AKG C414 B-XLS 5-Pattern Condenser Microphone

High sensitivity. 5 switchable polar patterns. 3 switchable bass cut filters. 3 pre-attenuation pads.

Item: AKGC414BXLS

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AKG C414 B-XLS 5-Pattern Condenser Microphone reviews

Rate and Review This Product:

16 People rated this product : * * * * * * * * * * 8 out of 10

 

3 People wrote reviews

Read all AKG C414 B-XLS 5-Pattern Condenser Microphone reviews...
* * * * * * * * * * 9 out of 10

"Great Mics"

Feature:
The shockmount could be better. The pop filter supplied with thse mics seem pretty decent. The case is sturdy.

Quality:
The only thing I am not too sure about is the switch which selects polar patterns as it could easily be accidentally changed.

Value:
Great value as I've said this mic is a workhorse.

Desirability:
Yeah, they look cool, have that classic 414 vibe

Sound:
We bought these Mics to use as overheads on a large drum set. The kit was aimed at a hardwood wall and the Mics spaced out about 3 feet above the kit and three feet apart aimed at the wall instead of down on the kit. WOW! Explosive sound. They are beautiful on acoustic guitar as they are on most sources we've tried them on. A true workhorse and quiet is not the word for these mics, and that is sweet as well. They can be a little bright, which is nice for overheads and some acoustic guitar applications. Background vocals especially female ones seem to love these mics. Live I have not tried them but can imagine as overheads they'd be awesome.

Support:
No opinion, I've never had to call for support. Maybe this is the best answer. The Mics are sturdy and durable and very well made.

Overall:
Yeah, we have other options in our mic locker but, these Mics get pulled out an awful lot. I like everything about the Mics, except I feel the shockmount could be of better construction, I like the older one AKG had much better.

Submitted: 6/8/2005

Style of Music: All


7 of 8 people (87.5%) found this review helpful. Did you?

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* * * * * * * * * * 10 out of 10

AKG C414 B-XLS Microphone Customer Review

Feature:
5 polar patterns with an LED indicator shock mount and hard case AKG always uses fine components

Quality:
the name AKG says it all!

Sound:
can be used in a wide range of applications

Ease of Use:
flat response 5 pattern selectable how hard could it be?

Submitted: 5/10/2006


3 of 4 people (75%) found this review helpful. Did you?

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Read all AKG C414 B-XLS 5-Pattern Condenser Microphone reviews...

Additional Images:

Main
Main
Polar Pattern - Wide Cardioid
Polar Pattern - Wide Cardioid
Overload Warning
Overload Warning
Polar Pattern LED
Polar Pattern LED
W 414 X Windscreen
W 414 X Windscreen
With Shock Mount
With Shock Mount
Case
Case
Elastic Capsule Suspension
Elastic Capsule Suspension
Polar Pattern - Omnidirectional
Polar Pattern - Omnidirectional
Status Indication
Status Indication
Polar Pattern - Cardioid
Polar Pattern - Cardioid
Inside
Inside
What's Included
What's Included
Polar Pattern - Figure 8
Polar Pattern - Figure 8
PF 80 Pop Screen
PF 80 Pop Screen
H 85 Shock Mount
H 85 Shock Mount
Polar Pattern - Hypercardioid
Polar Pattern - Hypercardioid

iconBecause this item is used at your mouth or ear, it cannot be returned once opened due to health reasons. details

About This Product!
Description
Docs
News
Reference-quality microphone especially used for accurate, beautifully-detailed pickup of any acoustic instrument
With the introduction of the NeXt Generation C 414 B-XL models, AKG sets new benchmarks for useful features, improved technical specifications, ease of use and available accessories. All of these improvements are answers to requests from ever-demanding recording studios, broadcast stations and concert engineers, but with the basic sonic character of the legendary C 414 unaltered.

Features:
High sensitivity and extremely low self noise

5 switchable polar patterns for placement and application flexibility

2-color LEDs provide quick visual indication of selected polar pattern and output overload

Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration

H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen.

High sound pressure level capability and wide dynamic range

Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformer-less output stage

3 switchable bass cut filters and 3 pre-attenuation pads with LEDs for quick visual indication

All switchable components operate in low impedance circuits for ultra-high reliability even in extremely humid conditions

Optional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors

Absolute Reliability
The solid metal housing and transformer-less output stage combine to make the C 414 B-XL microphones immune to electrical interference from digital equipment, video monitors or from rf from wireless microphone or other communications systems.

5 Polar Patterns
The twin-diaphragm system gives you a choice of five different polar patterns (omnidirectional, wide cardioid, cardioid, hypercardioid, and figure eight). The diaphragm is made from a special gold-sputtered plastic foil and the gold layer is deposited on the diaphragm only on the outer sides to prevent short circuiting to the back plate if strong blasts of air are applied.

Elastic Capsule Suspension
Structurally transmitted vibrations that interfere and color the sound are almost completely eliminated thanks to a new elastic capsule suspension system.

3 Switchable Pre-Attenuation Levels
Pre-attenuation levels are controlled by changes in the polarization voltage of the capsule and permit increases of 6, 12 or 18 dB in the maximum sound pressure level for close-up recording or for use on high-output sources.

3 switchable Bass Filters
The switchable bass-cut filters reduce sonic coloration and the risk of low frequency distortion. The slope of the 40 and 80 Hz filters is more than 12 dB-per-octave and these are especially useful in combating wind noise or vibrations from stage floors. The 160 Hz filter has a gentler 6 dB-per-octave slope useful in minimizing proximity effect.

Predictable Performance Even in Humid Conditions
To minimize the negative effects of humidity, all switching circuits are located in a sealed low-impedance section to prevent problems. To test the stability of our microphones' performance, they are tested in simulated climatic conditions between -25° C (-13° F) and +65° C (+149° F) as well as relative humidity as high as 99% (immediately below point of condensation) above +20° C (+68° F). The new C 414 B models can handle temperature extremes anywhere and still deliver perfect performance.

Technical Info

Type: 1 in. large-diaphragm pressure gradient microphone

Polar Pattern: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight

Frequency Range: 20 to 20,000 Hz (see frequency response traces)

Sensitivity: 23 mV/Pa (-33 dBV) ± 0.5 dB

Max. SPL: 200/400/800/1600 Pa = 140/146/152/158 dB SPL (0/-6/-12/-18 dB) (for 0.5% THD)

Equivalent Noise Level (CCIR 468-2): 20 dB (0 dB preattenuation)

Equivalent Noise Level: 6 dB-A (0 dB preattenuation) (DIN 45 412, A-weighted)

Signal/Noise Ratio: 88 dB

Preattenuation Pad: -6 dB, -12 dB, -18 dB, switchable

Bass Cut Filter Slope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz

Impedance: <=200 ohms

Recommended Load Impedance: >= 2,200 ohms

Supply Voltage: 48 V phantom power to DIN/IEC

Current Consumption: approximately 4.5 mA

Dynamic Range: 134 dB minimum

Environment:
Temperature range: -10° C to +60° C (14° F to 140° F)
Relative humidity: 95% (+20° C/68° F), 85% (+60° C/140° F)

Connector: 3-pin XLR to IEC

Dimensions: 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.)

Net Weight: 300 g (10.6 oz.)

Patent(s): AT 395.225, DE 4.103.784, JP 2.815.488

Standard Accessories: H 85, Sound Tool Case, PF 80, W 414 X
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