Rate and Review this Product Product Page and Buying Options
Fender Hot Rod DeVille ML 212 Guitar Combo Amplifier (60 Watts, 2x12")

Fender Hot Rod DeVille ML 212 Guitar Combo Amplifier (60 Watts, 2x12")

This Fender Hot Rod DeVille, designed with session artist Michael Landau, is full of tweaks like two independent volume controls and a boost function.

Overall User Ratings (based on 2 ratings)
Overall:
Sound:
Features:
Ease of Use:
Quality:
Value:
Manufacturer Support:
The Wow Factor:
Overall:
(2)
Submitted April 11, 2017 by michael passero in BAYVILLE, NY
"HRD ML Preliminary Review"
Verified Customer zZounds has verified that this reviewer made a purchase from us.
I've had this amp for about a month now. It has not gigged yet and I haven't even played it for more than an hour, each sitting, so I cannot speak for long-term reliability yet. So far, it's a really great amp. If you're looking for 'that Fender clean' sound, this amp delivers. Great sound right out of the box. It is a bit heavy, but it delivers 60 watts of clean headroom. I play mostly clean jazz, pop, R&B now, and the clarity I get is amazing. Even jazz chords on the 'inside four' have clarity and are very vocal. It scares me how close, if not equal, this amp sounds to my boutique amps. I have read some bad reviews of all the Hot Rod series amps, so I am prepared to roll tubes or have the amp serviced, if necessary. However, in being fair to Fender, some of the problems that I've read about Fender amps, I have also read about some very high-priced boutique amps as well. If you ride any amp long and hard enough and bounce it around gigging (even if you have a great case), components can get damaged and fail. If you don't believe me, go to the boutique forums and see the discussions. Regarding easy-of-use: I find it very easy to dial in the tones I need, especially dialing the amount of mids that I need or don't need. I think this is a great accomplishment for Fender. Don't underestimate the importance of easy tone controls. I have played, and own, boutique amps where there is a huge learning curve for simply using the tone pots. Many times, you have to spend hours in a boutique forum just to figure out how the tones pots really work for that amp because the makers don't want to give up too information about their 'design secrets.' With the Fender, bass covers bass, mids cover mids, and treble covers treble. There was no learning curve. However, I did call Fender about the presence control to ask how they 'do' presence, and to be honest, I think the phone Rep. didn't even know how they did it exactly and what frequencies their presence covers. I know how it works. More to come after I run the ML through its paces.
10 of 10 people (100%) people found this review helpful. Did you?
Thanks for your opinion!

Submitted November 29, 2015 by Jamie P in wilmington, DE
"Amazing!!!"
Verified Customer zZounds has verified that this reviewer made a purchase from us.
This amp is a launch pad for my pedal board! This is the best sounding amp IMO I've played on. Absolutely love this amp. The last time an amp wowed me was when I payed thru the Carr Rambler a few years ago. The Rambler is a 30 watt class A (I think) and this amp delivers that tone but in 60 watts. It's truly a magical and harmonious amp!
Musical Background:
Been playing guitar for almost 30 years. I play Guitar and Ukulele. I teach guitar and play in local cover and original bands.
Musical Style:
Rock, Blues, Funk, Jazz, Jamband, Electronica, Western Swing,... Don't know what chillwave ragtime is but I do play a few ragti
17 of 17 people (100%) people found this review helpful. Did you?
Thanks for your opinion!
{# @var spinnerColorClass string #}
Please wait.
Shipping to
💬
Chat With Us