BBE BMAX Class A/B Bass Preamp

A/B front-end emulates the loading effect a tube preamp would present to the bass pickups.

Item: BBEBMAX

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    • List: $429.00
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customer reviews

Rate and Review This Product:

13 People rated this product : * * * * * * * * * * 7 out of 10

2 People wrote reviews

* * * * * * * * * * 8 out of 10

"Very Good Product It Just Takes A Little Patients"

Feature:
This preamp has a built in compressor that works quite well. I have heard people complaining about it but I have not had any noise issues. I have heard some people say that in the recording studio you might detect some slight buzzing. For live playing it's not a problem. I run my chorus Boss CEB-3 Chourus pedal, TU-2 Tuner, NS-2 noise suppressor' and ODB-3 Distotion pedal through the effects loop. I like a little tube simulation and run My Sansamp BDDI direct into the instrument input. Everything works great and the loop is nice and quiet. I like the Sonic Maximizer thats built in as well. I have always liked that product for PA racks and it really does a nice job of cleaning up the signal. Makes the lows very clear cleans up any muddy sound and makes the mids clear and punchy. Put together very well. Nice solid knobs and a 1/4" aluminum front plate. Very nice

Quality:
Built very solid, looks very nice, I like the red knobs. they look "classy", not "cheesey" like the red knobs on a Trace Elliot (good product just ugly knobs). Came out of the box cosmeticly perfect and everything works good. No issues with build quality at all. I heard some Bmax came out with a gain circuit that was too hot at the instrument input. It is a bit hot but I seem to have got one that is ok. I use mostly active 4 & 5 string Fender & Musicman basses and have had no problems with the input clipping my amp. I gig with a back up Peavey MAX head but I really don't see this thing going down on me. It's a good quality product and my other BBE products have always been reliable so I expect it to last.

Value:
It's worth the money. It's actually on the low end of the bass preamp scale in terms of price because it's solid state but it's a very good quality product.

Desirability:
I have to admit that the looks of thing got my attention. It's looks like a an expensive piece of gear and those knobs are cool. I tried it out based on the looks alone. After playing it I reliazed it could sound really good to. When I went to the pre/power set up instead of the head it's the first preamp I thought of.

Sound:
Good Solid State Tone. I would say it's somewhat Hi-Fi in it's tone character. It does color your tone some so it's not a clean Hi-Fi like a G & K sound is but it's not as gritty old scholl like a SS or Tube Ampeg or Ashdown. Sort of in between. I prefer this preamp with my active basses I play active Fender Jazz basses as well as a MM Stingray 5. Works great with those. I don't have my tone dialed in as well with my passive Fender Jazz basses. I'm just having to experiment more with the EQ on the passives Jazz. Still sounds good but I'm not quite there yet. I am using this Bmax with a QSC 1450 power amp and Avatar B210 Delta & B212 Delta cabinets or with an Ampeg SVT 410 HE 4 ohm cabinet. Works well with everything.

Ease of Use:
This preamp took some time to get used to. The Bass & Treble are boost and the Mid control is cut only. Then there is the Para-Mid knob. I'm raised on Ampeg so lots of knobs get me confused. It's hard to find an actual flat setting. the manual says it's "reasonably flat" at Bass 2 Treble 2 & Mid 10. It's sounds flat...I guess, but you just have to play around with it to find "your" tone. I'm still experimenting after two months with my passive basses but my actives are sounding great through the Bmax.

Support:
Can't really say since I have never had to deal with them on any of the BBE products that I own. I guess I'll give them a nine for not making me have to call them.

Overall:
I expect to run this BBE unit for a long time. The only thing that may change for me is the fact that I like tubes and may go the tube route instaed of SS. I will audition the BmaxT for that and see how it compares to a SVP Pro. If it was lost or stolen I would (actually State Farm) would buy another Bmax. It's a good product and I'm happy with it.

Submitted: 7/27/2006

Style of Music: Christian Rock, Classic Rock, 80's Alternative

* * * * * * * * * * 4 out of 10

"Poor performer"

Feature:
good feature set, if it worked well.

Quality:
It hasn't "broke"

Sound:
HArd to get a good tone. Clips easily even with passive pickups. The compressor introduces noise and oesn't provide compression that I need. I have dropped back to a dbx unit.

Support:
I called and emailed support about issues with the performance of this unit. I never recieved a call or email back.

Overall:
I am looking now and wish I could return the unit.

Submitted: 2/18/2005

Style of Music: Contemporary Christian, Swing/Jazz

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About This Product!
Description
Docs
The BMAX is a high quality bass preamp/processor for the recording studio and on the stage. At the heart of the BMAX is a class A/B front-end, the input of which emulates the loading effect that the input of classic-design tube preamp would present to the bass pickups, and one of the key aspects in the warmth and punch of tube preamps. The BMAX also provides a pure and clean electronically-balanced DI output. From its 1/4 in. thick extruded front panel to thoughfully designed ergonomics to the red-abalone-topped knobs, the fit and finish of the BMAX exudes quality craftsmanship.

Features

The BMAX is perfect anywhere an extremely high-quality, pristine preamplifier is required for the bass guitar

In the recording studio where a bass amplifier is impractical due to space or loudness considerations

In performance applications, where players will find the BMAX ergonomics intuitive and easy to use

The BMAX EQ and Dynamic controls, combined with the patented Sonic Maximizer processor, afford a wide palette of tonal choices

Technical Info

Specifications

Full Function 4th Generation BBE Sonic Maximizer processor

Solid-state, Class A/B front-end with interactive 3 band EQ and interactive "bright" switch

Electronically balanced DI output

Quasi-parametric mid-range EQ with 12db of boost or cut between 250 to 1000hz

Single-knob soft-knee optical compressor

Inputs for both passive pickup and active pickup instruments

1meg ohm input impedance

Ground lift switch

Balanced XLR and 1/4 in. TRS Outputs

Military-spec circuit boards

Extra thick, extra wide circuit board traces for unequaled electron flow

1% metal film resistors throughout

Solid 1/4 in. thick aluminum extrusion front panel for extreme ruggedness

Made with pride in the USA

5 year warranty
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