Clavia Nord Stage 88 (88-Key)

3 sound sections -- Organ, Piano, and Synth. On-board effects.

Item: NORSTAGE88

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customer reviews

Rate and Review This Product:

41 People rated this product : * * * * * * * * * * 9 out of 10

9 People wrote reviews

* * * * * * * * * * 8 out of 10

"The Ferrari of stage pianos"

Feature:
I bought the 88 note variant. The unit does not have an external power adaptor so it is stuck at the voltage in the country you buy it. Which is not necessarily a good thing if you are gigging in countries with different ac specifications. The unit comes with a decent sustain pedal (although this lacks half pedalling support)

Quality:
It's a stage piano. Coupled with a decent flight case it should do just fine. The 88 note variation has a good keyboard, again not quite the match of my p-90 but then the varied weight of that wouldn't feel right for the other non-acoustic piano sounds. The other problem I have is that the piano sound select button is just a little too edgy for me. This may be a manufacturing defect as the other buttons are fine.

Value:
It's not cheap, and the value of the synth compared to having, say, a second midi output and a good module is debatable. That said, if you've got the cash, you won't regret it.

Desirability:
It's bright red made of wood and die cast metal. It feels well constructed and looks gorgeous. This is the Ferrari of Stage Pianos.

Sound:
The EPs are amazing, especially when combined with the effects and amp simulation. I mean truly amazing. The pianos are well sampled, but the lack of half pedal support means that they don't quite sound as real as my Yamaha P-90 which is a generation older than this. Also, the piano sounds are very bright, not thin though and you can eq them with the amp-sim section, but it does tend to a more rock piano sound. The organ section is great, the rotary simulator does an admirable job, however I don't really have so much experience with these sounds. The synth does what it does well, with a nice analogue style warmth. But the inputs are fiddly as hell. Why not have a nice ui for this available from on the PC software?

Ease of Use:
The ability to combine sounds and switch between sections whilst playing live is brilliant. I've never played anything that can switch so quickly and easily between sounds, with careful combinations of organ, piano and synth you can have 6 different sounds no more than 2 button pushes away, none of which upset sustain of previous notes and without annoying gaps as a digital fx box reconfigures.

Support:
Not spoken to them, but the ability to download new sample sets for the piano section and update the Keyboards OS over USB is great.

Overall:
Unless I ever get a real Rhodes 7, this is always going to have a place in the studio as my EP sound source of choice. I've enjoyed playing it so far, and can't see that changing. The analogue style warmth of the amp-sims and effects are what really sets it apart from anything else out there.

Submitted: 2/15/2008

Style of Music: Rock, alternative, soundtrack

* * * * * * * * * * 9 out of 10

"I own it, I use it, it's the centre peice of my rig and it does it's job very well. This keyboard is not only a specialty keyboa"

Feature:
Size, weight, and it does an exclusive job very well. It's a really decent dual controller as well so lets not forget that. It nicely handles my Korg Micro X and my V-Synth XT (which I just purchased as I really wanted more synth in my rig) giving me some giant sounds when midi'd together or clever splits and routings even for just changing ones program but not having it necessarilly play on the Nord's keys! Very cool.

Quality:
I have the Compact and it's the most amazing size and weight for it's class. Even the action is acceptable for a mild piano gig. Great size, weight, key action, and looks kinda' cool as well.

Value:
Jury's still out on this one as well as it's really pricey and sometimes I think to myself, wholly. that's alot of depreciation loss in the years to come but if I keep it for 10 years or more then it will have been worth it. I traded up from the Electro and that unit I had for over 3 years which is a record for me!

Desirability:
This is a sexy board, probably moreso than I am (cue laugh track...) But seriously it looks really good and is nice and slim. Hmmmm, I guess you could call it a babe! You can get pretty excited slammin' on those keys...

Sound:
It's a very unique board but I agree that the piano samples can sound a bit harsh and thin but then later on I listen back to something I've recorded with it and it's actaully pretty decent. Best EP's in the land. The organ section is really good. I like the Korg CX3 as well but with the dual aspect and the morphing and such you can do some pretty cool stuff here. As for the synth section, the jury's out. Sometimes I love it but at other times I'm finding it lets me down a bit particularly with the limited vibrato, limited pitch bending, no polyphonic portamento, The ADSR section has some significant limitations, and even some notes being cut off due to polyphony restrictions when layering, however, having said that I still find some gems in the synth section and overall I'm certainly glad it's there. For some single keyboard gigs or jam session it rocks.

Ease of Use:
This is a total player's board. It's got the vibe going on and it can kick some serious butt. Dead simple to use.

