Cubase 4 - Advanced Music Production System
308 People rated this product : 8 out of 10
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16 People wrote reviews |
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![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() 10 out of 10
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Feature:
packed with enough features to keep you busy for awhile, uh hum....quality features.
Quality:
No complaints out of the 4 years i have used cubase, big jump from the vst32 version with sx and then to the sx2, haven't really felt the need yet to go to the 3.0 upgrade although i will just to stay on top of the game of this EXCELLENT program!!! Cubase should never be underestimated of it's power and stability
Value:
compared to all out there and the fact that pro tools is pretty much needing the limbs of the hardware for it to really be a cubase competitor....
Desirability:
very sleek and clean....not really into the whole let's round everything off like buttons and bubble it all up type programs...like uh.....pro tools....which is still a great program but just not at the finish line with cubase in my opinion...worked with protools in school and buddies house and it's just not the same, i love my cubase. It has that adult feel to it, not meant to impress elementary kids.
Sound:
This program has been my nerve center and workhorse, with nothing but nicely put together music...man not much to say here but, very satisfied!!
Support:
Never used it once....why?
Overall:
other than the $150 upgrades for certain times......It's the king of the jungle.
Submitted: 9/11/2005
Style of Music: R&B/Rap/Dance and more
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![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() 9 out of 10
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Feature:
One of the reasons Cubase is worth the money is because of it's comprehensive feature set. It is definately a professionally geared program. From start to finish and from just about every angle in between Cubase has one covered with the tools for engineering the highest quality recordings. There is the sensible and clean, customizable screen layout. The control room bus routing sub menu feature. The transport panel for quick recording control and event location as well as set up for play order tracks. All of the common engineering tools found in a professional sequencer from plug in menus to extended mixer views to surrond mixing capabilities to audio bus templates to automation. In fact there are too many features to mention. One can even work with syncing audio to film. Cubase also sports a well designed and fully functional midi and score editor, which seems to come as an afterthought in a lot of sequencers even Pro Tools. In Cubase however the focus is squarely on having both audio and midi data fully workable in the same program environment.
Quality:
Cubase is exceptionally well designed. Stienberg has been working with the basic product for well over a decade so there are no gaping holes in the design that I have noticed. I say that the quality is second only to Pro Tools HD.(and that's only because in HD the dsp processing is outboard and digidesign supplies dedicated hardware which is truly awesome) But the vast majority of this review's readers will not be able to realistically get involved with an HD system, so among the remaining native seqencers out right now I say the quality in Cubase 4 is the finest. I have not so far had any technical issues with the sequencer itself that were not due to user error.
Value:
Cubase 4 is worth the money it cost. As the best native system out right now there is no reason to expect a better deal.
Desirability:
I'm not big on sex appeal with a sequencer since they are not toys and if you're serious about it you don't care about the sexiness as much as the work it can efficiently do. It's not as sexy to look at in my opinion as Logic or Digital Performer but it does do just as much if not more. As far as sexiness compares to Pro Tools well that depends on if you like a blonde versus a brunette, (Cubase being the brunette). I wanted it becase of it's ease of use and broad range of capabilities.
Sound:
Since Cubase is a sequencer program that works with the ones and zeroes of digital binary code there is no "sound" to speak of. However, if by "sound" one means the way in which the various included plugin effects shape the recorded sound that you put in it then I say that the plugins are as effective as a user is at skillfully and artfully dialing them in. If you want to record and tweak the sound with Cubase's native reverbs, eq and dynamics, all of the tools of the trade are there and much more improved from a graphic user interface standpoint. They are not boutique plugin processors that with relatively basic operation will drastically "improve" or beef up your material but they are very good indeed and if you want plugins that do what Waves or Universal Audio plugins do then I suggest that you buy them. They will work just fine with Cubase. The rule holds fast with sequencers; Garbage in Garbage out. The seqencer is not to blame.
Ease of Use:
Using any daw to it's full capabilities is not a beginner's task, especially if the program in question professionally aimed. That being said, it's going to take some time before a novice can unleash the potential in a maturely developed and deeply concieved program such as Cubase 4. However, the basic task of recording audio is intuitive for one with prior experience. This is not a prgram for a beginner. It is for serious professionals who know what they are doing with a sequencer. From a professional standpoint though, Cubase 4 is a breeze to use. With a basic rundown in the fairly comprehensive pdf manual included, an experienced engineer can work their way around Cubase with little trouble. Once acquainted with the features and experienced with their use Cubase is very natural and as simple as can be.
Support:
Stienberg support is terrible. They truly don't want to pay for phone time so they go as far as possible to direct you to the forums or the instruction manual. This is understandable due to excessive cost but I can't help but be annoyed at having to call Yamaha (the parent company), long phone wait times and almost rude tech support guys that frisk me for my product registration when I call. They definately need improvement here.
Overall:
If the goal is professional audio production. Cubase has you covered. If at some point your budget gets big enough to go HD, I'm willing to bet the you will still keep Cubase 4 in your studio somewhere just because It's so usefull. For the features, for the price, for the possibilities it's a win. We need to lobby Stienberg for some great dedicated hardware and peace would finally reign on earth.
Submitted: 11/6/2006
Style of Music: Rock, Alternative
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