Feature:
Most of the effects are very simple, but don't need complex controls. For instance, the LA2A has but two knobs, but I've yet to find an instrument track that doesn't benefit from it.
Quality:
The plugs look good and sound great. The only dissappointment is the Nigel guitar processor, which falls short on high-gain guitar tones, but it's still very useful for light tones and especially for giving edge to synth and drum tracks, not to mention the fact that it comes standard. The stars of the show, however, are the 1176, LA2A, and Pultec. If you're wondering what your mixes are missing...
Value:
Let's see... dead ringers for the $30,000+ Fairchild, the $4000+ LA2A, the $3000+ UREI 1176LN, and the $5000+ Pultec, all used on more classic albums than I can count, for less than a grand? That's value, not even mentioning the reverbs, guitar FX, and channel strips.
Desirability:
You want it. Hop over to UAD's forum and ask around if you don't believe me.
Sound:
The compressors alone are worth the asking price. No native plug comes close to the 1176 LN, the LA2A, or the Fairchild 670. Additionally, the Pultec EQ makes anything sound better just by inserting it, and the CS-1 Channel Strip, while not a vintage emulation, is far more flexible and better sounding than any sequencer's. Did I mention it takes up none of your computer's CPU?
Support:
I've never had a problem with the card, and the plugins are rock-solid. UAD releases a few new plugs every year, and with each one comes driver updates. Each optional plugin has an unrestricted 14-Day demo, after which you simply purchase an activation code to continue using it. Simple.
Overall:
I'm considering maxing out my computer with four UAD cards, because I want every track I ever record from now on to be compressed, EQ'd, and reverberated by UAD plugs.
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