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Tascam FW1082 Firewire DAW Controller

10-in/4-out audio interface at 96kHz/24-bit resolution. Nine 60mm touch-sensitive moving faders. (114) Read 14 reviews for this product | Rate and review this product
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Product Description

Any audio interface can turn your computer into a recording tool, but can the right piece of gear actually turn you into a better engineer? We think so, and we think the TASCAM FW1082 FireWire DAW controller /audio interface is just that unit.

Think of it this way: would Jimi have written the same kind of music had he been a clarinetist? Of course not! The physical instrument in your hands changes the way your creative brain thinks, and shapes what your work ends up sounding like. Likewise, when you're using a computer keyboard and mouse to mix tracks, automate volume swells and pans, and navigate through a project, you're thinking like a programmer, not a recording engineer. But when you're pushing faders, twisting knobs, scrubbing through a project with the big jog wheel, and hitting an actual record button, you'll be inspired to start making real music again. Your left brain will be unshackled from right-brain tyranny.

Not only does the FW1082 put you back in touch with your music, it also provides you with ten simultaneous inputs, as well as plenty of analog, digital and MIDI connections to become the cornerstone of your home or project studio.

A Robust DAW Controller
To really put you in the engineer's mindset, your controller has to take over all the common tasks that you used to reach for your mouse to accomplish, but it also needs to feel like a solid piece of machinery. The TASCAM FW1082 delivers on both accounts. The full transport control section gives you tactile, satisfying command over the basics, plus assignable function keys to let you tailor the FW1082 to your workflow. You're gonna love the big jog wheel, too. Navigating through big projects gets old quickly when you're relegated to a mouse or trackball, but you'll speed through everything effortlessly with the sturdy, detented dial. The eight faders have a 60 mm travel for big, expressive volume swells that really turn this TASCAM controller into a studio instrument. The faders are also motorized, so the FW1082 physically reacts to the automation data you've already entered, and you always get a real-work representation of your levels at every point on a project. Every channel has dedicated Solo and Mute functions, with a separate section for making adjustments to the selected channel's other parameters, like EQ, panning and aux sends. With a 4x6 channel bank, the FW1082 gives you immediate control over twenty four channels, also assignable to busses. The layout on the FW1082 puts enough tactile control at your fingertips that you'll barely need to use your mouse or keyboard at all, yet it remains uncluttered and intuitive.

A High-Resolution Audio Interface
Tactile project control and navigation would be meaningless, however, without top-notch audio performance to match. By incorporating 24-bit, 96kHz digital audio resolution and generous ins and outs to choose from, the TASCAM FW1082 is a truly all-in-one package, turning any computer into a professional production studio. Four XLR inputs provide phantom power for hooking up high-end studio microphones. The first two of these inputs also feature a insert jacks, allowing proper routing of outboard gear like compressors, equalizers and other hardware processors. All eight analog inputs sport TRS balanced 1/4" jacks for connecting the most common mic preamps and line-level sound sources (such as keyboards and drum machines), and the eighth input is switchable to Hi-Z for direct injection of guitars and basses. Topping off this input bonanza is the FW1082's digital S/PDIF input, for a total of ten input channels. You also get two stereo pairs of outputs for routing to two pairs of reference monitors. Every professional mix artist is going to have two different, complementary types of monitors, because your audience will be listening to your final product on a number of different sources. The TASCAM FW1082 makes it easy to have the same dual-stereo setup, so you can employ the same monitoring techniques that the world's top engineers use. Finally, two separate MIDI in/out loops are at your disposal, for connecting and syncing external, MIDI-compatible hardware such as grooveboxes, step sequencers and even synthesizer modules.

Multiple Modes Add Impressive Versatility
Adding to the TASCAM FW1082's already impressive feature set is the unit's mode-switching ability. Three modes are at your disposal, with the first one--Computer Control--being the most commonly used. Computer Control mode is what turns the FW1082 into a physical extension of your DAW, closely syncing with your computer's behavior. In MIDI Control mode, the FW1082 turns into a pure MIDI controller, allowing you to command MIDI gear of all makes; you can use the TASCAM controller as an extended set of encoders for a soft synth or beat box, or anything else your MIDI-mind can come up with. Finally, Monitor Mode allows the TASCAM FW1082 to be used as a standalone mixer. With adaptability like this, it's unlikely you'll ever grow out of this amazing unit.

The TASCAM FW1082 lets you manipulate sound the same way the mixing desks of yesteryear did; it was designed to accommodate the engineer's thought process, so it'll have you thinking less like a technician, and more like an artist. Isn't that what your music deserves?

zZounds is an authorized dealer of Tascam products.

Product Description

The new FW-1082 audio/MIDI interface and control surface from Tascam not only provides tons of audio and MIDI I/O to small studios, but offers a control surface with moving faders for a previously unheard-of price. The FW-1082 features 10 inputs, including four balanced XLR mic inputs with phantom power. Two MIDI inputs and outputs are also included, plus S/PDIF digital I/O. Eight channel strips each feature a 60mm touch-sensitive moving fader and select/solo/mute buttons, and a moving master fader is also provided. The FW-1082 includes the latest Tascam software bundle: Cubasis LE 96kHz/48-track recording software, and Nomad Factory plug-in demos.

