Roland System-1 AIRA Variable Synthesizer Keyboard

Get ready for astonishingly real analog modeling! Don't lug a laptop to the gig -- you can host software models of classic Roland synths right on a System-1.

Overall User Ratings (based on 3 ratings)
  • Overall:
    4.5 out of 5 stars
  • Sound:
    5 out of 5 stars
  • Features:
    5 out of 5 stars
  • Ease of Use:
    4.5 out of 5 stars
  • Quality:
    5 out of 5 stars
  • Value:
    4.5 out of 5 stars
  • Manufacturer Support:
    4.5 out of 5 stars
  • The Wow Factor:
    5 out of 5 stars
Overall: 4.5 out of 5 stars
(3) (see rating details)
Submitted January 4, 2017 by Robert Furtkamp in Pocatello, ID

"Does everything it claims to do and more!"

Overall: 4 out of 5 stars
(see rating details)
Verified Customer zZounds has verified that this reviewer made a purchase from us.
I wanted something approximating the sound and hands-on control of a "real" analog synth, and I've always been happy with my Roland products (I have stuff ranging in age from a 70s Space Echo and Jazz Chorus to modern GR-55 guitar synth) for both sound and durability. I ordered an AIRA System 1 for myself after reading many reviews and looking at videos - the big thing I can caution against on this unit, and the only potential negative, is the actual keybed itself. It's not velocity sensitive, deep-touch typical Roland bed, but a very short throw and fast action trigger. It doesn't feel cheap, but it is *not* a piano or a modern keyboard in that respect. That said, it works just fine and I don't notice after a bit of playing it unless I've spent a LOT of quality time with one of my other keyboards in the meantime. Everything else is amazing. Roland's patched firmware upped the number of patches from 8 to 64 recently, and that's 64 presets for both the System 1 itself *and* whatever plugout you might have loaded (so a total of 128), so you're able to save some go-to sounds that can be edited in real time with any of the controls. From earth-shaking bass sweeps to bleeps and whistles, this thing delivered in spades. I am a VERY happy owner. A note on the plugouts: they may be expensive, but they work very well. I'm waiting on the registration code from Roland (as I bought an open-box unit from zZounds) to buy one or two as owners of the hardware get a discount. They're intuitive, add significant depth of sound to the unit (the Pro-mars being my favorite of the ones I've spent time demoing over the last couple weeks), and it's worth it to get yourself at least one to stack in the unit and have two synth engines in one box. MIDI control is also decent; I hooked the MIDI out of both the GR-55 guitar synth proper to use as a controller and made glorious old-school guitar synth noises, as well as from the Boss GT-100 that does a mono guitar to MIDI output. Getting the latter to work was as simple as hooking up a midi cable - nothing more. Play a note, boom, it comes out of the System 1. Normally I'd consider mono to be limiting after years of playing a poly hex guitar synth-equipped guitar, but for the retro-analog-style stuff and 4 note poly max on the System 1, it's a match made in relative heaven. One tip, though: go in and disable the automated LED light show that the unit goes into after a few minutes of not playing, unless you want to be a Christmas display gone wrong.

Musical Background:

Over two decades of performing and recording on multiple instruments

Musical Style:

Free improv/experimental weird
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Submitted July 25, 2019 by Robert D in Valparaiso, FL

"The Synth of my Dreams"

Overall: 5 out of 5 stars
(see rating details)
I've owned this thing now for several months and I love it. It does all the pads I could ever want for church, and all the sounds I could ever use for live music. It's very easy to use and the free Roland Librarian gives you 279 patches to choose from. Making your own patches is straightfoward. The keyboard isn't perfect but it's not a deal breaker, and this form someone who has played piano many years. I definitely recommend this. My only gripe is that the included manual is quite lacking. However, Roland has some online product guides that are helpful. The only gripe about the plug-outs is that they are all monophonic. If Roland had an SH-101 plug-out that wasn't monophonic (i.e. 4 voice polyphonic), I'd probably own it by now, but they don't. The keyboard itself, though, is more than worth the money.

Musical Background:

Lifetime church musician

Musical Style:

Rock, synthwave, jazz, Christian
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Submitted June 11, 2014 by Jacob

"Analog power and TOTAL control!"

Overall: 5 out of 5 stars
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Verified Customer zZounds has verified that this reviewer made a purchase from us.
Written by one of our gear experts!
The AIRA Variable synth is an absolutely inspiring pleasure. It comes stock with 8 sound presets and a manual synth. All of these are very unique, high quality and useful sounds. The thing is, you have complete control over the LFO, High pass filter, amp and both oscillators down to minuscule details. So every single sound can be manipulated and transformed over and over from nasty and powerful to weird and trippy to soaring and beautiful. I played this thing for 3 hours and didn't get the same sound once. Not to mention the expression capabilities from the arpeggio type, scatter, pitch bend and portamento function. Whether you need a new sound to inspire you, a hold-steady synth to color your productions, or just want to make some gnarly wub wub. Look no further! This is for you.

Musical Style:

Alternative, Grunge, Blues, Indie, Folk, Rock
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