Feature:
This unit has more than enough features (lightpipe, word clock, spdif, and includes monitor mix software)

Quality:
Seems well made. Quality blows away Digi MBox.

Value:
This unit is well worth it.

Sound:
The preamps are pretty damn good at this price range and will serve the needs of most home recording studios. If you want pristine vocal tracks, you'll need to buy a good quality external preamp, and if you want to go the extra mile, a high end AD converter as well.

Ease of Use:
Fairly easy to use. I was making recordings within 2 hours with no prior experience.

Support:
I was able to speak with a tech rep when I had a question about hooking up an external preamp.

Overall:
For the price, you can't beat this unit. Since I record alot of vocals, I connected a single channel high end mic pre and use an Apogee AD-DA converter connected via optical (lightpipe) connections. This unit has never failed me.

Feature:
Lots of good, useful software included. Lots of great features. Only problem is that I cannot use it on my brand new iMac with leopard pre-installed. NO DRIVERS for OS X LEOPARD (try to find that in their sales material !) No vista drivers either, which fortunately doesn't concern me.

Quality:
Solid metal construction. The front is extruded aluminum, the case is not plastic as mentioned above, but sheet steel. Input connectors are Neutrik combo, output connectors are plastic but securely fastened to the backplate and not the pcb as on some cheaper products. Potentiometers feel very smooth and of high quality, and the overall mechanical and electronic quality seems very good. Warms up quite a bit during use, especially at the power connector end, but I'm convinced that is no problem.

Value:
Until there is a working driver for my PC or Mac, I have an otherwise seemingly high quality device that records 2 channels, costs a lot, and is too light to use as a boat anchor.

Desirability:
Yes, I want it. With drivers please. Omitting the information about lack of compatibility with OSX leopard makes me feel ever so slightly annoyed.

Sound:
Very nice sounding mic preamps. The instrument inputs (inputs 1&2) sound great with my bass and guitar. Very clean and accurate sound overall.

Ease of Use:
I gave this a 2 (awful), because M-audio Quattro is a 1 (bloody awful) Setting up the drivers on a cleanly installed Win XP was a pain in the arse. The included Cubase LE only recognises two channels after a day of fiddling. I tried a HP/Compaq desktop and a HP/Compaq presario 2500 laptop, both with Win XP home SP2 and with same results. (I've written commercial software for a PC for several years. While I'm no guru, I'm not a total newbie either)

Support:
NO SUPPORT FOR MAC OS X LEOPARD, which you can find in small print buried in their forum, but not in their sales material. There is a beta-version that works partly, but the included Cubase LE says "ASIO driver could not be started", and the operation is unpredictable. For example opening the Firestudio Control Console makes output sound disappear, closing the window restores sound. The forum says : Many customers have been asking about Leopard compatibilty with our line of interfaces. The Inspire, FireBox, FirePod, FP10, and FireStudio Project are all currently Leopard compatible. Leopard drivers for the FireStudio 26x26 and VFire will be released shortly, date to be announced. (date 2007-11-01)

Feature:
I love the routing software. It's so nice to be able to send mixes to different musicians. I just wish the damn MSR was shipping.

Quality:
Big step up from my old Firepod. These knobs are solid and THANK YOU for putting the power button on the front. The locking connector for the power cord is a really nice touch. I once had my Firepod unplug by accident at a live gig.

Value:
I can't really complain. It is better than anything I tried even more expensive.

Desirability:
Really nice blue lights and the construction is solid as a rock.

Sound:
The preamps are nicer sounding than the Firepod that I used to have. Very high amount of gain but still clean. I'm using an AT4050 mic and it sounds rich and full.

Ease of Use:
No problems with Cubase SX at all. I've also used it with Sonar and it works great but I'm liking Cubase better.

Support:
No problems yet but I've heard their support is great. I did email them and get a reply back the same day.

Feature:
Great features if you can ever get drivers to work with all DAW software.

Quality:
Very well contructed hardware.