The FW-1082 offers many of the same powerful audio, MIDI and control surface features of the FW-1884 interface for well under $1,000. But it's not a 'budget' interface by any measure. The FW-1082 has 10 inputs at 96kHz, and the included Cubase LE software records 48 tracks at up to 96k/ 24-bit resolution, better than many 'pro' applications. Its nine moving faders feel great, and the encoders and transport controls all feel solid and professional. It's an incredible value for anyone breaking into home recording.

The FW-1082 is a great choice for small studios, whether someone is just starting out or if they're upgrading their equipment. Its four microphone inputs, two with analog insert jacks, have phantom power for professional condenser microphones. Four additional line inputs and an S/PDIF stereo input add up to 10 inputs simultaneously, each at 96kHz/24-bit audio resolution. Two MIDI inputs and outputs are provided for 32 channels of MIDI synth playback or control. The control surface has nine 60mm touch-sensitive moving faders for silky-smooth control over channel level, pan or aux settings. Four encoders are also available for mix control, as well as transport and jog/shuttle controls. Stereo monitoring is included, and the FW-1082 even mixes signals internally for stand-alone use.

Features
10-in/4-out audio interface at 96kHz/24-bit

Nine 60mm touch-sensitive moving faders

Four balanced XLR / 1/4 in. TRS mic/line inputs with phantom power

Four balanced 1/4 in. TRS line inputs

1/4 in. TRS insert jacks for channels 1 & 2

S/PDIF stereo digital input and output

Balanced 1/4 in. TRS monitor outputs

Headphone output with level control

Two MIDI inputs and outputs

Assignable foot switch jack

Eight channel strips with solo, mute, select, record arm indicator

Four assignable encoders control pan, aux level and EQ parameters

Transport controls, jog/shuttle wheel, and many other surface controls

Emulates Mackie HUI and Mackie Control in addition to the included native mode control plug ins

Includes Steinberg Cubase LE 48-track 96kHz workstation software

Compatability: Mac and PC
Customer Reviews
4.5 out of 5 (114 ratings) Rate and Review This Product
This review has been selected by our experts as particularly helpful. "Everything You Need for a Great Price!"
Sound: It sounds great! Crisp and clear. Feature: I love the features on this thing. It has everything I need and they all work perfectly with Sonar 7. Ease of Use: Very easy to use! After installing the drivers, I hooked it up and I had most of the features figured out and working with Sonar 7 within about 15 minutes. Quality: It's very solid! The drivers are great too. They don't cause errors on my computer...unlike the drivers for some other interfaces I've used in the past. This is a top quality product for the money. Value: As far as I can tell, there is nothing better for the price. It has everything you need for a home studio interface and control surface in one package. Manufacturer Support: I haven't needed them. The Wow Factor: It definitely makes my home studio look cooler! Overall: As I've said, this is an amazing unit for the price. I managed to find it used for a little less, but even the new price is great for what you get. It works perfectly with Sonar 7 and I've read it works just as well with most of the major recording software. I would recommend this unit to anyone!
Style of Music: Soul, Rock, R&B, Jazz, Motown, Acoustic, Folk
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zZounds has verified that this customer bought this product from us. "STREAM LINES THE ENTIRE PROCESS OF BEING IN STUDIO"
Sound: I have routed all my sound to come thru this device. It performs flawlessly doesnt distort or alter my sound at all. Love it. Feature: I got this product with the recording package. Man it come equipt right out of the box to start making music. It totally stream lined my entire operation the Transport controls and touch sensitive motorized faders and gold. It was 2 MIDI I/O's. There isnt a device out that has that feature alone under a thousand. I only wish it had more that one Headphone output and surround mixer outputs. But thats what my Presonus is for... LOL. Ease of Use: It is easy to take it out the box connect it and play but if you really wanna know your product take time to thoroughly look over the manual. Practice usuing the functions. It took me about 30 minutes to look over it and i learned so many ways to configure this device. Everything is assignable stupid easy... Quality: Full metal body. the buttons are plastic but i cant think of too many that arent these days... LOL. but Solid as a rock. Feels like you could drop it, pick it up, dust it off and keep moving, without breaking a sweat. Value: Got this with the recording package. So it was well worth the money. And the more that i use it the more i am convinced that even if i didnt get it with the recording package it is well worth it and its the only device of its kind under 600 dollars. Cant beat it. Only wishes it had a LCD on the device it would eliminate me having to scroll up on the screne to remember what sound is in what channel. Manufacturer Support: havent had to use them. The Wow Factor: Yo i bring buddies in the studio and they instantly want one. it is nice and well layed out... Overall: Basically this product will be the backbone of my setup until i can afford the Euphonix MC-5 or other Euphonix setup. Those Muthaz got LCD scenes on all the buttons. That is hot... HA. But yea this product is very good for the money it definately competes and out performs most other units. This product definately is an all around solution for me and my studio. It gives me those 4 Xlr inputs. I only have 3 mic so i dont even use em all. And my talkback mic is on my PreSonus so i have more than enough inputs to handle my needs for at least a little while...
Style of Music: Hip-Hop, Rap, R&B, Soul
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