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Feature:
Best feature: the PAF Humbuckers. Adequate tuners, frets could have used more attention at the factory, but then it would have cost a hell of a lot more than 999.00!! New Blue Burst finish is STUNNING, although I opted for the more traditional Vintage Sunburst.
Quality:
Put this one in perspective. For a guitar that cost 999.00 there are very few instruments that are comparable, with the possible exception of a few hollow-body Epiphones, but they don't say Gibson on them , do they? No. Gibson uses some less expensive materials here. The craftsmanship is very good, but not meticulous. The included case is adequate, but not awe-inspiring. The bindings - well, this is no Super 400, but it wasn't meant to be. I feel like I got a great value when compared to the purchase price.
Value:
I know of no better value in a semi-hollow electric than this.
Desirability:
I love this guitar. I'm seriously thinking about getting another, just to have the Blue Burst finish.
Sound:
Although there are variations from instrument to instrument, the sound of this guitar, and the lost sound of the PAF's was like a call from my early musician days. This was the guitar I had wanted in the late fifties but couldn't afford. By the tome I could afford it, it was gone. Finding it again was like walking into your local Chevy dealer and finding a brand-new 57 BelAir convertible on the showroom floor. It took less than five minutes from the moment I first saw it until I had the credit card out. It can bark if you really push it, but that's not what I bought it for. The sweetest jazz tones you ever heard played through my Fender Blond, along with wonderful nostalgia through my Vox Berkeley. Even some really exciting vintage country sounds when it's set up right. This is the guitar Chet would have played if he hadn't been rich.
Support:
My favorite kind of support. Build a great instrument, let me and my guitar tech sweat the details.
Overall:
There is nothing to dislike about this instrument, and much to love. My other guitars, three Gibsons, a Fender, a PRS, and a vintage Epiphone have been languishing in their cases since I brought this home. It talks to me. It gives me new song ideas just because it sounds so different. I've started digging for songs written in the Thirties and Forties just so I can play those gorgeous chords, now that they come so easily. Put this one in my coffin please.
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