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Rickenbacker 4003 Electric Bass (with Case)

Push/pull treble tone control. Includes case.

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Unique style and unmistakable tone!
Rickenbacker's original solid-body electric bass was first introduced in the spring of 1957, bringing its own unique style to the Rock and Roll explosion of the early 60's and 70's. In the hands of bass-masters including Paul McCartney, Chris Squire, and Geddy Lee, 4000-series basses forged a solid reputation for distinct tone and comfortable playability. The latest Rickenbacker 4003 bass stays true to its roots, offering these same characteristics to a whole new generation of players.

Neck-thru construction
True pioneers in musical instrument construction, Rickenbacker luthiers were the first to produce a neck-thru-body bass design. A single piece of wood from the headstock to the tailpiece allows string vibration to travel unhindered through the length of the instrument. This results in a clarity of tone and ringing sustain unmatched by bolt-on or set-neck designs. The 4003 uses this same neck-thru principle today. This construction process is too time-consuming for most mass-production brands to implement, but many boutique bass builders are now discovering the benefits of what Rickenbacker has been doing from the beginning. It may take a little longer to build this bass, but Rickenbacker knows it's worth the wait. Get one in your hands, and you'll agree.

Balanced sound for diverse musical styles
Some basses offer deep tone at the low end of the spectrum, but the higher notes tend to be a bit thin. The 4003's combination bridge/tailpiece assembly reflects more string energy over the pickups for a consistent, balanced sound across the entire fretboard. You get piano-like clarity at the top with plenty of growl down below. This is why Rickenbacker basses are played by such a diverse group of musicians. Lemmy from Motorhead, Andre 3000 from Outkast, Mike Mills from REM, and Chris Ross from Wolfmother are all able to get the tone they need from the same instrument. With so many genres represented, you're sure to dial in a sound that suits your style.

Fully adjustable saddles
Beyond tone, individual string-saddles on the bridge are fully adjustable to fit any playing technique. Slappers, pickers, and fingerstyle players can all set the action to the perfect height for their unique attack. Raise the strings up off the fretboard to really dig in to the groove, or drop them down for a softer touch. Precise control over intonation helps get accurate pitch, everywhere on the neck. You can add tapping, artificial harmonics, and chording to your bag of tricks without having to wonder if the notes will be in tune. With all this versatility, you'll be ready to sit in with any band and lay down a tight, tasty groove.

Super-slim body
Instead of the chunky, bass-heavy designs used by many manufacturers, a slim, streamlined body gives the 4003 increased treble response and added punch. Both body and neck are made of maple for a full, bright tone with a nice, crisp bite. The rosewood fretboard adds mellow warmth, so notes in the upper register don't sound harsh or shrill. Any style, any technique, comes through with expressive, dynamic clarity.

All about the neck
The thin, fast neck has become a favorite among progressive-rockers and bass-shredders alike. Check out some of Cliff Burton's earliest work with Metallica, Chris Squier's jaw-dropping solos from the 70's, or any of Geddy Lee's blistering Rickenbacker riffs. You can play the slickest runs from low to high and back again without getting bogged down like you would on a fat-necked bass. It may be skinny, but it's also strong and stable thanks to the dual truss rod system. Each neck is designed with a natural curvature, or "neck relief", to ensure the best possible string/fret contact. If the neck relief changes, you'll get fret-buzz and even dead spots in extreme cases. The truss rod adds stiffness from inside, maintaining the proper curvature. Neck relief is partially dependent on string tension, so changing to heavier- or lighter-gauge strings can cause problems, along with temperature and humidity fluctuations. In these situations, the dual truss rod system can be tightened or loosened to compensate for the new conditions, letting every note ring out as it should.

Cutting edge production techniques
At one time, all 4000-series basses were handmade from start to finish. As the demand for their instruments continues to grow, Rickenbacker is constantly searching for hi-tech production techniques that offer faster turnaround time without sacrificing quality. To that end, massive CNC machines were recently installed in their Santa Ana, California factory to speed up some of the more labor-intensive tasks, including rough body- and neck-shaping. The cutting heads on these machines spin at 15,000 RPM, and they are accurate to 0.0001th of an inch. Combined with special reverse-engineering procedures, the designers can perfectly reproduce every curve and swell in the original instruments for an exact match in look and feel. Master craftsmen continue to fine-tune each and every bass, installing frets, adding binding, spraying finish coats, and more in order to maintain the high level of quality Rickenbackers are known for. Bridges and nuts are also hand-set for the best possible intonation. There's no guessing from one bass to the next; they all play and sound equally amazing.