Value:
Since there are consistent driver problems it's not worth the $700 I paid for a paper weight.

Desirability:
Aesthetically it's a nice piece of equipment.

Sound:
Sound is good if you can get it to work with Sonar. Presonus doesn't care whether it works or not!

Ease of Use:
Horrible tech support! I've had it a year and they finally came out with some drivers that "might" work with Sonar but you have to set it up as ADM instead of ASIO. Presonus is definitely not in a hurry to fix things.

Support:
They keep promising a driver fix to work with all music software but are not in any rush to develop.

Overall:
I have read of other devices similar to this that works without driver conflicts with all music software. If I had known about the problems with this device I would have spent my money on those. I'm trying to be overly patient in hoping that Presonus will eventually come through with some REAL fixes so at the moment I'm not really looking for another similar device. This was to be an "addition" to my studio.

Feature:
This thing has everything. Although I don't like how all the controls are software driven. Unlike the 828 where you could do everything on the hardware itself. Also another annying thing that happens. It always defaults to 48 Khz... I use 44.1 and I always have to go in and change it...then it does a big click pop when it switches over.

Quality:
Would be a 10 except for the drivers. If the unit worked like it should I would be completely happy.

Value:
For me its worthless because of these glitches... it makes it completely unstable and therefore un-usable

Sound:
The unit sounds great when its working. The problem is I have a Mac... It does not behave well when you use other applications. The audio drivers can't handle it. I have no idea why... there's all these interuptions and pops. And sometimes the audio gets completely garbled. If you stop the audio and restart a lot of times it will fix itself. Its not like it stays like that... its just glitchy... when it works, it sounds beautiful!

Ease of Use:
The unit works fine out of the box. But the Software it comes with is VERY confusing. It looks pretty, but they have this matrix setup that is quite confusing.

Support:
Bad service... if you submit something through the website they ignore you... if you feel like holding on the phone for about 30 minutes...they will get to you.. I had to call at least 3 times over a 2 week span. They will help you.

Overall:
I used a MOTU 828 for years... that thing was rock solid...when it died... I went with something a little different... I should not have... Things I like better than the 828: -it has better knobs... I hated the 828 knobs they're too small! -it runs hotter than the 828... you get a much louder signal, so I can lower my monitors -more inputs, outputs -its nicer looking too bad its so glitchy...

Feature:
the routing options on this unit are amazing. The ADAT channels and digital I/O are going to come in very handy once I stop being broke. I already need more than the 8 analog ins than I'm given. It's nice to know that I've got the uption to add 8 more with the DigiMax FS8.

Quality:
I like the feel of the knobs, buttons and connectors, and I havent had any issues with it.

Value:
For the price you wont get anything with this much potential to take your recording ability past just another hobbyist.

Desirability:
Effing pretty...

Sound:
Good crisp sound. I work with primarily synth and sequencers, and I get my entire sounds scape loud and clear with very little need for post-production. All my highs are well defined and my bass is sweet.

Ease of Use:
I actually use this card as a standalone unit. when I play a gig, i just get my levels set up before I leave the studio. When I get to a venue, I plug everthing up like I had it set at home and give the sound guy my left right. With a little EQing at the board, I get a great sound every time.

Support:
The best support you can get, is not needing any...

Overall:
Im going pruely presonus for my recording equipment from here on out. They have something for just about anything I could ever need, and as far as im concerned, I'd like to keep all my gear to a single brand. Being as impressed as I am, I dont see any reason to switch.

Feature:
Not too shabby compared to other interfaces, but not every feature works as advertised.

Quality:
Solid build, fit and finish.

Value:
What good is brawn when there is no brain to control it?

Desirability:
I doubt I'll ever buy another presonus product after this one. 700 bucks down the toilet.

Sound:
Nice preamp and decent sound quality

Ease of Use:
Software bugs make it troublesome and fidgety.

Support:
Absolute worst support I've seen. Presonus has been promising and delaying software update. Still does not work 100% on leopard and still no full adat implementation. Mixer control screen is ful of bugs, like the incorrect metering.