Support:
I lost my power cable and it took not only a long time to get one here in Canada but when I did finally get one from the distributor, it wasn't even new! It was like a Yamaha cable or something that had the square part of the end shaved down so that it fit the nord slot! No crap, this actually happened. First they said they lost the order request then I got that cable. However,on another occasion I did get info right away for a different matter so they can be pretty good as well.

Overall:
Overll it land somewhere between and 8 and a 9 as it does what it does well but it has some weaknesses as well (like most units have) The huge price is a significant one but who else makes a unit like this? The Roland VR76? Sorry Roland, this thing kicks that units butt to Kingdom come)I love the retro vibe and the pound for pound sound. No gimmicks, lots of power and fun in a killer sized package. Like I said earlier, this is my main controller as well so it not only handles my need for Organs, EP's, Clavinet (outstanding), and some synth, but also governs my other modules. And even in a flight case, it's about 50 lbs (23 kg)which makes it a flight board candidate as well.

Submitted: 11/28/2007

Style of Music: Rock, blues, Pop, Country, Jazz

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With Optional Legs
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About This Product!
Description
Docs, Multimedia
From Our Catalog
Concept
Too often, our choices as players require compromise. We do our homework, make phone calls, and scour the Internet seeking advice on the perfect stage piano, yet at every turn, we're forced to give up some benefit and choose between the lesser of compromises. You like one, but the action is too stiff; another one feels right, but the sounds are thin and weak; another sounds great, but of all its features you'll only use a few; yet another one feels and sounds right, but weighs as much as your car.

Friends, players, hired guns: the search is over.

Introducing the Nord Stage 88, the culmination of Clavia's award-winning technology and design in a full-range weighted-action stage piano. Featuring the best of Clavia's technologies, the Stage 88 is designed with practical benefits for real-world pianists. Of course, style factors in as much as substance - what would a Nord keyboard be if not bright red?

Construction
The Nord Stage 88 is a high quality yet very road-worthy stage piano. Constructed of the same light metal as other Nord keyboards, the Stage holds up to the rigors of touring and constant transportation. At less than 40 pounds, the Stage 88 is among the most easily portable controllers available. Wood panels round out the style of the Stage, providing the classic yet discernable look of the Nord Electro2. Complementing the Stage's portable construction is a set of Rhodes-like legs which screw onto the bottom chassis (the legs are sold separately).

Architecture
The Stage features 3 sound sections -- the Organ, Piano, and Synth sections. The Stage is 6-voice multitimbral, so 6 sounds can be combined into a powerful performance. You can use 2 sounds of each section at once - that's 2 organ manuals, 2 synths, and 2 pianos layered together! An A/B switch allows you to quickly move between two advanced setups immediately, so hunt-and-peck navigation is kept to a minimum during a performance.

Clavia's patented pitch-stick and modulation wheel construction is included for maximum expression, and the unique Morph Grouping technique allows you to combine effects and sound parameters together into one physical controller. The Stage also has four outputs, giving users the opportunity to run individual sounds through different outputs -- this is a great way to dominate your performance, and control your sound mix.

The Organ Section
Like the Nord Electro2, the organ section is based on full simulation of electromechanical organs. The Nord Stage contains not only the famous sound of the Hammond B3, but it also adds Vox and the Farfisa organ models as well. The complex digital modeling recreates every nuance of these unique organ sounds giving you the full arsenal of Organ sounds.

The Nord Stage emulates the energy stealth from the tone wheels, resulting in the 'compressed' sound that occurs when playing many notes simultaneously. The rotary speaker emulation is the final touch of our rich organ sounds, and is available for the pianos and the synths as well. The key-click on the Hammond organ model is now a user-defined parameter, so players have even more control over their sound.

The Piano Section
The piano section is comprised of 6 different sound groups. These groups include the Mega Clavinet D6, the Wurlitzer 200A, the Rhodes Mark 1, and the custom Electric Grand model G. The Acoustic Piano Group includes the Yamaha C7 Grand Piano and an upright piano. A Miscellaneous group also exists, for any future sounds that Clavia will develop for the Nord Stage.

The acoustic pianos were created using a very advanced sampling technology. The sounds are stereo multisamples, recorded at many different velocity levels. The key-release, pedal down, and pedal up sounds have also been added. In an acoustic piano, the vibrating string will make other strings with shared overtones vibrate, creating its very energetic and full sound. The Nord Stage pianos will produce the sympathetic string resonance when each note is hit with the pedal down. This full sound was attained through the development of a completely new sampling engine, which provides the lushest, most accurate and expressive grand pianos ever made for a digital keyboard.