The Vintage Tone Circuit
Further blending of the old and the new can be seen in the electronics setup on today's 4003 basses. Prior to 1984, a special capacitor was used in the bridge-pickup circuit to enhance the treble tone. While this capacitor helped to define Chris Squire's signature sound, it also lowered the output of the pickup system. Hair-metal was in full swing in the mid-eighties, and guitar pickups were being wound hotter and hotter. Bass players wanted to keep up, so Rickenbacker dropped the capacitor, exchanging treble for volume. Many players missed the traditional sound, though, and would add the capacitor back into the circuit themselves. Rickenbacker got wind of the common modification and offered the Vintage Tone Circuit as an option. In 2006, this circuit again became a standard feature with a push/pull switch in the treble tone-knob. Pull out on the knob, and you've got that classic Roundabout sound. Push it back in, and grind through Smoke on the Water with all the earth-shaking volume you can muster, just like Roger Glover.

Rick-O-Sound flexibility
Rickenbacker continues to give you control over your tone with the famous Rick-O-Sound pickup system. Single-coil bridge- and neck-pickups each have their own separate tone- and volume-controls for building the perfect sonic balance. Two 1/4 inch output jacks allow for a variety of connection options. The standard output jack works like a regular bass output. Plug it into your amp, and thump away. The secondary jack can be used with a stereo Y-cable to route individual pickup outputs to separate sources. Players will often run the neck pickup through a separate EQ for a fatter bottom-end, while adding a chorus or flanger effect to the bridge pickup for swirly highs. The stereo-out is also great for routing the individual pickups to separate recording tracks. This lets you blend them where they sit best in the mix. No post-production wizardry necessary; your tracks will be ready to rock as you lay them down.

The best components
Attention to detail and quality components further add to the value of these great basses. Switchcraft jacks and switches are standard, along with custom-made CTS potentiometers. These American-made components provide years of performance and reliability, delivering that legendary Rickenbacker sound, gig after gig. Deluxe Schaller tuning machines prevent gear-slippage, keeping your bass on-pitch, all the time. The included case is custom-molded to fit the 4003, and has additional padding and heavy-duty hardware to keep it safe and secure during transport. With so much history and quality in one design, your new Rickenbacker bass will quickly become the centerpiece of your collection.
In the short lifetime of electric string instruments, very few basses have earned the accolade necessary to genuinely call themselves "classics." Even less can claim the title of industry standard - but no one can dispute the fact that the Rickenbacker 4000 Series deserves these titles. The piano string-like ring, punch, and sustain brought the bass player out of the shadows and into the spotlight.

Entire new dimensions of bass playing capability are directly attributable to this venerable series. Rickenbacker basses are still handmade in America, using traditional methods refined and honed since Adolph Rickenbacker put his first electric guitar in service at the United States Patent Office almost 70 years ago. Experienced craftsmen lovingly oversee every detail of production. No robots, no computerized machinery - just human hands and eyes, backed by a determination to make, quite simply, the best products possible.

New for 2006
Rickenbacker introduces the Vintage Tone Selector for 4003 Series basses. This additional control is included standard at no additional cost on all 4003 basses beginning in the 2006 model year.

Prior to 1984, Rickenbacker basses utilized a capacitor in the treble pickup circuit to emphasize treble tones coming from that pickup. However, changes in tone preference and a call for higher output led RIC to discontinue the use of this capacitor in favor of a more balanced sound. Nevertheless many users added this capacitor back into the circuit, experimenting with and sometimes preferring the sound of the older configuration, despite the resulting drop in volume.

Rickenbacker has now decided to give players a choice, allowing the best of both worlds. With a simple pull of the treble tone control, the Vintage Tone Selector will allow a player to move between both sounds at the drop of a hat. Pressed in, you'll hear the familiar balanced tone of the 4003, while pulled out to engage the circuit, you'll appreciate the bite and crispness popularized by such artists as Chris Squire.

