plosives. i find that using a slight compressor and a bit of eq makes this mic sound awesome.
Ease of Use:
very easy to use. just plug and play.
Support:
havent needed any yet
Overall:
im not lookin for replacement anytime soon. im gonna use this mic till it breaks..then ill fix it and use it again. of course this mic isnt gonna compare to say a NT2000, but for the price it definitley gives u more than what u pay for
i absolutley loved that this product came with a shockmount and a carrying case.
Quality:
this microphone is very well designed. its heavy and durable. although what you pay isnt that much, it feels and looks like a very high quality microphone. havent dropped it yet. but im sure it can withstand a few hits
Value:
this is definitley worth the money. if u are looking for a good vocal condensor or somethin for acoustic guitars this is the way to go. even if you have money to spend on a more expensive mic....save it and try this one out. you might find that you dont have to spend alot of money to get great sound
Desirability:
this microphone looks great sitting in my studio. to most peopl they think that it is a very expensive microphone. the grill on it shines in the light and it makes it look awesome
Sound:
the sound of this microphone is very clear. For the price its hard to beat. It does give a slight boost at around 10Khz leaving it a little bright for my tastes. it picks up everything so make sure theres no background noise. The mic performs very well. its not too sensitive and it clarity is excellent. i primarily use it as a vocal mic for singers. i found that i can use this mic for a wide variety of singers. but since its a bit bright i tend to keep away from using it with higher singing or songs with alot of plosives. i find that using a slight compressor and a bit of eq makes this mic sound awesome.
Ease of Use:
very easy to use. just plug and play.
Support:
havent needed any yet
Overall:
im not lookin for replacement anytime soon. im gonna use this mic till it breaks..then ill fix it and use it again. of course this mic isnt gonna compare to say a NT2000, but for the price it definitley gives u more than what u pay for
Submitted: 07/18/2009
Style of Music: Ska, Jazz, Reggae
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