Overall:
I'm sorely disappointed by presonus.

Feature:
Software included is Ok. Cubase LE is great if you are just starting out. I run Sonar 5PE and was able to get things talking to each other in a couple minutes (using ASIO drivers). Hardware is top-notch for this pricepoint.

Quality:
Very good quality all around. The software isn't as impressive as the hardware, but again, at this level of digital recording, this unit really stands out in my opinion.

Value:
This is a time-limited rating. I wouldn't mark the value of this unit as 10 at any other time, but I ordered it in March and ZZounds threw in a so-so condensor mic, and PreSonus is sending the remote for the unit for free (after mail-in rebate). For $699, that is a hell of a deal. Any other time, I'd rate the value around 7 or 8. Maybe a bit above average.

Desirability:
A bit lower score here. This unit is great for band or live use. If you are just recording yourself, or just want to do room/rehearsal recordings, you can find something that fits your needs better. Unit is nice looking, but not anything necessarily better than the myriad of other companies solutions - Echo, etc.

Sound:
Sound is very good for home studio. It is not what you are going to get at $200/hour in a professional studio, but it beats just about everything else I've used in this price-range.

Ease of Use:
Had no trouble setting it up and was recording in twenty minutes. I have seen others having trouble with this unit - seems to be mostly Mac and Vista users. I can't speak to the Mac side, but the Vista OS has so many problems, driver-wise, it doesn't surprise me that this unit wouldn't set up easily, or run as advertised. I am running WinXP SP2 and won't move to Vista for recording for at least another year - and at that point, I may go to Mac OS.

Support:
Haven't had to contact support. Hoping that they are better than what the reviewers have said. Actually, just hoping that I don't have to contact them.

Overall:
I'm pleased so far. The support issue still scares me a bit, and if the unit does end up acting funny within the next couple years, all bets are off. I ran Echo Audio products for the last ten years and this is my first time moving away from them. Before Echo - in the analog dinosaur days - I always used Tascam. Hoping that I haven't made a mistake making the move, but life's short, try something different every now and again.

Feature:
The unit itself is simple... level controls, master output, headphone and power (and some pretty blue LEDs) but what else do you need? The software handles the rest!

Quality:
sold construction, good looks, great sound... but unfortunately, I give no credit to anything (everything?) made in China. I'm sure it will last for a long time but unfortunately, I would have rather it been made in Japan or the USA. Coming from years of manufacturing experience (and experience with products over the years), items made in China just dont stand the test of time due to poor QC and lack of skilled labor.

Value:
8 inputs... xlr or 1/4", ADAT outputs, MIDI and a bunch of other things I know nothing about... After installing the PCI card for the firewire ports and installing the drivers it ran without any snags... the ability to record like a professional in a matter of hours and a ton of plugins and 3rd party software to use all for 700 bucks. How can you go wrong?!

Desirability:
it's sleek, simple and sexy. the aluminum face is nice, the machined and anodized knobs are functional and have asthetic appeal and it looks even better with all of my cables and mics plugged into it.

Sound:
Although I'm still learning about it, this interface ROCKS! I've used it every day since I bought it and all I can say is WoW! It sounds warm and noise free and accurately records every nuance of my music. The plugins that came with my Firestudio will really stand the test of time and there are plenty of sites with free plugins to add to your arsenal. I'm running it on a 2.83ghz P4-HT with 512mb ram and latency hasn't been an issue.

Ease of Use:
Despite being a bit of a computer geek, it did take me a little time to get mine to figure out how to get everything to work. Once I got the hang of it there was no problem. I'm sure I'll be learning new tricks with this thing for a while.

Support:
not quite sure about PreSonus, but I emailed Propellerhead about Reason Adapted and had a response within a day.

Overall:
I don't think I'd replace it persay. If it broke, I'd probably look for one made in a country other than China but other than that, the only thing I'd do with it would probably be add another for the extra inputs.