Alesis Strike Kit Electronic Drum Kit

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A killer value on a stage-ready e-drum set, the Strike Kit offers wood shells, mesh heads, and the Strike module with a color screen and individual outputs.

The Alesis Strike kit shatters all your pre-conceived notions about electronic drums. It combines the feel and familiarity of acoustic drums combined with the versatility and capability of the best electronic drums. These are the perfect drums to move beyond the limitations of a conventional acoustic set, without giving anything up. Featuring large dual-hoop pads with mesh heads and sensitivity adjustment knobs (Patent-Pending), Strike's premium wood shell drums come in standard acoustic drum sizes (14" snare, 8-10-12" toms and 14" kick), so you'll instantly feel at home when you sit behind them.

Check out the Alesis Strike kit in action in our exclusive demo:

The New Standard in Electronic Cymbals

Strike cymbals--16" 3-zone ride, 14" crash w/choke and 12" hi hat-- are also an exciting step forward. They feel spectacularly realistic: a perfect blend of feel, control and bounce. They offer a larger bell area for enhanced playability, along with a cool "hammered look."

Customize Strike to Your Sound

The Strike Performance Module has a sound library with 200 drum kits made from over 1000 multi sampled instruments. The module has on-board sampling capability, SD card storage, and USB/MIDI connectivity, which you can use in conjunction with your favorite music production software as well as the powerful Strike Software Editor. Its 4.3-inch color LED screen displays all your settings and choices at a quick glance.


- Strike performance module with 4.3 read more full-color LCD screen and individual outputs
- 200 kits and over 1000 multi-sampled instruments
- Internal storage (2GB) plus an external SD card slot, providing virtually unlimited storage for your own Kits and Instruments
- Large dual-hoop pads with wood shells, and adjustable mesh heads
- 14" Kick drum, 14" snare pad, 8",10",12" tom pads
- 16" triple-zone ride cymbal,14" crash cymbal, and 12"moveable hi-hat
- Premium 4-Post Chrome Rack
- Software editor for creating custom kits/instruments, and importing .wav files
- Larger and more flexible 4-post chrome rack
- On board Sampling capability
- USB/MIDI output for use with virtual instrument and recording software

- Strike Performance Module
- 14" dual-zone Snare Pad
- 8" dual-zone Tom Pad
- 10" dual-zone Tom Pad
- 12" dual-zone Tom Pad
- 16" triple-zone Ride cymbal
- 14" dual-zone Crash cymbal
- 12" movable hi-hat cymbals
- 4-Post chrome rack
- double braced snare stand
- cable snake
- cable wraps
- drum key
- drumsticks
- power supply
- module user guide
- kit assembly guide
- safety and warranty manual
- Strike Software Editor (Download)

Note: Some assembly required.

Note: Hi-hat stand and kick pedal not included.
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For support or warranty questions, please contact the manufacturer:
Phone: 401-658-5760

Reviewers gave this product an overall rating of 4.5 out of 5 stars. (6 ratings)
Submitted April 14, 2017 by Matthew B in Waco, TX

"Alesis moves up again!"

Overall: 4.5 out of 5 stars
(see rating details)
Verified Customer zZounds has verified that this reviewer made a purchase from us.
This review is after having my kit for a little over a week. This is my third alesis kit (DM8, DM10X, and now Alesis Strike). I'm very limited for space atm so I opted for the smaller package. The smaller Strike set is identical to the larger "Pro" set minus 2 cymbals and a tom - the brain/rack/etc seem to be identical. The Rack: Far superior to the (honestly) junk rack that came with my DM10X. The fittings are pretty cheap but they have been quite sturdy so far. It's not to the level of stability of a good Gibraltar rack with cast fittings but I am pretty hard on drums and have not had a single fitting/rack arm move.Drum Triggers: Insanely sensitive, so much that my snare will shotgun trigger on it's own if you turn the trigger threshold all the way down. There is a small dial on the side of each drum allowing you to adjust the sensitivity - I don't know why you would need these, setting the drum-dial to 50% I still had to adjust the module sensitivity for that trigger down to 10-15%. I will note that sensitivity was a HUGE issue on the older DM10X systems - I'm glad they resolved this.Cymbal Triggers: It's nice to see a two cymbal stack for the high-hats. Took some fiddling to get the pedal threshold where I wanted them but I'm more comfortable now. They do feel unnaturally thick though. Transitioning across edge/bow/bell on the ride feels fantastic - the ride cymbal is huge and is the most authentic sound/feel of all the cymbals. The crash cymbal is 2-zone with choke, and read more despite some tinkering, I still get the occasional bow triggering when I really wanted an edge trigger. Hats are two-zone too, in theory I thought I would love this but again it's been more of an issue than a benefit.Sound Module [Genera]l: First off - what speakers/headphones you use matters ALOT. I've only used my AT M50x so far, which are notably sensitive headphones, and noticed the headphone output is kinda noisy at full volume. Like the DM10 before, this module features volume sliders but thankfully the A/B bank system is gone (who's idea was that anyway??) and now every instrument has it's own slider. However, I have noticed that sometimes the internal volumes reset to some default value and I have to "jiggle" the slider to get it to re-register where the slider is located. The screen is full-color but it's worth noting the user interface design is pretty unsaturated and thus doesn't take full advantage of that. The screen is, however, very easy to ready. Sound Module [Sounds]: This is pretty important and I was honestly concerned based on what I heard of Texas Tim Root from NAMM. I'm not sure if they were using an older sound engine or if it's just the lack of dynamics in Tim's playing but I was much happier with the engine once I got to play it. Interestingly enough, some of the snares sound really good when playing accented rolls (something the DM10 was terrible at) and some just shotgun away - either way there are definitely some great sounding snares! I've noticed Alesis likes heavy and full-bottomed tom tones and I'm happy to oblidge - toms sound great and dynamic. All triggers have an A and B layer sound set (each with it's own volume/tone adjustment) which allows pretty impressive customization. The most pleasant surprise was the instrument customization interface and sound file-system. It's fantastic and beats the snot out of anything I have ever seen. Sounds engine is still not recording level but who records straight from a e-drum brain anyway?Sound Module [Accessories]: This Strike and Strike Pro use the same sound module - and for the Strike Pro all inputs are filled by the included triggers/pads. What is more interesting is the 8x 1/4" channel outputs (in addition to the LR mains outputs). I'm not sure the intended use of these outputs - midi recording is more suitable for studio work. The real application I could see is live applications so the FOH engineer has more mix-control, however, my experience with even larger clubs is they have limited 1/4" snakes. If the outputs were buffered XLRs - now that would make some engineers happy! Hooking the module up to my PC using the built-in USB was insanely easy and I was trigger EZDrummer in no time!Final Thoughts: Alesis has really stepped up the game this generation and fixed a great deal of the previous issues with the DM10. It's honestly not fare to compare the two. The rubbers across the board are better, the rim silencers on the DM10 pads barely lasted me a month.

Musical Background:
Light-gigging for several years

Musical Style:
From ZAO to Die Antwood to Imogen Heap to Matchbox 20...
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No longer available at zZounds

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