Combination Tailpiece and Bridge Assembly
Nestled into a massive metal tailpiece, the height adjustable bridge reflects the maximum string energy back as extra punch. Individually saddled strings have generous intonation adjustment range. A variable mute assembly hides out of the way until called upon; each side adjusts separately. Strings are easily threaded through the end of the tailpiece for rapid changes.

Internationally Acclaimed Pickups
Traceable back to Rickenbacker's original 1928 patent, this bass pickup is renowned for unbelievable clarity and wide range response. Both pickups on the 4003 models are single coil, hum protected designs with high power output. Adjustment screws lower and raise units to player's preference.

Ultimate Control
The toggle pickup selector may be used to switch from one output channel to the other, or both. Each 4003 bass has separate treble and bass tone controls and separate pickup volume controls. The control knobs were selected not only for aesthetic reasons, but also for visibility in typical low light situations.

Dual Rod Neck-Through Body
Always the hallmark of a Rickenbacker, the neck runs the full length of the bass; string tension remains entirely on one laminated wood assembly. The result is a lifetime of accuracy of alignment, plus markedly superior sustain and tone. All bass necks have 2 field replaceable truss rods, allowing for each side to be adjusted separately.

A Balanced Neck and Body System
Instantly recognizable, the fluidly sculptural body and head shape serve primarily to establish proper instrument balance. One of the thinnest and fastest necks around plus an ergonomically accurate body contour mean easy playing without fatigue. Full cutaways permit access to the highest frets without strain and a conventional tail shape permits stable storage in a stand between sets.

Bass Tuning Keys
The keywinds are superbly crafted to microscopically fine tolerances. As a result, gear backlash and slippage are virtually eliminated. All components are completely removable for cleaning or maintenance and finished to a superlative smoothness, fully protected from hard use or abuse.

All Round Protection
A deluxe molded hardshell case is included with each Rickenbacker bass. Plush lined and form fitted, these hard wearing cases feature an accessory pocket, heavy-duty hardware, and extra padding.

Technical Info

Body Type: Solid

No. Frets: 20

Scale Length: 84.5 cm (33-1/4 in.)

Neck Width at Nut: 42.9 mm (1-11/16 in.)

Neck Width at 12th Fret: 54.0 mm (2-1/8 in.)

Crown Radius: 25.4 cm (10 in.)

Body Wood: Maple

Neck Wood: Maple

Fingerboard Wood: Rosewood

Weight: 4.1 kg (9.0 lbs.)

Overall Length: 113.8 cm (44-13/16 in.)

Overall Width: 34.3 cm (13-1/2 in.)

Overall Depth: 31.8 mm (1-1/4 in.)

Fingerboard Binding: Yes

# Sides with Body Binding: 1

Fret Marker Style: Triangle

Tailpiece: RIC

Bridge: RIC

Neck Type: Through body

No. of Pickups: 2

Type of Pickups: Single Coil

Output Type: Mono and Stereo

Machine Heads: Schaller Deluxe
A timeless classic that still sets the pace today! Versatile, high-output pickups. Dual truss rods in a neck-thru-body design. Beautiful craftsmanship all around, plus that famously percussive, punchy Rickenbacker sound. Gotta love it! Includes case.
10/27 New stock arrives at zZounds, New, Mapleglo, will ship immediately.

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Rickenbacker 4003 Electric Bass (with Case) Reviews

1193 People rated this product :
           8 out of 10
           10 out of 10
"Possibly the best bass ever..."
Feature:
I got mine in a trade, and it didnt include anything but the hardshell case. I bought a strap because I didnt think it would be a big deal, you know? 20$ more and thats it. But the case was in good condition, and the rick wasn't used. (Im talking about my 4003 model, not my 4001)

Quality:
Like I said, I got mine in a trade new. It had no dings, and it was in Jetglo or Black color. The knobs were perfect and the strings were already decent I would say. I dont have to worry if anything breaks because it wont as it hasent been destroyed by the road.....yet at least.

Value:
This thing is amazing, the tone is sheer beauty and I say it is one of the best basses out there for the experienced or the proffesional bassist.

