Tascam 414MKII 4-Track Recorder

4 mic/line inputs and 2 XLR mic inputs.

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Tascam 414MKII 4-Track Recorder reviews

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83 People rated this product : * * * * * * * * * * 8 out of 10

 

6 People wrote reviews

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* * * * * * * * * * 10 out of 10

Tascam 414 Portastudio Customer Review

Feature:
The bass and treble EQ is all I need. I adjust EQ settings for guitar on my amp. I'd like to see a built-in reverb on this unit.

Quality:
I've used mine for three years and haven't had any problem.

Value:
It's worth the price.

Sound:
Sound is excellent. Has warmth and a live feel. Sounds great with and Alesis SR-16 drum machine.

Overall:
If the unit starts wearing, I'll buy another one. I've tried digital recorders and they don't have the live feel that this cassette recorder has. I like things simple and not complicated when it comes to recording and this unit is a pleasure to work with.

Submitted: 2/15/2004

Style of Music: Alternative


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* * * * * * * * * * 10 out of 10 zZounds has verified that this customer bought this product from us.

"You've found your recording hardware"

Feature:
Being able to modify pitch and bounce tracks have both been pleasent, unexpected surprises. Paired with a small board this recorder seems limitless. A big value for a few frogskins.

Quality:
Though plastic makes me nervous I have no reason to believe this unit isn't well made. However, it is hard to judge this without having used it over time. I can say after reading numorous reviews this product is one of the few I read nothing but possitive things about.

Value:
I can't believe there is a better value in home recording.

Desirability:
Very slick unit with a very handy, intuitive layout. It begs to be used and will motivate even the most reluctant user.

Sound:
I was very surprised with the noise reduction. Having recorded directly to CD (harddisk-CD)I thought there would be sacrifices that had to be made on behalf of "analog warmth". Much to the contrary, third generation mixdowns sound fabulous. I couldn't be happier!

Overall:
I can say from reading the reviews that these are legecy machines often passed down to the next generation of budding muscians. From my own experiacnces I can understand why they are so well thought of.

Submitted: 9/22/2005

Style of Music: I love all music


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About This Product!
Description
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From Our Catalog
Maybe we can be the first to get on the "back to analog tape" bandwagon. (You can say you heard it here first.)

So you don't want to deal with all this hard-disk recording mumbo-jumbo. That's fine by us. Tascam's workhorse Portastudios have never sounded better, and we know that there's a lot of you out there who did their first multi-track recording on one of the predecessors of this modest but powerful little box called the 414MKII.

Who can best use this rig? Maybe you're the daughter or son of a musician who had a version of one of these recorders when they were young, and you're looking to start your own musical career. You could be a hobbyist, just looking for something basic, not complicated, to lay down tracks with. Perhaps you're a traveling gigster, and you need a "scratchpad" to write and work out parts. What about a DJ who wants to assemble some mixes? All of these folks are prime candidates for the 414.

An 8 input mixer feeds 4 independent tracks. There are 4 mic/line inputs and 2 XLR mic inputs, plus a dedicated HiZ guitar input. A 2-band EQ on each channel lets you dial in the tone you like, and 2 effect sends lets the 414mkII communicate with whatever outboard gear you might have in your studio or personal rack. DBX noise reduction helps to keep your recording clean.

Now don't go crazy and think that you're going to be able to bounce tracks like crazy, and do overtly ambitious multi-track recording with this modest instrument. It's designed for basic recording, and it does that very well, but as you would expect from any item one step up from entry-level, this recorder has limits. Having said that, we must also say that we've heard amazingly warm and fine recordings made from Tascam Portastudios, and if you follow a common sense recording approach, there's no reason why you can't make great demos with this rig.

Technical Info

Simultaneous Record/Play Tracks: 4 Record, 4 Play

Mixer Channels: 4 Mono Channels, 2 Band EQ, 2 Aux Sends, 2 Stereo Inputs

Overall Frequency Response: 40Hz-16kHz +/-3dB (without dbx)

Overall Signal to Noise Ratio: >85dB 1kHz, 3% THD A weighted, dbx on

Wow/Flutter (WRMS): <0.12% WRMS

Tape Speed(s): 9.5cm/sec (3-3/4 ips)

Pitch Adjustment: +/-12%

Inputs
Ch 1-2: XLR Mic Pre, 1/4 in. Mic/Line In
Ch 3-4: 1/4 in. Mic/Line In
Ch 5-8: 1/4 in. Line In
Hi Z: Guitar Line Level In
Sub Input: RCA unbalanced

Outputs
Monitor Outputs: RCA unbalanced
Line Output: RCA unbalanced
Aux Send Outs (2): 1/4 in. Line
Headphone Output: 1/4 in. TRS

Power Consumption: 11W

Dimensions: 367 x 100 x 247mm (14.5 x 4 x 9.75 in)

Weight: 2.1 kg (4.5 lbs.)

Fast Winding Time: 110 seconds for C-60

Optional Accessories: RC-30P Punch-In Pedal
Fun and fast! 4-track recording with dbx noise reduction. 8-channel mixer with high and low EQ on each channel, plus 2 effects sends. 2 mic pres with XLR inputs. Just pop in a tape and you're rolling!

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