The piano section is very flexible, allowing the use of any of the Stage's rich effects, splits, and layers, and in the future Clavia will release new piano samples that can be loaded via the Nord Stage's USB port.

The multisample engine of the Nord Stage displays subtle nuances throughout the whole dynamic range. Thanks to the carefully designed sound engine, an aura of authenticity is created that can only be heard in a Nord instrument.

The Synthesizer Section
Clavia is world famous for synthesizer technology since the groundbreaking Nord Lead from the mid-1990s. For discriminating musicians, a subtractive synthesizer has been built into the Stage, creating opportunities for texturing and layering piano and organ sounds. This synth is like no other that Clavia has produced - instead of digging through parameters and sculpting your sound with a large array of knobs and encoders, the Stage's synth section features the essentials. A single knob moves you through various oscillators, glide and unison functions are added, as well as a low-pass filter, modulation envelope, amp envelope, vibrato, and and EQ. The synthesizer unit in the Nord Stage is sonically rich, very easy to use, and has it's own unique personality.

The heart of this synthesizer is the Oscillator section, where you can choose from basic sound elements. The Analog section recreates all the elements from classic subtractive synthesizers like the Moog MiniMoog. The FM section recreates the typical FM sounds that dominated the 80s like those from the Yamaha DX7. The synth section includes digital wavetables, which recreate sounds similar to famous instruments like the PPG Wave. Each section has many different oscillator presets. The timbre knob varies multiple parameters within the selected oscillator preset, allowing players to sweep between different characters of the sound.

The filter section has 12dB and 24dB filters. You can easily manipulate filter cutoff and resonance, and control them with velocity or keyboard tracking as well. There is a modulation envelope which shapes both the filter and the oscillator, and an amp envelope to control the attack, sustain, release, and decay of the sound.

Effects
The Phaser, Flanger, and Chorus effects are modeled from the classic analog stomp boxes that were popular in the 1970s. With parameter knobs for realtime adjustment of effects, all the swirling phasers, metallic flangers, and meaty chorus effects found on classic recordings are here - crystal clear and faithfully simulated.

Among the modulations the Nord Stage is capable of, there are the vintage Tremolo, three Wahs, and Auto-Pan. Use the Auto-Wah with a Clavinet for raw funk licks. Create a psychedelic vibe with a Rhodes on Auto-Pan. Give a Wurlitzer some body using the Tremolo.

There is a Ring Modulator on board, an effect used by many experimental and electronic musicians. From jazz, funk, prog-rock, and pop to fusion, R&B, and avant-garde, this useful effect has conjured incredibly unique tones for a generation of players. A delay unit has been included to create haunting echoes or slapback effects.

Amp Simulation
The effects section also includes an amplifier emulation unit which recreates the famous sound of a Fender Twin Reverb. You can set the drive of the amp, creating an overdriven sound. The drive knob works like a normal overdrive effect when no amp model is selected.

There is also a Rotary Speaker emulation, that not only brings a much-needed feature to a live organ performance, but can be used with any of the electric or acoustic piano sounds as well as the synthesizer unit.

Master Effects
Finally there is also a compressor and a reverb unit. The reverb unit has Room, Hall and Spring reverbs to create different atmospheres for your sounds. These effects come at the tail end of your sound-construction potential, allowing you to easily blend with your band whether you're plugged in through the main mixer, or running your sound direct to your amplifier.

Accessories
The Nord Stage can be fitted with classic piano legs reminiscent of a classic Rhodes piano. The legs are very easy to assemble and disassemble for transport. The legs are optional and sold separately.

Free Upgrades
Pianos come in many varieties, and while a Yamaha C7 might sound great, it might not be the sound you need at the moment. Clavia will constantly offer a number of various sounds that you can download free of charge from their website. Use the Nord Stage's USB port and sample-dump software to swap sounds quickly from your Mac or PC. A padded custom gig bag will also be available soon.

Technical Info

Weight: 37 lb. / 18 Kg

Height: 4.8 in. / 12.1 cm

Width: 51.1 in. / 129.7 cm

Depth: 13.1 in. / 33.2 cm
Electric pianos and organs from Rhodes to B3s to Wurlitzers, plus beautiful acoustic pianos, plus a 9-oscillator analog/FM/wavetable synth-all controlled by a to-die-for 88-key weighted keyboard! Nine electric drawbars with memory. Extensive effects including rotary speaker. Four assignable audio outputs, headphone output, MIDI I/O, USB.

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