Double your mic pre with the 710's two discrete, blendable gain stages: a tube circuit dripping with character, and a solid-state path with crisp response.
Dial in warmth and clarity with UA's iconic LA-610 mic pre -- and compress on the way in with T4 optical circuit identical to the legendary Teletronix LA-2A.
Add 4 channels of Twin-Finity mic preamps to your recording studio rack! The 4-710D's hybrid signal path lets you blend solid-state clarity and tube warmth.
Dial in gentle warmth -- or edgy bark -- with separate Tube Drive and Gain knobs on the two-channel PreSonus BlueTube DP Version 2 microphone preamplifier.
Add tube tone to your tracks with the PreSonus TubePre Version 2 microphone preamp. Tweak separate Drive and Gain knobs to get gentle warmth or full-on fuzz.
Add 8 digitally controlled mic preamps to your recording rig! The 8-channel PreSonus Digimax DP88 has ADAT optical output plus analog I/O and word clock I/O.
Don't compromise clarity or warmth -- you can have both! BLA's Auteur mkII preamp improves on the original's responsive sound with more gain and lower noise.
Dial in punchy mids and smooth highs on this vintage-vibey channel strip, with a mega-versatile program EQ and BLA's Melcor-inspired op-amps under the hood.
BLA packed 4 B12A mic pres into 1 rack space to build the Quad. Plug into 4 channels with 70 dB of punchy API 312A-style gain, Cinemag transformers and all.
What's better than a Black Lion Audio 1073-style mic preamp? Four of them! The B173 Quad gives you 70 dB of clean gain with plenty of rich vintage character.
Get 4 Black Lion Auteur mic pres in one rack space -- with DIs on 2 channels, meters on all 4 channels, and that fat-yet-detailed Auteur sonic signature.