Desirability:
The bass just looks good. The black color, the neck, the pickups, and even the hand holder thing above the pickup makes it look really interesting.

Sound:
I have the 4001 and 4003 model, I got my 4002 model stolen back in 1996, but I can live without that one. I usually go for these two models, if anything else I usually go to my Fender Geddy Lee jazz bass. The sound is so forceful on this bass, clear mids, highs, and blisteing lows. The neck is slightly odd for my taste, but I do like the sound it delivers.

Ease of Use:
This thing plays like butter at times. I do like some crunchy high end at times, but I do like to have low end rumbling for some songs that my band plays, and sometimes I like it inbetween, and it is so easy to do that with the Rick. Really nice knobs in my opinion, and make for easy mastering of tone.

Support:
I got mine at a place called hix in Chicago, and I think it was the only Rickenbacker that they have ever traded in. I traded my old Squier by Fender Bronco Bass piece of crap, and they really didnt care, so Im really happy that they were nice enough to give my a 2000$ bass for a 150$ bass in return.

Overall:
I've been happy with the bass for over 2 years now, and I have been happy with Rickenbacker bass for over 20 years!

Submitted: 07/06/2009
Style of Music: Progressive Rock, Hard Rock, Rock, Jazz, Heavy Metal
2 of 2 people (100%) found this review helpful. Did you?    
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           10 out of 10
"Ric is the way to go!"
Feature:
The Ric comes with a hardshell case (great if you, like myself, cannot afford to shell out another $100 for a case) that is of incredibly good quality. I love the switch joystick (like they have on Gibson guitars) that switches between bridge, neck, and both pickups. It is conveniently placed and effortless to use, so you can switch the sound completely in a split second and keep on playing. Also, the stereo output isn't particularly useful, per se, but it is incredibly cool. It's so cool when the pickups sound like they are on opposite ends of the room! The bridge is beautiful, but slightly outdated, though I happen to personally like the string mutes that are built into it. Neck-through construction is lovely, ergonomic, and gives sustain like no other. The adjustable pickups are very easy to use and they make a world of difference in the sound depending on their height and slant. The only truly useless thing is the bridge pickup cover. It looks really cool, but it gets in the way of playing and should definitely be removed.

Quality:
No blemishes, scratches, paint or part defects, or anything. It was perfect and beautiful when I bought it. I've heard people complain about poor truss rod setup and horribly warped necks, but every single Ric I've ever played in a store (including the one that I bought) has not had a single one of these problems. The bass is very reliable, though it is almost too beautiful, and sometimes I feel as though I shouldn't play it too hard or I might damage the finish, even though the bass is incredibly durable. It's just me being OC. But as for actual playability, you can play it as hard as you want for hours and nothing will break or go wrong.

Value:
It is an absolute steal for the amount that it usually sells for. Basses that are only slightly better cost hundreds more.

Desirability:
Though it was a practical addition to my music-making setup, I seriously had dreams and fantasies about this bass. It haunted me. It was pretty much the epitome of everything I wanted and desired in a bass guitar. I wanted one before I'd even ever played it, and even if it had been the most difficult and worst quality bass ever, I still might have bought it. I've gotten comments from tons of people just from the sheer presence of it. It's scary.

Sound:
Incredibly punchy and growly at the same time. Mid range is incredible. It plays a hundred different variations of the signature Ric sound, from soft and bass-y to very sharp and crisp. The only problem is that these are all variations of the same basic sound, so if you want something incredibly versatile this isn't it. But if you even remotely like the Ric sound at all, this bass is perfect! Even through my old cheap Squire amp it sounded great, and through my brand new Fender Bassman amp is sounds positively heavenly.

Support:
I haven't had to deal with anyone except the people at the store I bought it from, all of whom were friendly and helped me with everything I had questions about.

Overall:
I will always be satisfied with this guitar. It is, simply put, perfect. Though I will be buying other basses in the future to expand the sound variety, they will never replace the Ric. If it were lost or stolen I would immediately look for a new one. It sounds great, it looks great, it feels great: it is great.

Submitted: 05/15/2004
Style of Music: proggressive rock, metal, funk
1 of 1 people (100%) found this review helpful. Did you?    
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