Double your mic pre with the 710's two discrete, blendable gain stages: a tube circuit dripping with character, and a solid-state path with crisp response.
Combining elements of Manley's most-loved outboard gear in a musician-friendly mic preamp/EQ/compressor/limiter, the Core makes it easy to get a great sound.
Add 4 channels of Twin-Finity mic preamps to your recording studio rack! The 4-710D's hybrid signal path lets you blend solid-state clarity and tube warmth.
Dial in gentle warmth -- or edgy bark -- with separate Tube Drive and Gain knobs on the two-channel PreSonus BlueTube DP Version 2 microphone preamplifier.
Add tube tone to your tracks with the PreSonus TubePre Version 2 microphone preamp. Tweak separate Drive and Gain knobs to get gentle warmth or full-on fuzz.
Add 8 digitally controlled mic preamps to your recording rig! The 8-channel PreSonus Digimax DP88 has ADAT optical output plus analog I/O and word clock I/O.
Dial in warmth and clarity with UA's iconic LA-610 mic pre -- and compress on the way in with T4 optical circuit identical to the legendary Teletronix LA-2A.
Using VMS modeling mics? Do it right with the VMS-ONE, a linear preamp that leaves your signal uncolored so Slate Digital's modeling software can do its job.
The Force = four Manley Core tube mic preamp channels in one box. It's high voltage, high headroom, high fidelity -- at an impressively low cost per channel.
The ELOP Plus takes the original ELOP stereo limiter and adds a 3:1 compressor to give you more flexibility -- from gentle tube compression to 10:1 limiting.