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This product is no longer available at zZounds.
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SM Pro Audio Q-PRE 4-Channel Microphone Preamp
-
- New from $79.00
- List: $109.00
- SAVE: 27%
- Only 3 left!
The Q-Pre comes to the rescue with 4 channels of balanced input, with a full range of gain control from -20dB to +40dB and phantom power switchable for channel 1 and 2 (in pairs). Learn More...
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SM Pro Audio PR4V 4-Channel Microphone Preamp
4-Channel Preamp. 4 Balanced XLR Inputs.
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Description
Docs
SMProAudio PR4 4-Channel Microphone Preamp
The market size for digital audio interfaces and computer based digital editing has increased in a massive way. With systems available at very low prices, more and more users are utilizing this technology. One of the main problems with many of these systems is the input stage only consisting of unbalanced line inputs or very low (or no mic pre) gain structure for the balanced input stage and the unavailability of Phantom power.
The PR4 value series comes to the rescue with 4 channels of Balanced input, with a full range of gain control from -20dB to +40dB and Phantom power switchable for ch 1 & 2 (in pairs). This half rack unit can now solve many of the connectivity issues which are raised in a large range of situations, whether in the studio, home, club installation or other live sound applications.
Features
4 channel Pre amp
Gain control per channel
Peak Light indicator per channel
Phantom On/Off per channel pair (1 & 2)
4 x Balanced XLR inputs
Mic Channel Noise < -120dB
Distortion < .05% 20Hz- 20kHz
The market size for digital audio interfaces and computer based digital editing has increased in a massive way. With systems available at very low prices, more and more users are utilizing this technology. One of the main problems with many of these systems is the input stage only consisting of unbalanced line inputs or very low (or no mic pre) gain structure for the balanced input stage and the unavailability of Phantom power.
The PR4 value series comes to the rescue with 4 channels of Balanced input, with a full range of gain control from -20dB to +40dB and Phantom power switchable for ch 1 & 2 (in pairs). This half rack unit can now solve many of the connectivity issues which are raised in a large range of situations, whether in the studio, home, club installation or other live sound applications.
Features
4 channel Pre amp
Gain control per channel
Peak Light indicator per channel
Phantom On/Off per channel pair (1 & 2)
4 x Balanced XLR inputs
Mic Channel Noise < -120dB
Distortion < .05% 20Hz- 20kHz
What Our Customers Say About zZounds
"A GREAT experience! Due to an address snafu, I received an email from zZounds the day after ordering. My call to Customer Service was quick and pleasant, and everything got settled straight away." - customer on November 20, 2009
SM Pro Audio PR4V 4-Channel Microphone Preamp Reviews
7 out of 10
"Recording enthusiasts and budding engineers take note."
Feature:
Standard features inlude XLR balanced inputs, and 48V phantom power. This unit has unbalanced outputs though, but if you are just making short-runs (to your DAW), you should be comfortable using the PR-4.
Quality:
Very sturdy case. All metal construction. Could use a set of rack-mount "ears" to make it a road unit.
Value:
For the money, every budding engineer should have one.
Desirability:
It's not sexy at all, and it shouldn't be. It's basic audio gear. But it does have a pretty green light for power indication, and a green "clip" led on each channel.
Sound:
Sounds fairly transparent, and input sensitivity was consistant throughout the 4 balanced XLR inputs.
Support:
Have not had to contact SMPro Audio for support.
Overall:
I love this. I think I need 2. If you think 4 is to small, try a PR-8
Standard features inlude XLR balanced inputs, and 48V phantom power. This unit has unbalanced outputs though, but if you are just making short-runs (to your DAW), you should be comfortable using the PR-4.
Quality:
Very sturdy case. All metal construction. Could use a set of rack-mount "ears" to make it a road unit.
Value:
For the money, every budding engineer should have one.
Desirability:
It's not sexy at all, and it shouldn't be. It's basic audio gear. But it does have a pretty green light for power indication, and a green "clip" led on each channel.
Sound:
Sounds fairly transparent, and input sensitivity was consistant throughout the 4 balanced XLR inputs.
Support:
Have not had to contact SMPro Audio for support.
Overall:
I love this. I think I need 2. If you think 4 is to small, try a PR-8
Submitted: 01/04/2006
Style of Music: Open
9 out of 10
"Sweet deal for a 4 channel mic pre"
Feature:
For what it is designed to do, the features are great. If you need phantom power, and want to boost your xlr mic input to line level 1/4" unbalanced output, this unit will do it nicely. Won't color the sound like a tube amp, it's just a crisp, clear signal.
Quality:
so far so good
Value:
Amazing deal for 4 quiet solid state pmic preamps with phantom power.
Desirability:
Looks nice and is very compact.
Sound:
A good solid state preamp should be quiet, and this one is. Turn the gains up to max, then back them off until you are not clipping. The result is a very quiet pre-amp.
For what it is designed to do, the features are great. If you need phantom power, and want to boost your xlr mic input to line level 1/4" unbalanced output, this unit will do it nicely. Won't color the sound like a tube amp, it's just a crisp, clear signal.
Quality:
so far so good
Value:
Amazing deal for 4 quiet solid state pmic preamps with phantom power.
Desirability:
Looks nice and is very compact.
Sound:
A good solid state preamp should be quiet, and this one is. Turn the gains up to max, then back them off until you are not clipping. The result is a very quiet pre-amp.
Submitted: 02/28/2006
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