Feature:
It is a patchbay, the connections are Neutrik. Neutrik is known for having parts that last a long time. It is nice to be able to change a setting by removing the face plate instead of removing the entire unit.
The downside would be that you have to unplug the connections on the rear of the unit to change a setting.
Quality:
Neutrik produces great equipment.
Value:
Neutrik is on top in their field for a reason.
Desirability:
I have it, i'd like a few more. I try to keep the notorious "Ear-B's" out of my studio.
Sound:
Typically a patchbay shouldn't color the sound in any way. This question does not apply to this product.
Ease of Use:
Going back to my last statement on features. This patch-bay has been useful in my studio. I run an Allen&Heath console with an 002. When I mix I sum the mix back onto the A&H. Typically I will compress a bass line triggered from a sidechain (kick drum typically).
This patchbay is usefully because, unless you insert a cable into the "grey" jack, the remaining three remain connected. This principal is important for me, because, I split my kick signal at the patch bay, the kick continues to the mixer, but a split of it goes to the compressors side-chain. This concept can be very useful (granted your recording unit has some extra channels), for this reason:
Spitting a signal can be a lifesaver, you can route a side of the split to an effect, and the other side dry. Later- if you decide that you want to use the dry and nix the wet, you still have the dry thanks to the patchbay.
Support:
Never needed it.
Overall:
If it ever breaks, I will come back here and complain about it.
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